Karisma Kapoor’s kids push for forensic review of Sunjay Kapur’s will; court seeks explanation from Priya Sachdev

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The legal battle over late businessman Sunjay Kapur’s estate—valued in thousands of crores—has intensified, with Karisma Kapoor’s children, Samaira and Kiaan, now questioning why their stepmother Priya Sachdev Kapur is opposing a forensic examination of their father’s alleged will. Siblings Seek Forensic Scrutiny of Will Earlier, Samaira and Kiaan moved the Delhi High Court asking for permission to inspect the original copy of Sunjay Kapur’s will. The document was submitted in a sealed cover by its named executor, Shradha Suri Marwah. The siblings have argued that the will is “forged and fabricated,” and claim it contains several inconsistencies that cannot be verified through the certified copy they were given. They also say the signature must be examined closely—which is why they sought a forensic inspection. Priya Sachdev Objects to Forensic Review The matter took a sharper turn when Priya Sachdev opposed the request for forensic analysis. This surprised many, because such scrutin...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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