Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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Against the Tide review old ways vs the new in a study of modern Indian fisherfolk

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Seafaring friends from Mumbai cope with a changing climate and an unforgiving economy in different ways in Sarvnik Kaur’s poetic, beautifully shot documentary

Sarvnik Kaur’s patient, plangent documentary follows two fishers and friends from Mumbai’s Koli community pursuing their livelihoods by different means. Ganesh is a likable grafter who commands a large crew and the latest technology for expeditions far out at sea. He lives in a modern apartment with his wife, Manali, and zooms around town in a van that has his Instagram handle – The Last Fisherman of Bombay – emblazoned on the side.

In contrast, the humble Rakesh, who lives with his wife, Devyani, their baby son and his mother-in-law, adheres to traditional Koli methods, trusting in his ancestors and restricting himself to shallow waters and a modest boat. In nocturnal chats that punctuate the film, the cultural and economic chasm between the two men is exposed. Ganesh encourages his friend to broaden his horizons, but Rakesh’s ambitions are limited to the dream of having a toilet at home.

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