‘Touch Buddy’ from Dacoit out now: Pawan Singh, Jonita Gandhi and Adivi Sesh bring high energy dance track to life

Ever since the makers of Dacoit announced ‘Touch Buddy’, a song featuring Pawan Singh, Adivi Sesh and Jonita Gandhi, fans knew they were in for a power-packed musical treat. The recently released teaser only amplified the buzz, adding a whole new level of hype to the high-energy track. Finally, the makers have dropped this banger, with Pawan Singh and Jonita lending their vocals to the much-awaited song. The song was shot in Telugu as well as Hindi. Sung by the powerful duo Pawan Singh and Jonita Gandhi, the fiery lyrics are penned by Vayu Shrivastava, with music composed by Bheems Ceciroleo. Adding a touch of his own signature swag. Adivi Sesh will be seen shaking a leg alongside Pawan Singh and Jonita Gandhi, with the trio lighting up the screen with their moves, making ‘Touch Buddy’ the dance number of the season. Speaking about the song, Bhojpuri King Pawan Singh shared, “I love experimenting with my music, and when Adivi Sesh came to me with the idea, I instantly knew the kind o...

La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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