‘It’s more productive than doomscrolling’: film-maker Ben Wheatley on his secret life as musician Dave Welder

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While playing with nine-figure Hollywood budgets, the Kill List and Meg 2 director has become a prolific music producer. Next up is his experimental film, Bulk Dave Welder may just be the most prolific musician you’ve never heard of. In a little more than a year, he has released a staggering 26 records spanning electronica, dub, ambient, kosmische and drone. One of these albums, Thunderdrone, is more than four hours long. Based in Brighton and Hove and described as “a rotating group of musicians and artists”, in reality “Dave Welder” is largely the work of one man who, until now, has been operating in secret: film director Ben Wheatley. “I’ve always wanted to make music,” says Wheatley, whose films include the independent movies High-Rise, Kill List and Sightseers, along with big-budget Hollywood flicks such as the shark thriller Meg 2: The Trench. “I wanted to do it for my films but there was a dissonance. Of all the art forms, I couldn’t really understand it. I would dream that I c...
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Old Man review – wilderness horror as cranky codger faces off with mysterious hiker

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Lucky McKee’s psychological horror starring Stephen Lang feels inauthentic and flat

Here is an unexceptional psychological horror from director Lucky McKee that feels dated and clunky, with some fairly ropey acting – or maybe that is down to the shaky lines put into the actors’ mouths. It only comes alive after a freaky plot twist at the end, but even that left the hairs on the back of my neck unprickled, the carpet under my feet unpulled.

Stephen Lang plays a cranky codger known only as Old Man who lives in the remote Smoky Mountains wilderness. The set design of his wooden cabin is distractingly inauthentic; it’s like an Ikea store display that has been done up in hicksville chic. Old Man has woken up in a filthy temper; first his dog, Rascal, pees on the floor, and then there is a knock at the door. Old Man shoves his shotgun into the face of the stranger standing outside. “Do as I say, or you’ll end up like her,” he growls, jabbing the gun at a stuffed wildcat on the wall.

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