EXCLUSIVE: Sumit Arora talks about writing dialogues for 120 Bahadur: "Farhan Akhtar is very thorough professional, sharp, witty"; reacts to Shah Rukh Khan's National Award win for Jawan: "He should have won long back…the National Award deserved him!"

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Sumit Arora has carved a niche for himself thanks to his solid writing in shows like The Family Man, Dahaad, Guns & Gulaabs and Citadel: Honey Bunny and in films like Stree (2018), ’83 (2021), Jawan (2023), Chandu Champion (2024) etc. November 21 was a significant day for him this year for he had 2 releases – the season 3 of The Family Man dropped on Amazon Prime Video while the Farhan Akhtar-starrer war drama 120 Bahadur arrived in cinemas. In an exclusive interview with Bollywood Hungama, Sumit Arora spoke about his dialogues in 120 Bahadur and a lot more. You had 2 releases in a single day. How was the experience and what did you do on November 21? I was at IFFI, Goa as we had screenings of The Family Man as well as 120 Bahadur. I was checking the reactions of both. The Family Man Season 3 was available digitally while 120 Bahadur had released in theatres. So, it was very interesting and also overwhelming to have two releases on two different mediums on the same day. The Family...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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