One Shot With Ed Sheeran review – well-planned spontaneity from all-smiling singer

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Philip Barantini’s single-take special follows the star mooching around Manhattan, guitar ever ready for ad hoc turns, ahead of his evening show Ed Sheeran floats through New York on a cloud of his own sunny high spirits in this hour-long Netflix special. He is the Candide of the music business, smiling benignly, strumming and singing, seamlessly pausing for selfies and fist-bumps and high-fives; he almost visibly absorbs energy from the saucer-eyed fan-worship shown by gobsmacked passersby and radiates it back at them. Maybe you have to be a Sheeran fan to really appreciate it, but this is another single-take bravura special from film-maker Philip Barantini (who directed Netflix’s searing single-take drama Adolescence ) and his director of photography Nyk Allen. With no cuts (though there’s an allowable fast-forward bit, and the audio might have been tweaked in post-production) they follow the unselfconscious Ed as he completes a late-afternoon soundcheck at the New York theatre whe...
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Its ethically dubious but thats love: The 24-year-old with a brain tumour filming his familys reaction

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When Kit Vincent was told he had terminal cancer, he decided to shoot his parents and girlfriend during his final years – no matter how uncomfortable it made them. The result is an extraordinarily moving film, which premieres in Sheffield on Friday

‘I’m like the grim reaper,” says Kit Vincent at the start of Red Herring. He is filming himself in a mirror, appearing ominously behind his girlfriend Isobel’s back. “No one ever wants to talk about death, but I guess that’s what I remind them of.”

Kit is 24 and has recently been diagnosed with a brain tumour. The prognosis is not great: four to eight years, say the doctors. This means some difficult, emotionally raw conversations need to be had with his family. Hard enough in any situation, but especially tough for Kit’s loved ones because he insists on filming them throughout. Whether it’s questions about end-of-life care, discussions of sperm freezing, or live footage capturing him struggling with seizures, no private moment is spared the glare of Kit’s camera, often to the clear discomfort of those closest to him.

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