Conclave viewership rose 283% on day of Pope Francis’s death

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Ralph Fiennes was Oscar-nominated for his role in the thriller which follows cardinals wrangling to replace a fictional pontiff after his death The death of Pope Francis on 21 April led to an abrupt uptick in viewership of Conclave, Edward Berger’s thriller which depicts the events following the death of a fictional pope, and the cardinals wrangling to replace him. The film, which won best picture at the Baftas earlier this year and was nominated for eight Oscars, is available on assorted streaming platforms worldwide. According to Luminate, which tracks streaming viewership, Conclave was viewed for about 1.8m minutes on 20 April, and 6.9m minutes the next day – an increase of 283%. Continue reading... from Film | The Guardian https://ift.tt/0Mo5Gbw via IFTTT
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Academy take action: why there should be an Oscar for best stunts

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The director of John Wick: Chapter 4 has revealed that he is in discussions with the Academy to officially recognise the power of action sequences – and it couldn’t happen quickly enough

You could ask a million different people what they want from the Oscars, and you’d get a million different replies. Some would want greater diversity, others for commercial movies to be better recognised. Some would want to see the entire ceremony scrapped altogether and replaced by a list of winners sent out via email, although that last one might just be me. Anyway, the point is that nobody – nobody on Earth – would want the Oscars to be any longer.

To watch the Oscars these days is to commit to slowly losing all feeling in your lower body. On and on they go, for hours and hours. All the awards. All the speeches. All the montages. All the bits where everyone assembled focuses their willpower to shut out the creeping death of theatrical film-making as a financially viable medium. It goes on a while, and at this stage only an absolute lunatic would want to start adding categories to an already overstuffed dance card.

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