Bafta 2026 film awards longlists hope to avoid #BaftasSoWhite diversity criticism

With strong showings for Ryan Coogler’s Sinners and target hit for 50% female directors, criticism that has dogged the prizes in recent years may have been headed off For now, the Bafta film awards appears to have headed off further criticism over its long-running diversity crisis after revealing its longlists on Friday. Despite Bafta overhauling its awards voting system in 2020 after claims of “systemic racism” , outrage re-emerged in 2023 after no people of colour won awards . The longlists, which are an intermediate stage on the way to the final nominations with each category determined by different mixes of membership voting and jury selection, suggest that some progress is being made. Continue reading... from Film | The Guardian https://ift.tt/ws6nORV via IFTTT

She Came from the Woods review jolly romp raising the ghosts of 80s teen horror

Summer-fun-and-slashing tale of camp counsellors in bloody peril has clear cinematic ancestors but the young cast gives it fresh appeal

This silly but pleasingly jolly horror film offers an update on that perennial staple of the genre: the summer camp beset by a supernatural malignancy. And much like a campfire tale tailor-made to terrify impressionable listeners, this has a streak of self-referentiality that makes it feel ludic as well as lurid. After a 1940s-set prologue that’s explained later, the story settles into the 1980s, a time when this sort of summer-fun-and-slashing package with a large ensemble cast was all the rage (see Sleepaway Camp, The Burning, and of course the Friday the 13th series).

It’s the last day of the season at Camp Briarbrook, and the assorted kids get ready to head home after one last performance-assembly in the mess hall. The camp counsellors, who predictably span the spectrum from theatre nerds and dweebs to glossy teen beauties ripe for terrorising, are also psyched to spend the night partying once the kids are gone. The camp’s owners – paterfamilias Gilbert McCalister (William Sadler), his daughter (Cara Buono, Dr Miller in Mad Men), and her two sons Shawn (Tyler Elliot Burker) and Peter (Spencer List) – look on indulgently, little realising that by the end half of them will be murdered or at least traumatised one way or another. Is the mayhem caused by the undead spirit of camp nurse Agatha (Madeleine Dauer), who bears a grudge for things Gilbert did in the 1940s? Or is there a more quotidian explanation like bears, a hornets’ nest or UFOs?

Continue reading...

from Film | The Guardian https://ift.tt/aJ4wE7X
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton