Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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Streaming: Cocaine Bear and the best ‘so bad they’re good’ films

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Farcical thriller Cocaine Bear – about a drugged-up bear on the loose – follows in the knowingly naff footsteps of Snakes on a Plane, Sharknado and more

There are some films that feel like a mere addendum to their trailer, and Cocaine Bear is one: an idea that sounds so good and so funny as a quick synopsis that it’s almost immaterial whether the finished film makes much of it or not. Whether or not you’ve seen Elizabeth Banks’s farcical, nominally fact-based thriller, released in cinemas in February, you’re probably aware of its one-line pitch: there’s a bear, you see, that somehow ingests a massive stash of cocaine and goes on an almighty rampage. Chaos ensues. What more do you want from a film?

As it happens, Cocaine Bear is a likably ludicrous romp – ideally suited, now that it’s available on VOD, to a Friday-night watch on the couch with a takeaway. (Perhaps you thought the premise sounded just too silly to justify a cinema trip.) But it never quite matches the zippy energy and gonzo hilarity of its trailer, and it doesn’t really try. It’s a one-joke film that considers its work done when you’ve been sufficiently amused to sit down and watch it.

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