Sanam Teri Kasam 2 Row: Harshvardhan Rane slams Mawra Hocane as she accuses him of ‘using her name for attention’; says, “I have zero tolerance for any attack on my nation's dignity”

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Amid escalating Indo-Pak tensions, Harshvardhan Rane has finally broken his silence after Pakistani actress Mawra Hocane lashed out at him on social media for stepping away from Sanam Teri Kasam 2. In a strongly-worded Instagram story, Rane called her statement ‘an attempt at personal attack’ while emphasizing that he chose to step down from the film because he ‘has zero tolerance for any attack on his nation's dignity’. The controversy erupted when Hocane reacted sharply to reports that Rane had refused to work with her in the sequel to their 2016 romantic drama due to ongoing geopolitical issues. In a post shared on her social media (as reported by FilmiBeat), Mawra wrote, "I don't know whether to call this unfortunate, sad or comical. someone I expected to have basic common sense has risen from deep slumber with a PR strategy. Look around you, look at what's going on!!! We could all hear explosions, children in my country died due to an unjustified cowardly attack,...
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Eskape review moving tale of a refugees dangerous journey out of Cambodia

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Film-maker Neary Adeline Hay retraces her mother’s escape from her homeland in this poignant family history and memory piece

With echoes of her sublime debut Angkar, which grappled with the horrors of the Pol Pot regime through her father’s perspective as he returned to Cambodia after a 40-year absence, Neary Adeline Hay’s new documentary is a moving companion piece. Taking on the slippery nature of memory, Eskape revisits the dangerous journey taken by her mother, Thany Lieng, who fled Cambodia for France. As Hay retraces Thany’s footsteps, footage from her trip is entwined with her mother’s recollections, creating a rich and poignant tapestry of familial history.

While Hay’s presence in Angkar took the form of a voiceover, in Eskape the camera often lingers on her from behind, as she gazes at the various places once passed by her mother – suggesting that Hay is simultaneously a part of and distanced from this history. As a baby, she was with Thany as they made the perilous trek to Khao-I-Dang, a refugee camp known as the “hill of death” on the border of Cambodia and Thailand. Hay’s memories only begin, however, when her family finally arrived in the south of France. A reluctant Thany recounts her ordeal in matter-of-fact and practical details. Compared to Hay, who yearns to learn more about her origins, Thany has the mindset of a survivor and is reluctant to disturb the ghosts of the past.

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