Mark Kermode on… Kathryn Bigelow, a stylish ruffler of feathers

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From vampire noir to Bin Laden, Point Break to Detroit, the first woman to win an Oscar for best director has never pulled her punches Watching new Jeff Nichols release The Bikeriders , starring Austin Butler and Tom Hardy as 60s Chicago greasers, I was reminded of two other movies: László Benedek’s 1953 Marlon Brando vehicle The Wild One , explicitly cited as an inspiration, and The Loveless , the 1981 feature debut of Kathryn Bigelow , the American film-maker (b.1951) who would go on to become the first woman to win a best director Oscar with her 2008 war drama The Hurt Locker . A symphony of leather-clad posing (with just a touch of Kenneth Anger ), The Loveless was a staple of the late-night circuit in the 80s, often on a double bill with David Lynch’s Eraserhead . Sharing directing credits with Monty Montgomery, Bigelow playfully deconstructed masculinity and machismo in a manner that was one part wry to two parts relish. I remember seeing The Loveless at the Phoenix in East
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Russia orders arrest of Oscar-nominated film producer for criticism of war

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Alexander Rodnyansky and theatre director Ivan Vyrypaev, both vocal critics of Putin and the invasion of Ukraine, have been accused of ‘spreading false information’ about the Russian army

A Moscow court has ordered the arrest of prominent film producer Alexander Rodnyansky and theatre director Ivan Vyrypaev for “spreading false information” about the Russian army.

The initial court hearings against Rodnyansky and Vyrypaev were held on 27 April, but not reported by the court until Wednesday.

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