Sanjay Leela Bhansali on joining hands with Ketan Mehta for Jai Somnath, "Always been a huge fan of Ketan Mehta's cinema"

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The biggest Bollywood news is the coming together of two epic filmmakers. Sanjay Leela Bhansali and Ketan Mehta are joining hands for Jai Somnath, a film that cinematizes the legend of the famous temple. Jai Somnath is described as a “seminal tale of Indian civilisation”. The lavish period drama is slated for release in 2027. Mehta is writing and directing the project, which will be produced by Bhansali Productions and Ketan Mehta’s Maya Movies. Speaking exclusively on the project to this writer, Sanjay Leela Bhansali said, “I’ve always been a huge huge fan of Ketan Mehta’s cinema. His Mirch Masala is one of my 10 most favourite Indian films of all times. We’ve been toying with the idea of working together. This project seems the best way to collaborate on something special.” The project was announced on Maha Shivratri as it is the cinematic manifestation of one of the most sacred pilgrimage sites located in Gujarat. Also Read: Karan Johar calls Sanjay Leela Bhansali an “A...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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