The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t

My Fairy Troublemaker review – sweet-tooth animation will be gobbled up by young ’uns

Story of a misbehaving sprite who gets access to the human world, and a fellow rebel, looks good but the story is a little flat

This German-Luxembourgian animation is a passable if unambitious hour and a half for under-10s, heavily in the orbit of Pixar both in terms of visuals and in its central conceit of the business of tooth-fairying as a Deliveroo-esque big-tech courier outfit. But unlike Inside Out and Soul’s pint-sized explainers of the psyche, there’s virtually no philosophical sprinkling on the cupcake here. Not that that will stop the young ’uns from gobbling it up anyway – but they might have enjoyed something more nutritious.

The exam to become a fully accredited tooth fairy seems easy enough. As the would-be disco earworm at the start of My Fairy Troublemaker has it, “Sneak inside, take the tooth, make the toy, and disappear!” Cookie-scoffing, misbehaving Violetta (voiced by Jella Haase) is the only apprentice who fails to make the grade, unlike her swotty mate Yolando (Julian Mau). Stuck in her belief that she’s really “the most special tooth fairy ever”, she steals a gem that allows her access to the human world. But in hijacking Yolando’s assignment to obtain an incisor from city kid Sami (John Chadwick), she finds an ally in his older stepsister Maxie (Lisa-Marie Koroll) when she is trapped in our reality.

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