Red Sonja review – pixie-ish Matilda Lutz steps into Brigitte Nielsen’s battle corset for action remake

The revival of Nielsen’s 80s classic applies CGI and flashbacks a little too liberally, but there’s the odd glimmer of wit in an otherwise clunky script Ever since Brigitte Nielsen unlaced her battle corset after shooting ended on pulpy fantasy actioner Red Sonja back in the 1980s, there’s been talk of sequels and/or reboots. Truffle around the internet and you’ll find a saga to rival the finest in Old Norse about deals signed and projects greenlit and then abandoned over the years, with names attached to direct ranging from X-Men’s Bryan Singer to Transparent’s Joey Soloway. What a shame Soloway’s version never got off the ground because that surely would have been a hoot, and probably more interesting than this soggy, CGI-infused, low-budget confection that’s finally arrived. Little-known actor Matilda Lutz gets the lead role this time around, as well as getting all the hair extensions in the auburn aisle. She presents a Sonja that’s more a pixie-like hippy chick than Nielsen’s Val...

The Old Man Movie: Lactopalypse! review – brilliantly weird Estonian stop-motion

This animated combination of cynicism and grotesquerie has as much energy as Aardman and double the WTF quotient

The only fitting comparison for this deranged Estonian stop-motion animation is if Shaun the Sheep had somehow been infected with a terminal case of BSE. The human characters are ugly lumpen golems, all the better to suggest rural backwardness; milk enjoys the same almost-ontological status here as Malkovichness in Being John Malkovich; the film has an unhealthy anal fixation that at one point expresses itself in a giant bear, irritated by a heavy-metal guitarist in his colon, who farts out an entire forestful of animals. In short, it’s brilliant.

City brats Priidik (voiced by co-director Mikk Mägi), Aino (co-director Oskar Lehemaa) and Mart (Mägi) are sent to stay with their grandfather (Mägi), who to their scorn is always doing “barn things”. The old fella prides himself on his way with an udder; he starts to rid them of their urban prissiness with a few squirts of yoghurty lactate. But when his prize cow escapes, one-time milking champion Old Milker (Jan Uuspõld) turns up to alert them of the danger: relieve that udder within 24 hours, or risk unleashing “lactopalypse”.

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