Tearing up the screen: BFI’s Rip It Up season rebels against tired teen stereotypes

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Young people have chosen this six-month season, and though rebel classics such as Quadrophenia and If … are here, the picks show youth culture in flux Seventy-five years ago, the Festival of Britain offered a vision of a modern, forward-looking nation emerging from the austerity of the second world war. It also coincided with the emergence of a new cultural figure in the US: the teenager. For the first time, young people were beginning to be recognised as a distinct social group with their own tastes, fashions, anxieties and aspirations. That evolution forms the basis of Rip It Up, a new nationwide season from the BFI Film Audience Network running from May to October, exploring how British film and television have captured youth culture across seven decades. Bringing together screenings, archive material, talks, live events and youth-led programming, the season traces a journey from postwar rebellion and working-class aspiration to contemporary questions of identity, belonging and self...
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Unclenching the Fists review – claustrophobic drama full of trauma and tenderness

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A quietly phenomenal performance by Milana Aguzarova as a young woman trying to break free from the unsettling relationships within her stifling family

Like her partner Kantemir Balagov’s 2019 film Beanpole, there’s an uncanny claustrophobic charge to Kira Kovalenko’s family drama, though it finally exhales an equally powerful sigh of self-redemption. Milana Aguzarova stars as Ada, a young woman in a North Ossetian mining town trapped by her ailing and possessive father Zaur (Alik Karaev). He guards the only front door key, letting her and her siblings out when he chooses, and refuses to let her have an operation to correct injuries sustained during a school hostage-taking that mean she has to wear an incontinence nappy.

Ada’s brother Akim (Soslan Khugaev) comes home from the city of Rostov and seems to have the self-possession and moral compass Zaur does not. He promises to get her the treatment she needs – and a shot at romance with local chancer Tamik (Arsen Khetagurov), who has been hovering. But there’s an unsettling ambivalence to his help, expressed in their fraught confrontations and intense embraces; an incestuous undertone that younger brother Dakko (Khetag Bibilov), who tries to climb into Ada’s bed like a small child, is also subject to.

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