Savage House review – Claire Foy and Richard E Grant sell it hard in bewigged 18th-century caper

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The leads are the most watchable thing in this raucous period yarn about a grimy pair of status-obsessed nobles Black-belt performances from Claire Foy and Richard E Grant put some vim and vigour into this haranguingly one-note and unidirectional period romp of the raucously bewigged and be-poxed 18th century. It’s written and directed by American film-maker Peter Glanz, who gives us candlelit interiors like a knockoff Barry Lyndon, and periodic deafening orchestral stabs with a touch of Amadeus as furious people in costume storm down corridors. But Grant and Foy are always there, selling it hard and there are one or two nice lines. They play Sir Chauncey and Lady Savage, who are living in a vast crumbling country estate: he’s a parvenu, an adventurer, a lover of the new Hanover dispensation who loathes Jacobites, but fundamentally a social alpinist who married for money and took his wife’s noble name. She was entranced by his roguish ways and she forgave him everything but is, however...
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James Dean auction offers unseen items showing new side to star

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Nearly 400 items, including personal letters, provide insight into the life of the actor who died at the age of 24

It could only be him. James Dean is squinting and smiling, a cigarette hanging from his lip, and wearing a leather jacket and glove. The silver gelatin photo from a 1955 motorcycle session is a classic Hollywood portrait but it is also unique. It measures 13.5in x 10.25in and has an inscription, written with a dark blue ballpoint pen, from Dean to his agent Jane Deacy: “To Mom / My heart and thanks / Jim.”

The actor regarded “Lady Jane”, as Deacy was called, as a second mother because his biological mother, Mildred, died of uterine cancer when he was nine years old, and he was estranged from his stepmother.

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