Solo Sunny review – a rueful East German gem of ambition, loneliness and faded dreams

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Konrad Wolf’s 1980 drama follows a singer trying to escape the drab compromises of GDR life, capturing the melancholy of thwarted ambition with warmth and wit The terrible sadness, tattiness and poisoned idealism of the old GDR is preserved as if in a time capsule in this East German film from 1980; it could be a kind of B-side to Bob Fosse’s Cabaret. The heroine, would-be solo pop singer Sunny, is told by her ungallant MC that she is no Liza Minnelli; Cabaret fans might well incidentally recognise here the brusque German word “bumsen”. Solo Sunny is the work of Konrad “Koni” Wolf, a director with an impressive and strange pedigree: he was a garlanded state-sanctioned artist in East Germany, much admired at the Berlin film festival, whose older brother Markus happened to be one of the highest-ranking officials in the Stasi. It makes Wolf the second most politically compromised German film-maker in history. (The disillusioned communist East German character in Jenny Erpenbeck’s novel Ka...
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My Fairy Troublemaker review – sweet-tooth animation will be gobbled up by young ’uns

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Story of a misbehaving sprite who gets access to the human world, and a fellow rebel, looks good but the story is a little flat

This German-Luxembourgian animation is a passable if unambitious hour and a half for under-10s, heavily in the orbit of Pixar both in terms of visuals and in its central conceit of the business of tooth-fairying as a Deliveroo-esque big-tech courier outfit. But unlike Inside Out and Soul’s pint-sized explainers of the psyche, there’s virtually no philosophical sprinkling on the cupcake here. Not that that will stop the young ’uns from gobbling it up anyway – but they might have enjoyed something more nutritious.

The exam to become a fully accredited tooth fairy seems easy enough. As the would-be disco earworm at the start of My Fairy Troublemaker has it, “Sneak inside, take the tooth, make the toy, and disappear!” Cookie-scoffing, misbehaving Violetta (voiced by Jella Haase) is the only apprentice who fails to make the grade, unlike her swotty mate Yolando (Julian Mau). Stuck in her belief that she’s really “the most special tooth fairy ever”, she steals a gem that allows her access to the human world. But in hijacking Yolando’s assignment to obtain an incisor from city kid Sami (John Chadwick), she finds an ally in his older stepsister Maxie (Lisa-Marie Koroll) when she is trapped in our reality.

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