‘Every role I do, I’m going to be a Black man first’: David Jonsson on winning Baftas, rebooting Alien and leaving TV’s hottest show

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He went from being the east London boy who was expelled from school to becoming the Bafta award‑winning star of Alien: Romulus. Ahead of his prison drama Wasteman, David Jonsson discusses the pressures of being a leading Black British actor David Jonsson is the kind of actor who disappears so completely into his roles that it’s easy to forget you’re watching the same person each time. In Rye Lane, he’s a lovestruck south Londoner; in Industry, an Etonian banker with ice in his veins; in Alien: Romulus, a paranoid android. He’s now starring as heroin addict Taylor in the ultraviolent British prison drama Wasteman and, for the first time, the 32-year-old actor claims he is playing something close to himself. “This is the most personal role I’ve done,” he says. “It’s so messed up because it’s a dark story about rehabilitation and addiction, but I know these men really well. Especially when you’re growing up somewhere like where I did.” We meet on a Friday afternoon at a photo studio in ...
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Its ethically dubious but thats love: The 24-year-old with a brain tumour filming his familys reaction

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When Kit Vincent was told he had terminal cancer, he decided to shoot his parents and girlfriend during his final years – no matter how uncomfortable it made them. The result is an extraordinarily moving film, which premieres in Sheffield on Friday

‘I’m like the grim reaper,” says Kit Vincent at the start of Red Herring. He is filming himself in a mirror, appearing ominously behind his girlfriend Isobel’s back. “No one ever wants to talk about death, but I guess that’s what I remind them of.”

Kit is 24 and has recently been diagnosed with a brain tumour. The prognosis is not great: four to eight years, say the doctors. This means some difficult, emotionally raw conversations need to be had with his family. Hard enough in any situation, but especially tough for Kit’s loved ones because he insists on filming them throughout. Whether it’s questions about end-of-life care, discussions of sperm freezing, or live footage capturing him struggling with seizures, no private moment is spared the glare of Kit’s camera, often to the clear discomfort of those closest to him.

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