BREAKING: Mumbai Police files FIR against Dhurandhar The Revenge location manager for flying drone in high security Fort area of South Mumbai without permission

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A few days ago, leaked images from the sets of Dhurandhar The Revenge dropped online and quickly spread like wildfire. The images featured Sanjay Dutt and Arjun Rampal shooting in South Mumbai’s Ballard Estate. The locality can also be seen being transformed into Karachi’s Lyari locality. However, two days ago, the shoot was abruptly halted by the Mumbai Police for flying a drone without permission. As per a report in Mumbai Mirror, a First Information Report (FIR) was filed against location manager Rinku Rajpal Valmiki under Section 223 of the Bharatiya Nyaya Sanhita (BNS) for “knowingly disobeying lawful orders from officials”. The FIR mentioned that the crew used drones but did not have permission. What added to the seriousness, as per the report, was that Fort is considered a high-security area of the city. The Mumbai Mirror article then revealed on February 1, Sanjay Dutt had arrived on the set and was shooting a crucial scene of Dhurandhar The Revenge. He was wearing a white pa...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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