Tearing up the screen: BFI’s Rip It Up season rebels against tired teen stereotypes

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Young people have chosen this six-month season, and though rebel classics such as Quadrophenia and If … are here, the picks show youth culture in flux Seventy-five years ago, the Festival of Britain offered a vision of a modern, forward-looking nation emerging from the austerity of the second world war. It also coincided with the emergence of a new cultural figure in the US: the teenager. For the first time, young people were beginning to be recognised as a distinct social group with their own tastes, fashions, anxieties and aspirations. That evolution forms the basis of Rip It Up, a new nationwide season from the BFI Film Audience Network running from May to October, exploring how British film and television have captured youth culture across seven decades. Bringing together screenings, archive material, talks, live events and youth-led programming, the season traces a journey from postwar rebellion and working-class aspiration to contemporary questions of identity, belonging and self...
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James Dean auction offers unseen items showing new side to star

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Nearly 400 items, including personal letters, provide insight into the life of the actor who died at the age of 24

It could only be him. James Dean is squinting and smiling, a cigarette hanging from his lip, and wearing a leather jacket and glove. The silver gelatin photo from a 1955 motorcycle session is a classic Hollywood portrait but it is also unique. It measures 13.5in x 10.25in and has an inscription, written with a dark blue ballpoint pen, from Dean to his agent Jane Deacy: “To Mom / My heart and thanks / Jim.”

The actor regarded “Lady Jane”, as Deacy was called, as a second mother because his biological mother, Mildred, died of uterine cancer when he was nine years old, and he was estranged from his stepmother.

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