‘I said goodbye to Heath Ledger at this urinal’: a stroll round Terry Gilliam’s pivotal places

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The studio where he crashed the Life of Brian spaceship, the stage where he put on a Faust that caused fights, the pub where he last spoke to Heath Ledger … the ex-Python takes a hilarious and evocative stroll down memory lane Down an alley in Covent Garden, on a building that was once a banana warehouse, there is a blue plaque. “Monty Python, Film Maker, Lived Here, 1976-1987,” reads the inscription. It’s easy to miss: the plaque is not at eye level as they normally are, but up on the first floor, almost as if the blue plaque committee lost confidence in their uncharacteristic joke. Or perhaps John Cleese put it up. Terry Gilliam arrives. I like his jacket. It looks like it’s been stitched together from bits of blankets. “Me too,” he says. “I got it 30 years ago in a secondhand store in New York.” We’re going to wander around London, revisiting places that have played significant parts in his career, as he approaches his 85th birthday. Continue reading... from Film | The Guardian...
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Its ethically dubious but thats love: The 24-year-old with a brain tumour filming his familys reaction

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When Kit Vincent was told he had terminal cancer, he decided to shoot his parents and girlfriend during his final years – no matter how uncomfortable it made them. The result is an extraordinarily moving film, which premieres in Sheffield on Friday

‘I’m like the grim reaper,” says Kit Vincent at the start of Red Herring. He is filming himself in a mirror, appearing ominously behind his girlfriend Isobel’s back. “No one ever wants to talk about death, but I guess that’s what I remind them of.”

Kit is 24 and has recently been diagnosed with a brain tumour. The prognosis is not great: four to eight years, say the doctors. This means some difficult, emotionally raw conversations need to be had with his family. Hard enough in any situation, but especially tough for Kit’s loved ones because he insists on filming them throughout. Whether it’s questions about end-of-life care, discussions of sperm freezing, or live footage capturing him struggling with seizures, no private moment is spared the glare of Kit’s camera, often to the clear discomfort of those closest to him.

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