The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama

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Cannes film festival: Sachs’ film about an HIV-positive actor in the homophobic Reagan-era 80s is well-intended, but Malek’s mannered performance is hard to love This film from writer-director Ira Sachs gives us premium-strength, undiluted Rami Malek – but I have to say that his overripe performance and self-conscious mannerisms here are perhaps even more oppressively insistent for being conveyed relatively quietly in spoken dialogue. And not quietly at all in the singing scenes. Malek is a performer whose style is as distinctive as those of John Malkovich or Jeff Goldblum. But it works best with a light touch in the direction and material. Things never really come together here. The Man I Love is a film about gay culture in 1980s New York, at the height of the reactionary homophobia of Reagan’s America, with HIV-positive men coming to terms with their condition and with the callous bigotry of the political zeitgeist. In one hospital scene, we see the authorities’ icily unsympathetic ...
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James Dean auction offers unseen items showing new side to star

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Nearly 400 items, including personal letters, provide insight into the life of the actor who died at the age of 24

It could only be him. James Dean is squinting and smiling, a cigarette hanging from his lip, and wearing a leather jacket and glove. The silver gelatin photo from a 1955 motorcycle session is a classic Hollywood portrait but it is also unique. It measures 13.5in x 10.25in and has an inscription, written with a dark blue ballpoint pen, from Dean to his agent Jane Deacy: “To Mom / My heart and thanks / Jim.”

The actor regarded “Lady Jane”, as Deacy was called, as a second mother because his biological mother, Mildred, died of uterine cancer when he was nine years old, and he was estranged from his stepmother.

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