‘It felt dangerous. You got naggy’: Ethan Hawke and Richard Linklater on power, combovers and Blue Moon

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Ahead of their 11th movie together, the actor and director discuss musicals, the legacy of Philip Seymour Hoffman and what being bald and 5ft tall does to your flirting skills ‘I like this, it’s good,” Ethan Hawke tells Richard Linklater, midway through a lively digression that has already hopped from politics to the Beatles to the late films of John Huston . “What’s good?” asks Linklater. “All of this,” says Hawke, by which he means the London hotel suite with its coffee table, couch and matching upholstered armchairs; the whole chilly machinery of the international press junket. “I like that we get to spend a couple of days in a room,” he says. “It feels like a continuation of the same conversation we’ve been having for the past 32 years.” It’s all about the conversation with Linklater and Hawke. The two men like to talk; often the talk sparks a film. The director and actor first met backstage at a play in 1993 (“Sophistry, by Jon Marc Sherman,” says Linklater) and wound up chattin...
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James Dean auction offers unseen items showing new side to star

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Nearly 400 items, including personal letters, provide insight into the life of the actor who died at the age of 24

It could only be him. James Dean is squinting and smiling, a cigarette hanging from his lip, and wearing a leather jacket and glove. The silver gelatin photo from a 1955 motorcycle session is a classic Hollywood portrait but it is also unique. It measures 13.5in x 10.25in and has an inscription, written with a dark blue ballpoint pen, from Dean to his agent Jane Deacy: “To Mom / My heart and thanks / Jim.”

The actor regarded “Lady Jane”, as Deacy was called, as a second mother because his biological mother, Mildred, died of uterine cancer when he was nine years old, and he was estranged from his stepmother.

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