EXCLUSIVE: Tanishk Bagchi gets engaged to Payal Dangodra in a close-knit ceremony at Mahaveer Jain’s home; Amruta Fadnavis attends

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One of the most prominent composers of the film industry, Tanishk Bagchi, is now engaged. Bollywood Hungama has exclusively learned that the engagement took place yesterday, Friday, June 26. Tanishk Bagchi's engagement took place with Payal Dangodra, a prominent fashion, beauty, food, travel and lifestyle content creator. The engagement ceremony was a close knit one and took place in the Mumbai residence of producer Mahaveer Jain. Only close friends and family members were present to indulge in the celebrations and bless the couple. As per inside sources, Amruta Fadnavis, wife of the Chief Minister of Maharashtra, Devendra Fadnavis, was one of the guests and she even sang songs. Interestingly, Tanishk Bagchi has now turned producer along with dynamic young producer Divyansh Jain under 'MJF NXT', a platform by Mahaveer Jain Films to present a platform for emerging creative talents in the entertainment industry landscape. Also Read: EXCLUSIVE: Tanishk Bagchi of Saiyaara fame...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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