Priyanka Chahar Choudhary confirmed as new Naagin! Ektaa R Kapoor unveils Naagin 7 lead on Bigg Boss 19 with Salman Khan

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The wait is finally over for Naagin fans! On the latest episode of Weekend Ka Vaar, television czarina Ektaa R Kapoor made a special appearance on Bigg Boss 19, joining host Salman Khan on stage — and with her came a major revelation that set the internet buzzing. Kapoor officially announced Naagin 7 and introduced the show’s new lead — Priyanka Chahar Choudhary. The announcement came as a delightful surprise for fans who had long been speculating about the next face of the fantasy franchise. Dressed in her Naagin avatar, Priyanka made a stunning entry on the Bigg Boss stage, performing a captivating act that marked her grand return to television. The actress, who rose to fame with Udaariyaan and became one of the most loved contestants on Bigg Boss 16, is now ready to embrace her most powerful role yet. Expressing her excitement, Priyanka shared that the role of Naagin has been a dream come true. She revealed that this opportunity was first hinted at during her stint in the Bigg Bos...
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The Old Oak review – Ken Loach’s fierce final call for compassion and solidarity

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A northern pub landlord confronts locals’ hostility towards Syrian immigrants in Loach’s latest – and possibly last – piece of politically trenchant cinema

A decade or so ago, the rumour was that Ken Loach was getting ready to quit. Then began a new parade of Conservative prime ministers in this country, each shiftier and more mediocre than the last; Loach decided he had more to say and do after all. What followed was a blaze of energy, anger and productivity culminating in a remarkable late surge – in fact, a trilogy, of which this might come to be seen as the final episode. Working with his regular collaborator, the screenwriter Paul Laverty, Loach has been taking on issues and stories that you don’t see on the TV news or on glitzy streaming services, and showed that film-makers could actually intervene in the real world. Loach got questions about poverty and austerity asked in parliament; he moved the dial.

Loach has also sought out the painful and unfashionable subjects, marching to where the gunfire has been loudest. With I, Daniel Blake it was the vivisectional experiment of austerity; with Sorry We Missed You it was the serfdom of the gig economy. Now, in The Old Oak, it is that ugly phenomenon from which London’s liberal classes have turned away in sorrowing distaste: immigrants housed in hostels all over the UK who are being abused and attacked by local people radicalised by social media.

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