‘It felt dangerous. You got naggy’: Ethan Hawke and Richard Linklater on power, combovers and Blue Moon

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Ahead of their 11th movie together, the actor and director discuss musicals, the legacy of Philip Seymour Hoffman and what being bald and 5ft tall does to your flirting skills ‘I like this, it’s good,” Ethan Hawke tells Richard Linklater, midway through a lively digression that has already hopped from politics to the Beatles to the late films of John Huston . “What’s good?” asks Linklater. “All of this,” says Hawke, by which he means the London hotel suite with its coffee table, couch and matching upholstered armchairs; the whole chilly machinery of the international press junket. “I like that we get to spend a couple of days in a room,” he says. “It feels like a continuation of the same conversation we’ve been having for the past 32 years.” It’s all about the conversation with Linklater and Hawke. The two men like to talk; often the talk sparks a film. The director and actor first met backstage at a play in 1993 (“Sophistry, by Jon Marc Sherman,” says Linklater) and wound up chattin...
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Academy take action: why there should be an Oscar for best stunts

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The director of John Wick: Chapter 4 has revealed that he is in discussions with the Academy to officially recognise the power of action sequences – and it couldn’t happen quickly enough

You could ask a million different people what they want from the Oscars, and you’d get a million different replies. Some would want greater diversity, others for commercial movies to be better recognised. Some would want to see the entire ceremony scrapped altogether and replaced by a list of winners sent out via email, although that last one might just be me. Anyway, the point is that nobody – nobody on Earth – would want the Oscars to be any longer.

To watch the Oscars these days is to commit to slowly losing all feeling in your lower body. On and on they go, for hours and hours. All the awards. All the speeches. All the montages. All the bits where everyone assembled focuses their willpower to shut out the creeping death of theatrical film-making as a financially viable medium. It goes on a while, and at this stage only an absolute lunatic would want to start adding categories to an already overstuffed dance card.

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