Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

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Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...
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Academy take action: why there should be an Oscar for best stunts

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The director of John Wick: Chapter 4 has revealed that he is in discussions with the Academy to officially recognise the power of action sequences – and it couldn’t happen quickly enough

You could ask a million different people what they want from the Oscars, and you’d get a million different replies. Some would want greater diversity, others for commercial movies to be better recognised. Some would want to see the entire ceremony scrapped altogether and replaced by a list of winners sent out via email, although that last one might just be me. Anyway, the point is that nobody – nobody on Earth – would want the Oscars to be any longer.

To watch the Oscars these days is to commit to slowly losing all feeling in your lower body. On and on they go, for hours and hours. All the awards. All the speeches. All the montages. All the bits where everyone assembled focuses their willpower to shut out the creeping death of theatrical film-making as a financially viable medium. It goes on a while, and at this stage only an absolute lunatic would want to start adding categories to an already overstuffed dance card.

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