Mark Kermode on… Kathryn Bigelow, a stylish ruffler of feathers

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From vampire noir to Bin Laden, Point Break to Detroit, the first woman to win an Oscar for best director has never pulled her punches Watching new Jeff Nichols release The Bikeriders , starring Austin Butler and Tom Hardy as 60s Chicago greasers, I was reminded of two other movies: László Benedek’s 1953 Marlon Brando vehicle The Wild One , explicitly cited as an inspiration, and The Loveless , the 1981 feature debut of Kathryn Bigelow , the American film-maker (b.1951) who would go on to become the first woman to win a best director Oscar with her 2008 war drama The Hurt Locker . A symphony of leather-clad posing (with just a touch of Kenneth Anger ), The Loveless was a staple of the late-night circuit in the 80s, often on a double bill with David Lynch’s Eraserhead . Sharing directing credits with Monty Montgomery, Bigelow playfully deconstructed masculinity and machismo in a manner that was one part wry to two parts relish. I remember seeing The Loveless at the Phoenix in East
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Jane Fonda: French director asked to sleep with me to ‘see what my orgasms were like’ for a role

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Actor says director René Clément propositioned her in French during the filming of 1964 film Joy House, but ‘I pretended I didn’t understand’

Jane Fonda has said the late French director René Clément asked to sleep with her during the making of their 1964 thriller Joy House, saying he said he “needed to see what my orgasms were like” before she filmed a sex scene.

Fonda made the allegation on an episode of chat show Watch What Happens Live, when host Andy Cohen asked her to name “one man in Hollywood that tried to pick you up once that you turned down”.

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