Five Nights at Freddy’s 2 review – inept game-based horror is one of the year’s worst

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The box office smash of Halloween 2023 gets a shoddily made follow-up written carelessly and devoid of an actual ending The ghost-possessed family-restaurant animatronics of the Five Nights at Freddy ’s movies lumber around with such heavy-footed gaucherie that it’s hard to figure out how they’re physically able to move from place to place as quickly as they’d need to for a proper killing spree. In what could be mistaken for a case of form following function, Five Nights at Freddy’s 2 moves the exact same way. It’s so ostentatiously awkward that it constantly draws attention to its inept imitations of actions that other movies, even bad ones, intuitively understand – like making transitions between scenes or locations. For example, when faced with the need to isolate a mean science teacher (Wayne Knight) so that he can be vengefully murdered by one of the aforementioned animatronics, Five Nights at Freddy’s 2 bafflingly cuts to him walking down a school hallway (during a science fair...
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Its ethically dubious but thats love: The 24-year-old with a brain tumour filming his familys reaction

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When Kit Vincent was told he had terminal cancer, he decided to shoot his parents and girlfriend during his final years – no matter how uncomfortable it made them. The result is an extraordinarily moving film, which premieres in Sheffield on Friday

‘I’m like the grim reaper,” says Kit Vincent at the start of Red Herring. He is filming himself in a mirror, appearing ominously behind his girlfriend Isobel’s back. “No one ever wants to talk about death, but I guess that’s what I remind them of.”

Kit is 24 and has recently been diagnosed with a brain tumour. The prognosis is not great: four to eight years, say the doctors. This means some difficult, emotionally raw conversations need to be had with his family. Hard enough in any situation, but especially tough for Kit’s loved ones because he insists on filming them throughout. Whether it’s questions about end-of-life care, discussions of sperm freezing, or live footage capturing him struggling with seizures, no private moment is spared the glare of Kit’s camera, often to the clear discomfort of those closest to him.

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