The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Old Man review – wilderness horror as cranky codger faces off with mysterious hiker

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Lucky McKee’s psychological horror starring Stephen Lang feels inauthentic and flat

Here is an unexceptional psychological horror from director Lucky McKee that feels dated and clunky, with some fairly ropey acting – or maybe that is down to the shaky lines put into the actors’ mouths. It only comes alive after a freaky plot twist at the end, but even that left the hairs on the back of my neck unprickled, the carpet under my feet unpulled.

Stephen Lang plays a cranky codger known only as Old Man who lives in the remote Smoky Mountains wilderness. The set design of his wooden cabin is distractingly inauthentic; it’s like an Ikea store display that has been done up in hicksville chic. Old Man has woken up in a filthy temper; first his dog, Rascal, pees on the floor, and then there is a knock at the door. Old Man shoves his shotgun into the face of the stranger standing outside. “Do as I say, or you’ll end up like her,” he growls, jabbing the gun at a stuffed wildcat on the wall.

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