BREAKING: Don 3 matter reaches court; producer T P Aggarwal files petition against FWICE's non-cooperation directive against Ranveer Singh

The Don 3 controversy involving Farhan Akhtar and Ranveer Singh has been ongoing since the beginning of the year. It took a major turn last Monday, on May 25, when FWICE (Federation of Western India Cine Employees) declared that they have passed a non-cooperation directive against Ranveer. They proclaimed that the directive will remain in place until the dispute is resolved and until Ranveer Singh meets the FWICE head officials. Now, exactly a week later, another significant development has taken place in this matter. Veteran producer T P Aggarwal filed a petition in the Bombay Civil Court at Dindoshi against FWICE and IMPPA (Indian Motion Picture Producers' Association), stating that no individual or organization has the authority to impose a ban or issue a non-cooperation directive against members of the film industry. T P Aggarwal served as the President of IMPPA for 17 years and was also elected President of the Film Federation of India (FFI) on four occasions. He is currently...

La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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