Beverly Hills Cop: Axel F review – fish-out-of-water Eddie Murphy chases past glories

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Murphy’s maverick cop – and his theme music – are back to fight corruption, but four decades on there’s little energy to enliven their formulaic reunion Eddie Murphy isn’t finished yet – as he proved with his barnstormer of a performance as Blaxploitation pioneer Rudy Ray Moore in Dolemite Is My Name . But there’s something a bit tired and formulaic about this further go-around for his iconic Detroit cop Axel Foley from the Beverly Hills Cop action-comedy franchise which 40 years ago made Murphy an explosive Hollywood star – and whose catchy Axel F theme became an 80s anthem, duly revived here. He’s back for the fourth film, yet again leaving his Detroit turf to be a scruffy fish-out-of-water in the hilariously chi-chi world of Beverly Hills, yet again wryly noticing from the wheel of his car, on the way in, a montage of all the crazy California stuff, including a car registration plate reading: PRE-NUP. Axel’s grownup lawyer daughter Jane (Taylour Paige) is in Beverly Hills, menace
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‘Oh my God, what will they think?’ How Katharine Hepburn was haunted by fear of audiences

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New documentary uses unheard tapes and unseen footage to reveal insecurities of legendary actor

Her classic films include The African Queen and The Philadelphia Story and she still holds an Oscar record for four wins and 12 nominations, but Katharine Hepburn was haunted by a fear of performing. Despite her success as one of the industry’s foremost actresses, she saw the audience as her “natural enemy” and would repeatedly seek reassurance of her talent from those closest to her.

Her nephew, Mundy Hepburn, recalled that her anxiety was extreme when she came backstage after live performances: “Now and again she’d puke in the wastebasket, because she was so wired and scared and ‘Oh my God, what’ll they think? I’ve got to do a good job’ … Then she’d go on stage and be absolutely brilliant … She’d grab me by the shoulders. ‘Was I any good? Was I any good?’”

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