Sinners or One Battle: what can we learn from this year’s anonymous Oscar ballots?

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While Academy voters are supposed to keep their picks secret, another batch of anonymous ballots have leaked – giving us some insight on a hard-to-call race Oscars 2026: how to watch, nominations, what to read and predictions It took a great deal of blood, sweat and tweets, but in 2016 the Academy finally took notice and started to embrace both diversity and modernity. The # OscarsSoWhite furore over two straight years of all-white nominees (Michael B Jordan’s Creed snub was in my opinion the cruelest) led to a dramatic shake-up and one that has continued ever since with more women, people of colour and international voters added to what had been an overwhelmingly homogenous base. It has all led to an Oscars race that is increasingly harder to predict using old-fashioned thinking in ways that have become rather thrilling over time, the idea of an “Oscar movie” now far more slippery. Films such as Parasite, Anora, Moonlight, Anatomy of a Fall, Nomadland, Get Out and The Zone ...
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Unclenching the Fists review – claustrophobic drama full of trauma and tenderness

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A quietly phenomenal performance by Milana Aguzarova as a young woman trying to break free from the unsettling relationships within her stifling family

Like her partner Kantemir Balagov’s 2019 film Beanpole, there’s an uncanny claustrophobic charge to Kira Kovalenko’s family drama, though it finally exhales an equally powerful sigh of self-redemption. Milana Aguzarova stars as Ada, a young woman in a North Ossetian mining town trapped by her ailing and possessive father Zaur (Alik Karaev). He guards the only front door key, letting her and her siblings out when he chooses, and refuses to let her have an operation to correct injuries sustained during a school hostage-taking that mean she has to wear an incontinence nappy.

Ada’s brother Akim (Soslan Khugaev) comes home from the city of Rostov and seems to have the self-possession and moral compass Zaur does not. He promises to get her the treatment she needs – and a shot at romance with local chancer Tamik (Arsen Khetagurov), who has been hovering. But there’s an unsettling ambivalence to his help, expressed in their fraught confrontations and intense embraces; an incestuous undertone that younger brother Dakko (Khetag Bibilov), who tries to climb into Ada’s bed like a small child, is also subject to.

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