EXCLUSIVE: Dhurandhar completes its glorious run in IMAX as Avatar: Fire And Ash takes over; single screens, Gaiety-Galaxy SKIP Hollywood biggie; continue with Ranveer Singh-starrer

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Dhurandhar, which is all set to become the biggest hit of the year, enters the third week of its release today. The film overperformed in its second week and is now all set for another huge week from today. The Ranveer Singh-starrer also had a release in the IMAX version. However, its IMAX run ended yesterday, on December 18. This is because Avatar: Fire And Ash has now taken over all the IMAX screens across India and also the world. Directed by James Cameron, the fantasy drama is known for its spellbinding visuals. Hence, it makes for an ideal watch in IMAX theatres. It's no wonder that its shows in the IMAX cinemas got filled first. Nevertheless, Dhurandhar had a glorious run in the IMAX version. The film also had a big screen appeal which enticed people to check it out in IMAX. Interestingly, the film didn’t get a release in IMAX on the day of its release due to late delivery of prints. But once the issue settled, the film managed to score big time in the wide-screen cinemas. ...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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