The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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The Little Mermaid hooks audiences with whale of an opening weekend

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The live-action remake brought in nearly $100m over the Memorial Day weekend, knocking Fast X out of the top spot

The Little Mermaid live-action remake of Disney’s 1989 animated classic made a splash at the box office on Memorial Day weekend, bringing in almost $100m in North America, according to studio estimates released on Sunday.

The film starring Halle Bailey, winning praise from critics as the titular mermaid Ariel, and Melissa McCarthy as her sea witch nemesis, Ursula, ranks as the fifth biggest Memorial Day weekend opening on record.

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