The Girls review – poignant coming-of-age romance is an understated gem of Sri Lankan cinema

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Sumitra Peries’ 1978 film about teenage sisters and thwarted romance is laden with passions that can’t be spoken aloud Here is a gem of South Asian cinema from 1978, by the Sri Lankan director and editor Sumitra Peries. With its lucid monochrome cinematography and calm, natural, unselfconscious performances, there is a freshness and warmth to this film. It is often on the brink of melodrama or soap opera, many shots having a tendency to slow zoom into the actors’ faces, and yet The Girls is in fact rather understated. A great deal of its poignancy resides in this very suppression of emotion. We are in a world of passions that can’t be spoken aloud. It is a story through whose entire running time I wistfully hoped for a happy ending, but that is what Peries ruthlessly withholds from her audience. Kusum (Vasanthi Chathurani) is a studious, serious teen from a poor family with a scholarship to a very good school. Her father is seriously ill and her mother works hard to make ends meet. She...
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Scorsese and De Niro reunite at Cannes for Killers of the Flower Moon

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The director and actor talked about learning from the Native American nation at the heart of their latest film

Martin Scorsese and Robert De Niro have reunited at the Cannes film festival to present a feature together for the first time in almost half a century, discussing their acclaimed new movie, Killers of the Flower Moon, on Sunday.

“We haven’t been here together since 76,” said De Niro, recalling the premiere of Taxi Driver, the second of their 10 collaborations, which won the festival’s top prize, the Palme d’Or.

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