Bafta 2026 film awards longlists hope to avoid #BaftasSoWhite diversity criticism

With strong showings for Ryan Coogler’s Sinners and target hit for 50% female directors, criticism that has dogged the prizes in recent years may have been headed off For now, the Bafta film awards appears to have headed off further criticism over its long-running diversity crisis after revealing its longlists on Friday. Despite Bafta overhauling its awards voting system in 2020 after claims of “systemic racism” , outrage re-emerged in 2023 after no people of colour won awards . The longlists, which are an intermediate stage on the way to the final nominations with each category determined by different mixes of membership voting and jury selection, suggest that some progress is being made. Continue reading... from Film | The Guardian https://ift.tt/ws6nORV via IFTTT

Makeup review secret life of a drag-artist banker underpins tender friendship tale

The story of an unlikely friendship between a city type and a haughty Frenchman has moments of genuine pathos but doesn’t quite feel real

This low-key, low-budget portrait of an odd-couple friendship takes a while to get going, and never fully hits its stride – though it has its moments. Director Hugo André plays chef turned food blogger Sacha, a fastidious Frenchman living in London who rents a room in a house. His new landlord and flatmate is city banker Dan (Will Masheter), who seems to slot neatly into the stereotype of macho finance bro. But Dan turns out to have a secret life, dressing up in glittery glam frocks and feather boas, transforming into alter ego Danielle.

A friendship of sorts develops between the two men, throwing up a couple of nice scenes. When Dan cooks soup, picky gourmand Sacha looks appalled in the way that only a Frenchman can at the claggy dollop of peanut butter slopped into his bowl. There’s a real sweetness, too, in Masheter’s performance as Dan begins to live more openly, tiptoeing into the world of cabaret – and, if nothing else, watching his self-expression blossom is a reminder of how sinister the anti-drag laws are that are currently sweeping the US.

Continue reading...

from Film | The Guardian https://ift.tt/P3OCvE0
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton