Toby Stephens: ‘I lost my dad to cirrhosis. The only difference between us was that, tragically, he couldn’t stop drinking’

The actor on missing his late mother, Maggie Smith, being mistaken for Damian Lewis, and looking ‘like a fridge’ Born in London, Toby Stephens, 57, is the son of actors Maggie Smith and Robert Stephens. He trained at Lamda and, in 1992, made his film debut in Orlando. In 2002 he played the Bond villain in Die Another Day. His television work includes One Day, The Split and Black Sails. On stage he has performed for the RSC and the National Theatre, and he is currently starring in Equus at London’s Menier Chocolate Factory, until 4 July, and then Theatre Royal Bath, from 14-25 July. He is married to the actor Anna‑Louise Plowman, with whom he has three children, and lives in London. What is your greatest fear? To be completely alone. Continue reading... from Film | The Guardian https://ift.tt/BhbEa2J via IFTTT

Its ethically dubious but thats love: The 24-year-old with a brain tumour filming his familys reaction

When Kit Vincent was told he had terminal cancer, he decided to shoot his parents and girlfriend during his final years – no matter how uncomfortable it made them. The result is an extraordinarily moving film, which premieres in Sheffield on Friday

‘I’m like the grim reaper,” says Kit Vincent at the start of Red Herring. He is filming himself in a mirror, appearing ominously behind his girlfriend Isobel’s back. “No one ever wants to talk about death, but I guess that’s what I remind them of.”

Kit is 24 and has recently been diagnosed with a brain tumour. The prognosis is not great: four to eight years, say the doctors. This means some difficult, emotionally raw conversations need to be had with his family. Hard enough in any situation, but especially tough for Kit’s loved ones because he insists on filming them throughout. Whether it’s questions about end-of-life care, discussions of sperm freezing, or live footage capturing him struggling with seizures, no private moment is spared the glare of Kit’s camera, often to the clear discomfort of those closest to him.

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