‘Nobody would forgive me if I told the truth’: new film about pacifist turned Nazi collaborator divides France

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In Les Rayons et les Ombres, Jean Dujardin plays a real-life press baron partying during the horrors of the second world war. Director Xavier Giannoli discusses bringing this still sensitive topic to light Xavier Giannoli’s new film Les Rayons et les Ombres (Rays and Shadows) is told from the postwar perspective of Corinne Luchaire, a French actor who was once hailed as “the new Garbo” but grew too close to the Nazis during the German occupation years. As Luchaire records her thoughts on a borrowed tape recorder, she struggles to reconcile her unfaltering devotion to her father, the once-powerful press baron Jean, with his 1946 execution for treason. Her wilful blindness collapses as the Jewish director who helped launch her career visits her cramped flat. When Corinne, played by newcomer Nastya Golubeva Carax, enquires after his sister, he reveals that she died in a concentration camp. “I didn’t know,” murmurs Corinne, only to be met with the devastating reply: “Did you even try to ...
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Kenneth Anger, underground film-maker and Hollywood Babylon author, dies aged 96

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The pioneering movie-maker had a major influence on queer culture and the 60s counterculture, and is also remembered for authoring the cult film history book

Kenneth Anger, the artist and film-maker whose work offered a distinctively radical mix of paganism and homoeroticism, has died aged 96. Art gallery Sprüth Magers confirmed his death, saying: “Through his kaleidoscopic films, which combine sumptuous visuals, popular music soundtracks, and a focus on queer themes and narratives, Anger laid the groundwork for the avant garde art scenes of the later 20th century, as well as for the visual languages of contemporary queer and youth culture.”

Anger’s films, which included Fireworks (1947), Inauguration of the Pleasure Dome (1954), Scorpio Rising (1963) and Lucifer Rising (1972), made him a key figure in the counterculture over four decades, and later a hero to subsequent generations of film-makers grappling with similar themes. While he never found commercial success through his films, his book Hollywood Babylon – a compendium of often sleazy and largely unverifiable gossip about the film industry – became famous after first being published in 1959; it was followed by a sequel in 1984.

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