EXCLUSIVE: Bhooth Bangla team contemplates postponing release from April 10 to April 17 due to Dhurandhar The Revenge wave

Dhurandhar The Revenge is doing record business and the way it has held strongly on Monday proves that the film will not lose its hold even in the weekdays. As a result, the team of Bhooth Bangla have begun contemplating whether they should bring the horror comedy on April 10 or whether it should be postponed by a week.” “A source told Bollywood Hungama, “The way Dhurandhar The Revenge is performing, it is clear that the craze is not going to die down anytime soon. Bhooth Bangla also looks like an exciting film. But since Dhurandhar 2 is doing historic business, there’s a strong possibility that it could perform exceptionally well even in its fourth week, which coincides with the release of Bhooth Bangla. Meanwhile, there’s no Hindi film currently scheduled for release on April 17.” The source added, “At the same time, Dhurandhar The Revenge would have exhausted most of its business by the end of four weeks. Hence, it could also work in Bhooth Bangla’s favour to arrive on April 10, b...

La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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