Red Sonja review – pixie-ish Matilda Lutz steps into Brigitte Nielsen’s battle corset for action remake

The revival of Nielsen’s 80s classic applies CGI and flashbacks a little too liberally, but there’s the odd glimmer of wit in an otherwise clunky script Ever since Brigitte Nielsen unlaced her battle corset after shooting ended on pulpy fantasy actioner Red Sonja back in the 1980s, there’s been talk of sequels and/or reboots. Truffle around the internet and you’ll find a saga to rival the finest in Old Norse about deals signed and projects greenlit and then abandoned over the years, with names attached to direct ranging from X-Men’s Bryan Singer to Transparent’s Joey Soloway. What a shame Soloway’s version never got off the ground because that surely would have been a hoot, and probably more interesting than this soggy, CGI-infused, low-budget confection that’s finally arrived. Little-known actor Matilda Lutz gets the lead role this time around, as well as getting all the hair extensions in the auburn aisle. She presents a Sonja that’s more a pixie-like hippy chick than Nielsen’s Val...

Full Time review – school-run thriller turns into high-stakes motherhood drama

Laure Calamy plays a woman forever racing between maternal and work duties in an acutely relatable story that grips

Anyone who has ever broken into a sweaty panicked run to make it in time for school pick-up will instantly get why the French Canadian director Eric Gravel has chosen to shoot this film about motherhood frazzle as a gripping thriller. I was on the edge of my seat in one scene, watching to see if a woman running to catch her commuter train home makes it. Her name is Julie, and she’s a divorced mum of two who’s feeling the grind: work, kids, mortgage arrears, crappy ex. It’s such an authentic and relatable film – so meticulously observed, in fact, that to be perfectly honest, I assumed it had been made by a woman.

Laure Calamy plays Julie; she’s in her early 40s, with a couple of children under eight. Every morning, Julie’s alarm clock goes off like a starting pistol. In the dark she walks her kids to the childminders, carrying her sleepy little boy. Then it’s a sprint from the suburbs into Paris where she works in a fancy hotel as head chambermaid. It’s a high-stress job. “The guests are demanding. They pay to be.” Then it’s back to the suburbs to pick up her kids in time for bed.

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