Hrithik Roshan, Eshaan Roshan back Mess, a comedy set for Prime Video

On March 17, 2026, Prime Video announced its upcoming Prime Original movie, Mess. This comedy marks the second collaboration between the streaming service and HRX Films (a division of FilmKraft Productions, following the announcement of the thriller series Storm. Produced by Hrithik Roshan and Eshaan Roshan under the banner of HRX Films along with Rajesh A Krishnan's Soda Films Lab, Mess is directed by Krishnan. The original screenplay for the film was written by American writer Paul Soter, and the adapted screenplay and dialogue were written by Kapil Sawant. Mess tells the story about a motley group of robbers, who, upon invading the family house of a man with OCD, slowly realise it’s not the family but them who need to survive this night-long standoff. “A key marker of a good story is if it takes you by surprise and keeps you entertained throughout. With Mess, we have a story that not only does that but makes you laugh at every step,” said Nikhil Madhok, Director and Head of Ori...

‘Older straight men hated my films with a vengeance’: how 90s queer film-makers shook up cinema

From trans lives to celebrations of drag, queer film pulled no punches as it hit screens in the 90s with a DIY bravura that transformed the movie industry

Queer film exploded like a glitter cannon in the 1990s, sending sparkling product raining down in every direction. Trans lives hit the screen in Orlando and Boys Don’t Cry, alongside dynamic bulletins from the Black queer experience (The Watermelon Woman, Young Soul Rebels, Chocolate Babies). We had jubilant celebrations of drag with Paris Is Burning and The Adventures of Priscilla, Queen of the Desert, provocations from New Queer Cinema in the shape of Poison, Swoon and Edward II; there were auteurist masterpieces (Beau Travail, Happy Together) and timeless coming-out stories (Beautiful Thing, Show Me Love). The Wachowski sisters, Lisa Cholodenko, François Ozon and Bruce LaBruce all made their debuts; Pedro Almodóvar and Gus Van Sant went stratospheric. Benefiting from a surge in the fortunes of independent cinema, and a defined focus for anger brought about by Aids activism, queer film was a commercial force for the first time.

The decade can in one sense be reduced to a tale of two kisses. First came the smooch that never was, in the 1993 Oscar-winner Philadelphia, the first Hollywood movie about Aids after nearly a decade of independent ones such as Buddies, Parting Glances and Longtime Companion (each of which was made by a director who later died of complications from the disease). Despite Tom Hanks and Antonio Banderas in Philadelphia playing lovers in a long-term relationship, their public displays of affection are restricted to a single slow dance at a party. Compare this to Dakan (Destiny), a raw love story between male high-school friends, which was shot four years later in the west African country of Guinea. In the opening scene, two young men are making out in a convertible. There is no coy buildup or timid flirtation: these lovers are already snogging with a ferocity that makes the face-huggers from Alien look diffident.

Continue reading...

from Film | The Guardian https://ift.tt/n7jzc6I
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”