Sidharth Malhotra remembers father Sunil Malhotra in emotional note after his demise in Delhi: “Your integrity is my inheritance”

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Actor Sidharth Malhotra is mourning the loss of his father, Sunil Malhotra, who passed away in Delhi on February 14. The actor shared the news with his followers through a heartfelt message on social media, accompanied by a series of family photographs reflecting moments from the past. In his note, Sidharth described his father as a man defined by principle and quiet resilience. “He was a man of rare honesty, integrity and culture. He lived by values that never bent. Discipline without harshness. Strength without ego. Positivity, even when life tested him beyond measure,” he wrote. Sunil Malhotra had served as a Merchant Navy Captain and, according to reports, had been unwell for some time. Sidharth acknowledged his father’s determination through illness, recalling the strength he displayed even after a stroke left him wheelchair-bound. “From commanding the seas as a Merchant Navy Captain to facing illness with quiet courage, he never compromised, never lost his grace. Even when the ...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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