PIL targets The Kerala Story 2, seeks removal of ‘Kerala’ from title amid communal concerns

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A new Public Interest Litigation (PIL) has been filed before the Kerala High Court challenging the title and release of the recently released film The Kerala Story 2. The petition, submitted on March 3 by a retired social science teacher and a practicing lawyer, calls for the removal of the word “Kerala” from the film’s title, arguing that it unfairly associates the State with sensitive and controversial themes. According to the plea, the petitioners contend that the film’s title and subject matter risk portraying Kerala in a negative light. They have alleged that the narrative reportedly depicts the State as a centre for forced religious conversions, a portrayal they believe could damage its social and cultural image. The petition also references an ongoing legal tussle involving the filmmakers. It notes that the producers have approached a Division Bench of the High Court challenging a recent interim order issued by a Single Bench, which had temporarily stayed the film’s release. T...
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Unclenching the Fists review – claustrophobic drama full of trauma and tenderness

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A quietly phenomenal performance by Milana Aguzarova as a young woman trying to break free from the unsettling relationships within her stifling family

Like her partner Kantemir Balagov’s 2019 film Beanpole, there’s an uncanny claustrophobic charge to Kira Kovalenko’s family drama, though it finally exhales an equally powerful sigh of self-redemption. Milana Aguzarova stars as Ada, a young woman in a North Ossetian mining town trapped by her ailing and possessive father Zaur (Alik Karaev). He guards the only front door key, letting her and her siblings out when he chooses, and refuses to let her have an operation to correct injuries sustained during a school hostage-taking that mean she has to wear an incontinence nappy.

Ada’s brother Akim (Soslan Khugaev) comes home from the city of Rostov and seems to have the self-possession and moral compass Zaur does not. He promises to get her the treatment she needs – and a shot at romance with local chancer Tamik (Arsen Khetagurov), who has been hovering. But there’s an unsettling ambivalence to his help, expressed in their fraught confrontations and intense embraces; an incestuous undertone that younger brother Dakko (Khetag Bibilov), who tries to climb into Ada’s bed like a small child, is also subject to.

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