Dreams Travel With the Wind review – communing with the spirits to preserve Indigenous culture in Colombia

This intensely personal film follows Colombian director Inti Jacanamijoy’s grandfather to the ancestral lands of the Wayuu people Spirituality and history collide in Inti Jacanamijoy’s debut documentary, shot among the rugged, enigmatic terrain of La Guajira, Colombia, the birthplace of his grandfather, José Agustín. Now in his 90s, the older man muses on the inevitability of death, all while looking back on his painful upbringing as a Wayuu Indigenous person . His voiceover, laid over the sight of lush forest and babbling brooks, recalls a cruel separation from his mother and his ancestral land, forced by Catholic invaders. This sense of fracture resonates throughout the family lineage. Jacanamijoy too speaks of his feelings of loss caused by generational trauma. Against such emotional and geographical disconnects, the film looks to dreams – and even the afterlife – as a possible space for reconciliation and healing. José Agustín’s mother has long passed, yet he often sees her in hi...

Old Man review – wilderness horror as cranky codger faces off with mysterious hiker

Lucky McKee’s psychological horror starring Stephen Lang feels inauthentic and flat

Here is an unexceptional psychological horror from director Lucky McKee that feels dated and clunky, with some fairly ropey acting – or maybe that is down to the shaky lines put into the actors’ mouths. It only comes alive after a freaky plot twist at the end, but even that left the hairs on the back of my neck unprickled, the carpet under my feet unpulled.

Stephen Lang plays a cranky codger known only as Old Man who lives in the remote Smoky Mountains wilderness. The set design of his wooden cabin is distractingly inauthentic; it’s like an Ikea store display that has been done up in hicksville chic. Old Man has woken up in a filthy temper; first his dog, Rascal, pees on the floor, and then there is a knock at the door. Old Man shoves his shotgun into the face of the stranger standing outside. “Do as I say, or you’ll end up like her,” he growls, jabbing the gun at a stuffed wildcat on the wall.

Continue reading...

from Film | The Guardian https://ift.tt/Y4rwfpZ
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton