Preity Zinta approaches Bombay High Court to take down AI deepfake content; next hearing scheduled on July 6

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Actor Preity Zinta has approached the Bombay High Court seeking the removal of AI-generated deepfake videos, morphed images and other unauthorised content featuring her from social media and online platforms. The actress has also sought an injunction to prevent the publication and circulation of such content in the future. The matter came up for hearing before a single bench of Justice Madhav Jamdar on Friday. After hearing preliminary submissions, the court directed the parties, including the online platforms concerned, to work out a mechanism for taking down the allegedly offending material. The matter has now been listed for further hearing on July 6. Preity Zinta seeks removal of AI-generated content In her civil suit, Preity Zinta has referred to multiple instances of AI-generated deepfakes, morphed visuals and chatbot-style interactions that allegedly use her likeness without authorisation. According to the plea, the actress has sought urgent directions from the Bombay High Cour...
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The Old Man Movie: Lactopalypse! review – brilliantly weird Estonian stop-motion

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This animated combination of cynicism and grotesquerie has as much energy as Aardman and double the WTF quotient

The only fitting comparison for this deranged Estonian stop-motion animation is if Shaun the Sheep had somehow been infected with a terminal case of BSE. The human characters are ugly lumpen golems, all the better to suggest rural backwardness; milk enjoys the same almost-ontological status here as Malkovichness in Being John Malkovich; the film has an unhealthy anal fixation that at one point expresses itself in a giant bear, irritated by a heavy-metal guitarist in his colon, who farts out an entire forestful of animals. In short, it’s brilliant.

City brats Priidik (voiced by co-director Mikk Mägi), Aino (co-director Oskar Lehemaa) and Mart (Mägi) are sent to stay with their grandfather (Mägi), who to their scorn is always doing “barn things”. The old fella prides himself on his way with an udder; he starts to rid them of their urban prissiness with a few squirts of yoghurty lactate. But when his prize cow escapes, one-time milking champion Old Milker (Jan Uuspõld) turns up to alert them of the danger: relieve that udder within 24 hours, or risk unleashing “lactopalypse”.

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