‘It felt dangerous. You got naggy’: Ethan Hawke and Richard Linklater on power, combovers and Blue Moon

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Ahead of their 11th movie together, the actor and director discuss musicals, the legacy of Philip Seymour Hoffman and what being bald and 5ft tall does to your flirting skills ‘I like this, it’s good,” Ethan Hawke tells Richard Linklater, midway through a lively digression that has already hopped from politics to the Beatles to the late films of John Huston . “What’s good?” asks Linklater. “All of this,” says Hawke, by which he means the London hotel suite with its coffee table, couch and matching upholstered armchairs; the whole chilly machinery of the international press junket. “I like that we get to spend a couple of days in a room,” he says. “It feels like a continuation of the same conversation we’ve been having for the past 32 years.” It’s all about the conversation with Linklater and Hawke. The two men like to talk; often the talk sparks a film. The director and actor first met backstage at a play in 1993 (“Sophistry, by Jon Marc Sherman,” says Linklater) and wound up chattin...
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She Came from the Woods review jolly romp raising the ghosts of 80s teen horror

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Summer-fun-and-slashing tale of camp counsellors in bloody peril has clear cinematic ancestors but the young cast gives it fresh appeal

This silly but pleasingly jolly horror film offers an update on that perennial staple of the genre: the summer camp beset by a supernatural malignancy. And much like a campfire tale tailor-made to terrify impressionable listeners, this has a streak of self-referentiality that makes it feel ludic as well as lurid. After a 1940s-set prologue that’s explained later, the story settles into the 1980s, a time when this sort of summer-fun-and-slashing package with a large ensemble cast was all the rage (see Sleepaway Camp, The Burning, and of course the Friday the 13th series).

It’s the last day of the season at Camp Briarbrook, and the assorted kids get ready to head home after one last performance-assembly in the mess hall. The camp counsellors, who predictably span the spectrum from theatre nerds and dweebs to glossy teen beauties ripe for terrorising, are also psyched to spend the night partying once the kids are gone. The camp’s owners – paterfamilias Gilbert McCalister (William Sadler), his daughter (Cara Buono, Dr Miller in Mad Men), and her two sons Shawn (Tyler Elliot Burker) and Peter (Spencer List) – look on indulgently, little realising that by the end half of them will be murdered or at least traumatised one way or another. Is the mayhem caused by the undead spirit of camp nurse Agatha (Madeleine Dauer), who bears a grudge for things Gilbert did in the 1940s? Or is there a more quotidian explanation like bears, a hornets’ nest or UFOs?

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