You, Me & Tuscany review – slick romcom offers solidly charming getaway

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Halle Bailey and Regé-Jean Page flirt their way through expected genre tropes in a watchable, if a little unspecific, slice of formulaic fantasy You, Me & Tuscany is a perfectly wholesome and harmless meet-cute that starts by asking: “What if the Little Mermaid had a Lady and the Tramp-style hookup with the season one heart-throb from Bridgerton, spaghetti and all?” Halle Bailey is Anna, hopelessly navigating life after the death of her mother, torn between the worlds of adult responsibility and inner child whimsy. A freelance hustle as a house sitter helps make ends meet, but her impulse to fully inhabit her clients’ lives constantly threatens her livelihood. A gig watching over a spectacular Central Park West apartment seems out of a dream. But it quickly goes awry when the lady of the house (Nia Vardalos in a sly cameo) returns early and catches Anna cosplaying as a Park Avenue princess in her premium lingerie. Embarrassed, Anna retreats into the arms of her bestie Claire (Az...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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