Salman Khan – Vamshi Paidipally’s film gets a new addition in cast: Arvind Swamy comes on board, reveals report

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A major collaboration is taking shape in Indian cinema as Salman Khan teams up with filmmaker Vamshi Paidipally for the first time in a film produced by noted South producer Dil Raju. The yet-untitled project has already generated significant buzz, especially after the recent announcement of Nayanthara as the female lead. The film marks her first collaboration with Salman Khan and her second Hindi outing after Jawan alongside Shah Rukh Khan. The casting momentum continues, with reports suggesting that Arvind Swamy is likely to join the ensemble. Known for his iconic roles in films like Roja and Bombay, Swamy is expected to play a key role in the film. While initial speculation hinted at him taking on an antagonist’s part, reports clarify that his character will instead be portrayed in a positive light, steering clear of negative shades. Interestingly, the makers are still on the lookout for a strong antagonist to face Salman Khan on screen, indicating that a major casting announcemen...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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