Spirit first look unveiled: Sandeep Reddy Vanga drops special New Year treat for Prabhas fans

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The much-anticipated Pan-India film Spirit, bringing together director Sandeep Reddy Vanga and Prabhas for the first time, has officially kicked off 2026 with a major reveal. As the clock struck midnight welcoming the New Year, the makers unveiled the first look of the film, instantly sending fans into a frenzy and reaffirming the project’s status as one of the most talked-about upcoming releases. Spirit has been under the spotlight ever since its announcement, largely due to the powerful combination of Prabhas and Vanga, both known for delivering intense, high-impact cinema. The first-look reveal at the turn of the year was a calculated promotional move, and one that Vanga has successfully employed in the past. Ahead of the reveal, the filmmaker teased audiences on social media on December 31 by writing, “People… A few hours more for SPIRIT – First Poster,” sparking widespread excitement and speculation. Interestingly, this strategy mirrors the promotional approach Vanga used years ...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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