EXCLUSIVE: Makers of Maa upset with distributor due to release strategy and distribution of shows of the Kajol-starrer

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The latest release, Maa, has managed to put up impressive numbers in its first two days, thanks to the casting of Kajol, the horror genre, and positive word of mouth. However, the makers are unhappy with the release strategy and distribution of the film. A source close to the film told Bollywood Hungama, “Maa has released in around 1500 screens and ideally, a film like this should have got a screen count of around 2000. After all, it has the association of Ajay Devgn and Kajol and moreover, it is a horror film, which is the flavour of the season. Sadly, that didn’t happen and also it was noticed by the makers that the shows weren’t properly allotted across cinemas. Though it’s a horror film, it also appeals to the family as evident by its title and the U/A rating. Hence, it should have got prominent showcasing in the afternoon and evening and also overall more shows but in many places, that hasn’t happened.” The source continued, “As a result, the makers are displeased with the arran...
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Streaming: Cocaine Bear and the best ‘so bad they’re good’ films

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Farcical thriller Cocaine Bear – about a drugged-up bear on the loose – follows in the knowingly naff footsteps of Snakes on a Plane, Sharknado and more

There are some films that feel like a mere addendum to their trailer, and Cocaine Bear is one: an idea that sounds so good and so funny as a quick synopsis that it’s almost immaterial whether the finished film makes much of it or not. Whether or not you’ve seen Elizabeth Banks’s farcical, nominally fact-based thriller, released in cinemas in February, you’re probably aware of its one-line pitch: there’s a bear, you see, that somehow ingests a massive stash of cocaine and goes on an almighty rampage. Chaos ensues. What more do you want from a film?

As it happens, Cocaine Bear is a likably ludicrous romp – ideally suited, now that it’s available on VOD, to a Friday-night watch on the couch with a takeaway. (Perhaps you thought the premise sounded just too silly to justify a cinema trip.) But it never quite matches the zippy energy and gonzo hilarity of its trailer, and it doesn’t really try. It’s a one-joke film that considers its work done when you’ve been sufficiently amused to sit down and watch it.

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