The Odyssey storms global box office with $264m opening

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Epic film marks Christopher Nolan’s best opening since 2012’s The Dark Knight Rises when adjusted for inflation The Odyssey has stormed the global box office, taking US$264m (£196m, A$378m) in its opening weekend, according to studio Universal Pictures. Starring Matt Damon, Tom Holland, Anne Hathaway and Zendaya, the blockbuster is an adaptation of Homer’s ancient Greek epic poem, which follows Odysseus, the king of Ithaca, as he makes his perilous 10-year journey home after fighting in the Trojan war. Continue reading... from Film | The Guardian https://ift.tt/foaVv2e via IFTTT
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Unclenching the Fists review – claustrophobic drama full of trauma and tenderness

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A quietly phenomenal performance by Milana Aguzarova as a young woman trying to break free from the unsettling relationships within her stifling family

Like her partner Kantemir Balagov’s 2019 film Beanpole, there’s an uncanny claustrophobic charge to Kira Kovalenko’s family drama, though it finally exhales an equally powerful sigh of self-redemption. Milana Aguzarova stars as Ada, a young woman in a North Ossetian mining town trapped by her ailing and possessive father Zaur (Alik Karaev). He guards the only front door key, letting her and her siblings out when he chooses, and refuses to let her have an operation to correct injuries sustained during a school hostage-taking that mean she has to wear an incontinence nappy.

Ada’s brother Akim (Soslan Khugaev) comes home from the city of Rostov and seems to have the self-possession and moral compass Zaur does not. He promises to get her the treatment she needs – and a shot at romance with local chancer Tamik (Arsen Khetagurov), who has been hovering. But there’s an unsettling ambivalence to his help, expressed in their fraught confrontations and intense embraces; an incestuous undertone that younger brother Dakko (Khetag Bibilov), who tries to climb into Ada’s bed like a small child, is also subject to.

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