‘I must document everything’: the film about the Palestinian photographer killed by missiles in Gaza

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Fatma Hassouna used poetry and photography to record the death and devastation she saw daily. Was she targeted by the IDF? We speak to the director of Put Your Soul on Your Hand and Walk, a film about the journalist Israel has sought to pursue its campaign of annihilation against Gaza and its people behind closed doors. More than 170 Palestinian journalists have been killed so far, and no outside reporters or cameras are allowed in. The effects of this policy of concealment – which the Guardian managed to pierce this week with a shocking aerial photograph that made the front page – are to ensure that the outside world only catches sight of Gaza’s horrors in small fragments, and to stifle empathy for those trapped inside by hiding them from view, obscuring their humanity. But a new documentary film, Put Your Soul on Your Hand and Walk, seeks to open a window to the unfathomable suffering inside Gaza. Continue reading... from Film | The Guardian https://ift.tt/OQNX6g1 via IFTTT
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Eskape review moving tale of a refugees dangerous journey out of Cambodia

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Film-maker Neary Adeline Hay retraces her mother’s escape from her homeland in this poignant family history and memory piece

With echoes of her sublime debut Angkar, which grappled with the horrors of the Pol Pot regime through her father’s perspective as he returned to Cambodia after a 40-year absence, Neary Adeline Hay’s new documentary is a moving companion piece. Taking on the slippery nature of memory, Eskape revisits the dangerous journey taken by her mother, Thany Lieng, who fled Cambodia for France. As Hay retraces Thany’s footsteps, footage from her trip is entwined with her mother’s recollections, creating a rich and poignant tapestry of familial history.

While Hay’s presence in Angkar took the form of a voiceover, in Eskape the camera often lingers on her from behind, as she gazes at the various places once passed by her mother – suggesting that Hay is simultaneously a part of and distanced from this history. As a baby, she was with Thany as they made the perilous trek to Khao-I-Dang, a refugee camp known as the “hill of death” on the border of Cambodia and Thailand. Hay’s memories only begin, however, when her family finally arrived in the south of France. A reluctant Thany recounts her ordeal in matter-of-fact and practical details. Compared to Hay, who yearns to learn more about her origins, Thany has the mindset of a survivor and is reluctant to disturb the ghosts of the past.

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