The Ballad of Suzanne Césaire review – the legacy of a dissident and inspirational surrealist author

Brief film looks at the intense flowering of essays by the Caribbean feminist and anti-imperialist who saw surrealism as a revolutionary mode This brief work from New York film-maker Madeleine Hunt-Ehrlich is the equivalent of a platform performance in the theatre: a look at the works of Caribbean feminist, anti-imperialist and surrealist partisan Suzanne Césaire, played by Zita Hanrot; Hanrot, rather, plays an actress musingly preparing to play her. Césaire’s brief, intense flowering of work occurred in second world war Martinique, then a colony of France, controlled by the collaborationist Vichy government. Paradoxically liberated by this oppressive situation, Césaire co-founded a journal called Tropiques and published an influential series of essays on politics, literature and art, which showed how passionately inspired she was by her encounter with the great surrealist André Breton. Continue reading... from Film | The Guardian https://ift.tt/rx4iLoM via IFTTT

‘Oh my God, what will they think?’ How Katharine Hepburn was haunted by fear of audiences

New documentary uses unheard tapes and unseen footage to reveal insecurities of legendary actor

Her classic films include The African Queen and The Philadelphia Story and she still holds an Oscar record for four wins and 12 nominations, but Katharine Hepburn was haunted by a fear of performing. Despite her success as one of the industry’s foremost actresses, she saw the audience as her “natural enemy” and would repeatedly seek reassurance of her talent from those closest to her.

Her nephew, Mundy Hepburn, recalled that her anxiety was extreme when she came backstage after live performances: “Now and again she’d puke in the wastebasket, because she was so wired and scared and ‘Oh my God, what’ll they think? I’ve got to do a good job’ … Then she’d go on stage and be absolutely brilliant … She’d grab me by the shoulders. ‘Was I any good? Was I any good?’”

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