Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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November review replay of Bataclan terror response is good PR for French cops

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Cédric Jiminez’s focus on police operations in the aftermath of the 2015 Paris terrorist attacks doesn’t give a real sense of who any of the agents involved are

Artistic responses to the 2015 Paris terrorist attacks – including You Will Not Have My Hate, Paris Memories and the excellent You Resemble Me – have rightly erred on the side of the contemplative, though even that couldn’t excuse last year’s soft-rock stage musical For You I’d Wait. With November, the director and co-writer Cédric Jiminez, who excavated the origins of The French Connection in his 2014 thriller The Connection, zeroes in on the police operation in the immediate aftermath of the attacks when the terrorists were still on the run. Jiminez’s Connection star Jean Dujardin oversees the hunt, calling his wife to say “Give the kids my love” before five solid days of barking at suspects and pointing at maps.

Deploying the standard Jason Bourne vocabulary of swish-pans, shaky-cam and jittery editing, the film mercifully avoids restaging the attacks themselves and instead catalogues the surveillance operations, false leads, interrogations and high-speed pursuits. Despite reliable work from a wiry-looking Jérémie Renier as a scowling cop and Anaïs Demoustier as a novice agent, we don’t get to know much about these (fictional) heroes who are pulling pizza-and-Alka-Seltzer all-nighters. A gun-runner (Hugo Dillon) with a colourful if dubious defence – “Don’t blame my Kalashnikovs, blame pussy politicians!” he fumes – comes more sharply into focus than anyone else here.

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