Ahaan Panday CONFIRMS next film with Ali Abbas Zafar: “It’s being led by three people under the age of 30”

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Ahaan Panday used the stage at the NDTV Indian of the Year 2025 to confirm his next film, revealing that he will soon be collaborating with filmmaker Ali Abbas Zafar. Fresh off the success of his Bollywood debut Saiyaara, the actor spoke candidly about the project during a brief interaction with the host after accepting his award. Confirming the development, Ahaan said, “It’s an Ali Abbas Zafar film. I don’t know if I should say too much. All I can say is it will start rolling very soon, in the next couple of months. It’s an action film. It’s being led by three people under the age of 30. It has been something that’s not been done for a very long time. For the rest, the audience will have to wait for it.” While he refrained from sharing further details, the confirmation put an end to months of speculation around his next project. Buzz around Ahaan’s follow-up to Saiyaara first surfaced in October this year. Reports suggest that Sharvari will play the female lead, with Bobby Deol expe...
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La Syndicaliste review Isabelle Huppert is fascinating in blood-boiling injustice drama

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French film about real-life trade union whistleblower and rape survivor Maureen Kearney, accused of inventing her assault

‘My name is Maureen Kearney. I didn’t lie. I didn’t make anything up.” This French drama about a blood-boiling real-life case of injustice is the story of whistleblower and rape survivor Maureen Kearney, who for four years lived with a criminal record: falsely convicted of wasting police time, accused of inventing her rape. It’s a political thriller that tells the story matter-of-factly, and is perhaps a little lacking in the pace department. But Isabelle Huppert carries it along with a performance every bit as gripping as you’d expect. (Kearney is actually Irish, but has lived and worked in France since the mid 1980s; Huppert plays her as French).

Adapted from a book by investigative journalist Caroline Michel-Aguirre, this is a film of two halves, beginning with the whistleblowing. It’s 2011, and Kearney is a powerful trade union official, going into battle for the 50,000 staff at French nuclear engineering giant Areva in her armour of full makeup and blond hair so immaculately blow-dried it could deflect arrows. Kearney has the trade minister’s number in her phone and can summon President Sarkozy to a meeting. (Rumour has it he called her “a hysteric in a skirt”.) She turns whistleblower after being handed documents revealing secret plans to sell off France’s nuclear technology to China.

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