SCOOP: Love & War REAL budget revealed; Sanjay Leela Bhansali's epic costs Rs 350 cr, not Rs 425 cr.

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Sanjay Leela Bhansali is among the most celebrated directors of Indian Film industry, whose cinema has stood the test of time. His next, Love And War is a casting coup of the decade as the maverick filmmaker has brought Ranbir Kapoor, Alia Bhatt and Vicky Kaushal together for the first time. Earlier in the week, there were viral reports on how Love and War budget has shot up to Rs. 425 crores, and the production has gone into turmoil. However, our reliable sources close to the project confirm that Love And War is proceeding as planned. "Love And War budgets have shot up for sure, but it happens with all Sanjay Leela Bhansali films. Initially, it was planned as a Rs. 250 crore epic, and the costs through the shoot have now shot up to Rs. 350 crores. SLB doesn't compromise on his vision, and he is passionately filming this, which he believes could be his best work to date. The Rs. 425 crore figure of cost of production is trying to harm the project on purpose, and there is no t...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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