Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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She Came from the Woods review jolly romp raising the ghosts of 80s teen horror

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Summer-fun-and-slashing tale of camp counsellors in bloody peril has clear cinematic ancestors but the young cast gives it fresh appeal

This silly but pleasingly jolly horror film offers an update on that perennial staple of the genre: the summer camp beset by a supernatural malignancy. And much like a campfire tale tailor-made to terrify impressionable listeners, this has a streak of self-referentiality that makes it feel ludic as well as lurid. After a 1940s-set prologue that’s explained later, the story settles into the 1980s, a time when this sort of summer-fun-and-slashing package with a large ensemble cast was all the rage (see Sleepaway Camp, The Burning, and of course the Friday the 13th series).

It’s the last day of the season at Camp Briarbrook, and the assorted kids get ready to head home after one last performance-assembly in the mess hall. The camp counsellors, who predictably span the spectrum from theatre nerds and dweebs to glossy teen beauties ripe for terrorising, are also psyched to spend the night partying once the kids are gone. The camp’s owners – paterfamilias Gilbert McCalister (William Sadler), his daughter (Cara Buono, Dr Miller in Mad Men), and her two sons Shawn (Tyler Elliot Burker) and Peter (Spencer List) – look on indulgently, little realising that by the end half of them will be murdered or at least traumatised one way or another. Is the mayhem caused by the undead spirit of camp nurse Agatha (Madeleine Dauer), who bears a grudge for things Gilbert did in the 1940s? Or is there a more quotidian explanation like bears, a hornets’ nest or UFOs?

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