‘Nobody would forgive me if I told the truth’: new film about pacifist turned Nazi collaborator divides France

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In Les Rayons et les Ombres, Jean Dujardin plays a real-life press baron partying during the horrors of the second world war. Director Xavier Giannoli discusses bringing this still sensitive topic to light Xavier Giannoli’s new film Les Rayons et les Ombres (Rays and Shadows) is told from the postwar perspective of Corinne Luchaire, a French actor who was once hailed as “the new Garbo” but grew too close to the Nazis during the German occupation years. As Luchaire records her thoughts on a borrowed tape recorder, she struggles to reconcile her unfaltering devotion to her father, the once-powerful press baron Jean, with his 1946 execution for treason. Her wilful blindness collapses as the Jewish director who helped launch her career visits her cramped flat. When Corinne, played by newcomer Nastya Golubeva Carax, enquires after his sister, he reveals that she died in a concentration camp. “I didn’t know,” murmurs Corinne, only to be met with the devastating reply: “Did you even try to ...
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The Old Man Movie: Lactopalypse! review – brilliantly weird Estonian stop-motion

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This animated combination of cynicism and grotesquerie has as much energy as Aardman and double the WTF quotient

The only fitting comparison for this deranged Estonian stop-motion animation is if Shaun the Sheep had somehow been infected with a terminal case of BSE. The human characters are ugly lumpen golems, all the better to suggest rural backwardness; milk enjoys the same almost-ontological status here as Malkovichness in Being John Malkovich; the film has an unhealthy anal fixation that at one point expresses itself in a giant bear, irritated by a heavy-metal guitarist in his colon, who farts out an entire forestful of animals. In short, it’s brilliant.

City brats Priidik (voiced by co-director Mikk Mägi), Aino (co-director Oskar Lehemaa) and Mart (Mägi) are sent to stay with their grandfather (Mägi), who to their scorn is always doing “barn things”. The old fella prides himself on his way with an udder; he starts to rid them of their urban prissiness with a few squirts of yoghurty lactate. But when his prize cow escapes, one-time milking champion Old Milker (Jan Uuspõld) turns up to alert them of the danger: relieve that udder within 24 hours, or risk unleashing “lactopalypse”.

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