Hrithik Roshan and Rakesh Roshan sell multiple properties in Mumbai’s Andheri West for Rs 6.75 crores

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Bollywood actor Hrithik Roshan and his father, filmmaker Rakesh Roshan, have sold three residential properties in Mumbai’s Andheri West for a cumulative amount of Rs. 6.75 crore, according to property registration documents reviewed by real estate platform Square Yards. All transactions were registered in May 2025, as per data from the official website of the Inspector General of Registration, Maharashtra. The properties are located in premium residential buildings across Andheri West, a bustling real estate hub in the western suburbs of Mumbai. The locality is known for its excellent connectivity through roads, suburban rail, and the metro network, and is situated close to the Chhatrapati Shivaji Maharaj International Airport. Its proximity to key commercial areas such as Bandra Kurla Complex (BKC), SEEPZ, and Lower Parel makes it a prime residential choice for working professionals. Among them, Rakesh Roshan sold a property in Veejays Niwas CHS Limited, Andheri West, valued at Rs. ...
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The Old Oak review – Ken Loach’s fierce final call for compassion and solidarity

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A northern pub landlord confronts locals’ hostility towards Syrian immigrants in Loach’s latest – and possibly last – piece of politically trenchant cinema

A decade or so ago, the rumour was that Ken Loach was getting ready to quit. Then began a new parade of Conservative prime ministers in this country, each shiftier and more mediocre than the last; Loach decided he had more to say and do after all. What followed was a blaze of energy, anger and productivity culminating in a remarkable late surge – in fact, a trilogy, of which this might come to be seen as the final episode. Working with his regular collaborator, the screenwriter Paul Laverty, Loach has been taking on issues and stories that you don’t see on the TV news or on glitzy streaming services, and showed that film-makers could actually intervene in the real world. Loach got questions about poverty and austerity asked in parliament; he moved the dial.

Loach has also sought out the painful and unfashionable subjects, marching to where the gunfire has been loudest. With I, Daniel Blake it was the vivisectional experiment of austerity; with Sorry We Missed You it was the serfdom of the gig economy. Now, in The Old Oak, it is that ugly phenomenon from which London’s liberal classes have turned away in sorrowing distaste: immigrants housed in hostels all over the UK who are being abused and attacked by local people radicalised by social media.

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