Ramayana FIRST LOOK Teaser introduces Ranbir Kapoor as Lord Rama; sets stage for epic Diwali 2026 release

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The much-anticipated magnum opus Ramayana has finally revealed its most crucial element — the first glimpse of Ranbir Kapoor as Lord Rama. Backed by filmmaker and producer Namit Malhotra and directed by Nitesh Tiwari, the two-part cinematic franchise is being mounted on a global scale, with the teaser offering audiences their first look at the iconic character. Positioned as a landmark cinematic moment, the ‘Rama’ teaser introduces one of mythology’s most enduring figures to a worldwide audience. The film aims to present the story with a fresh perspective while retaining the emotional depth that has made it timeless across generations. Speaking about the essence of the story, Nitesh Tiwari said, “Ramayana’s greatness lies in its emotional richness. At its heart, it is not just about good and evil, but about choices, consequences, and the weight of doing what is right. Rama’s journey is deeply human and that is what we have tried to stay true to.” Sharing his experience of stepping i...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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