SCOOP: Love & War REAL budget revealed; Sanjay Leela Bhansali's epic costs Rs 350 cr, not Rs 425 cr.

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Sanjay Leela Bhansali is among the most celebrated directors of Indian Film industry, whose cinema has stood the test of time. His next, Love And War is a casting coup of the decade as the maverick filmmaker has brought Ranbir Kapoor, Alia Bhatt and Vicky Kaushal together for the first time. Earlier in the week, there were viral reports on how Love and War budget has shot up to Rs. 425 crores, and the production has gone into turmoil. However, our reliable sources close to the project confirm that Love And War is proceeding as planned. "Love And War budgets have shot up for sure, but it happens with all Sanjay Leela Bhansali films. Initially, it was planned as a Rs. 250 crore epic, and the costs through the shoot have now shot up to Rs. 350 crores. SLB doesn't compromise on his vision, and he is passionately filming this, which he believes could be his best work to date. The Rs. 425 crore figure of cost of production is trying to harm the project on purpose, and there is no t...
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Unclenching the Fists review – claustrophobic drama full of trauma and tenderness

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A quietly phenomenal performance by Milana Aguzarova as a young woman trying to break free from the unsettling relationships within her stifling family

Like her partner Kantemir Balagov’s 2019 film Beanpole, there’s an uncanny claustrophobic charge to Kira Kovalenko’s family drama, though it finally exhales an equally powerful sigh of self-redemption. Milana Aguzarova stars as Ada, a young woman in a North Ossetian mining town trapped by her ailing and possessive father Zaur (Alik Karaev). He guards the only front door key, letting her and her siblings out when he chooses, and refuses to let her have an operation to correct injuries sustained during a school hostage-taking that mean she has to wear an incontinence nappy.

Ada’s brother Akim (Soslan Khugaev) comes home from the city of Rostov and seems to have the self-possession and moral compass Zaur does not. He promises to get her the treatment she needs – and a shot at romance with local chancer Tamik (Arsen Khetagurov), who has been hovering. But there’s an unsettling ambivalence to his help, expressed in their fraught confrontations and intense embraces; an incestuous undertone that younger brother Dakko (Khetag Bibilov), who tries to climb into Ada’s bed like a small child, is also subject to.

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