The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Kenneth Anger, underground film-maker and Hollywood Babylon author, dies aged 96

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The pioneering movie-maker had a major influence on queer culture and the 60s counterculture, and is also remembered for authoring the cult film history book

Kenneth Anger, the artist and film-maker whose work offered a distinctively radical mix of paganism and homoeroticism, has died aged 96. Art gallery Sprüth Magers confirmed his death, saying: “Through his kaleidoscopic films, which combine sumptuous visuals, popular music soundtracks, and a focus on queer themes and narratives, Anger laid the groundwork for the avant garde art scenes of the later 20th century, as well as for the visual languages of contemporary queer and youth culture.”

Anger’s films, which included Fireworks (1947), Inauguration of the Pleasure Dome (1954), Scorpio Rising (1963) and Lucifer Rising (1972), made him a key figure in the counterculture over four decades, and later a hero to subsequent generations of film-makers grappling with similar themes. While he never found commercial success through his films, his book Hollywood Babylon – a compendium of often sleazy and largely unverifiable gossip about the film industry – became famous after first being published in 1959; it was followed by a sequel in 1984.

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