SCOOP: No Eid release for Battle Of Galwan; Salman Khan-starrer to probably release in January or June 2026

After Sikandar (2025), Salman Khan is now geared up to bring his next film, Battle Of Galwan, to cinemas. The first look of the film has been appreciated as it showcased Salman Khan in a never-before-seen avatar. As the war film is all set to go on floors, the trade, industry, and fans are asking when Battle Of Galwan will be released. As is widely known, Salman’s films are typically released on Eid. Hence, can the superstar’s war drama be expected to arrive next year on the festival? A source told Bollywood Hungama, “The makers are not looking at releasing the film on Eid. This is because three films are already scheduled for release on March 19, 2026 – Yash-starer Toxic, the comic caper Dhamaal 4 and Sanjay Leela Bhansali’s intense romantic drama Love & War, starring Ranbir Kapoor, Alia Bhatt and Vicky Kaushal. Love & War might not make it on Eid and even if we take this film out, two other movies have already taken the slot. Salman is fair in such matters and hence, doesn’t...

Frederic Forrest obituary

Consummate character actor who came close to stardom in the 70s with roles in Apocalypse Now, The Conversation and The Rose

“He’d kill us if he got the chance.” Those words, spoken by a bespectacled, beige-suited young man (Frederic Forrest) as he wanders through Union Square in San Francisco with his lover (Cindy Williams), are secretly recorded by the surveillance expert Harry Caul (Gene Hackman) in The Conversation (1974). Their meaning, mulled over at length, becomes vital in unlocking the story’s mysteries. One of the key thrillers of its decade, Francis Ford Coppola’s film was also an eloquent expression of paranoia in a country reeling from Watergate.

Forrest, who has died aged 86, was the ideal actor to throw certainties into doubt. In The Conversation, he is bookish, furtive and opaque. The audience never becomes properly acquainted with him, though recordings of his voice and image are repeatedly offered up for our scrutiny so that the act of studying his expressions and intonations becomes central to experiencing the film. Without realising it, we channel a good deal of energy into deciphering his motives.

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