Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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Makeup review secret life of a drag-artist banker underpins tender friendship tale

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The story of an unlikely friendship between a city type and a haughty Frenchman has moments of genuine pathos but doesn’t quite feel real

This low-key, low-budget portrait of an odd-couple friendship takes a while to get going, and never fully hits its stride – though it has its moments. Director Hugo André plays chef turned food blogger Sacha, a fastidious Frenchman living in London who rents a room in a house. His new landlord and flatmate is city banker Dan (Will Masheter), who seems to slot neatly into the stereotype of macho finance bro. But Dan turns out to have a secret life, dressing up in glittery glam frocks and feather boas, transforming into alter ego Danielle.

A friendship of sorts develops between the two men, throwing up a couple of nice scenes. When Dan cooks soup, picky gourmand Sacha looks appalled in the way that only a Frenchman can at the claggy dollop of peanut butter slopped into his bowl. There’s a real sweetness, too, in Masheter’s performance as Dan begins to live more openly, tiptoeing into the world of cabaret – and, if nothing else, watching his self-expression blossom is a reminder of how sinister the anti-drag laws are that are currently sweeping the US.

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