Priyadarshan says “Hera Pheri 3 will be dead" days after exiting Akshay Kumar-starrer; alleges repeated insults by Firoz Nadiadwala

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After confirming that he is no longer associated with Hera Pheri 3, filmmaker Priyadarshan has now shared fresh details about his decision to walk away from the much-awaited comedy franchise. The director has alleged that repeated insults from producer Firoz Nadiadwala, along with a long-running copyright dispute surrounding the franchise, convinced him that the film may never be made. The development comes shortly after Nadiadwala revealed that Priyadarshan was no longer directing Hera Pheri 3. The filmmaker later confirmed the news, telling Hindustan Times, "To the best of my knowledge, Hera Pheri 3 will never hit the screen due to lots of legal issues and personal conflicts. Whether I am involved or not is unimportant." Now, in an exclusive conversation with Mid-Day, Priyadarshan elaborated on what led to his exit and spoke candidly about his differences with the producer. Recalling his conversations with Akshay Kumar, the director said, "Firoz told Akshay, 'You ...
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Against the Tide review old ways vs the new in a study of modern Indian fisherfolk

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Seafaring friends from Mumbai cope with a changing climate and an unforgiving economy in different ways in Sarvnik Kaur’s poetic, beautifully shot documentary

Sarvnik Kaur’s patient, plangent documentary follows two fishers and friends from Mumbai’s Koli community pursuing their livelihoods by different means. Ganesh is a likable grafter who commands a large crew and the latest technology for expeditions far out at sea. He lives in a modern apartment with his wife, Manali, and zooms around town in a van that has his Instagram handle – The Last Fisherman of Bombay – emblazoned on the side.

In contrast, the humble Rakesh, who lives with his wife, Devyani, their baby son and his mother-in-law, adheres to traditional Koli methods, trusting in his ancestors and restricting himself to shallow waters and a modest boat. In nocturnal chats that punctuate the film, the cultural and economic chasm between the two men is exposed. Ganesh encourages his friend to broaden his horizons, but Rakesh’s ambitions are limited to the dream of having a toilet at home.

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