Beverly Hills Cop: Axel F review – fish-out-of-water Eddie Murphy chases past glories

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Murphy’s maverick cop – and his theme music – are back to fight corruption, but four decades on there’s little energy to enliven their formulaic reunion Eddie Murphy isn’t finished yet – as he proved with his barnstormer of a performance as Blaxploitation pioneer Rudy Ray Moore in Dolemite Is My Name . But there’s something a bit tired and formulaic about this further go-around for his iconic Detroit cop Axel Foley from the Beverly Hills Cop action-comedy franchise which 40 years ago made Murphy an explosive Hollywood star – and whose catchy Axel F theme became an 80s anthem, duly revived here. He’s back for the fourth film, yet again leaving his Detroit turf to be a scruffy fish-out-of-water in the hilariously chi-chi world of Beverly Hills, yet again wryly noticing from the wheel of his car, on the way in, a montage of all the crazy California stuff, including a car registration plate reading: PRE-NUP. Axel’s grownup lawyer daughter Jane (Taylour Paige) is in Beverly Hills, menace
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Scorsese and De Niro reunite at Cannes for Killers of the Flower Moon

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The director and actor talked about learning from the Native American nation at the heart of their latest film

Martin Scorsese and Robert De Niro have reunited at the Cannes film festival to present a feature together for the first time in almost half a century, discussing their acclaimed new movie, Killers of the Flower Moon, on Sunday.

“We haven’t been here together since 76,” said De Niro, recalling the premiere of Taxi Driver, the second of their 10 collaborations, which won the festival’s top prize, the Palme d’Or.

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