Solo Sunny review – a rueful East German gem of ambition, loneliness and faded dreams

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Konrad Wolf’s 1980 drama follows a singer trying to escape the drab compromises of GDR life, capturing the melancholy of thwarted ambition with warmth and wit The terrible sadness, tattiness and poisoned idealism of the old GDR is preserved as if in a time capsule in this East German film from 1980; it could be a kind of B-side to Bob Fosse’s Cabaret. The heroine, would-be solo pop singer Sunny, is told by her ungallant MC that she is no Liza Minnelli; Cabaret fans might well incidentally recognise here the brusque German word “bumsen”. Solo Sunny is the work of Konrad “Koni” Wolf, a director with an impressive and strange pedigree: he was a garlanded state-sanctioned artist in East Germany, much admired at the Berlin film festival, whose older brother Markus happened to be one of the highest-ranking officials in the Stasi. It makes Wolf the second most politically compromised German film-maker in history. (The disillusioned communist East German character in Jenny Erpenbeck’s novel Ka...
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Full Time review – school-run thriller turns into high-stakes motherhood drama

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Laure Calamy plays a woman forever racing between maternal and work duties in an acutely relatable story that grips

Anyone who has ever broken into a sweaty panicked run to make it in time for school pick-up will instantly get why the French Canadian director Eric Gravel has chosen to shoot this film about motherhood frazzle as a gripping thriller. I was on the edge of my seat in one scene, watching to see if a woman running to catch her commuter train home makes it. Her name is Julie, and she’s a divorced mum of two who’s feeling the grind: work, kids, mortgage arrears, crappy ex. It’s such an authentic and relatable film – so meticulously observed, in fact, that to be perfectly honest, I assumed it had been made by a woman.

Laure Calamy plays Julie; she’s in her early 40s, with a couple of children under eight. Every morning, Julie’s alarm clock goes off like a starting pistol. In the dark she walks her kids to the childminders, carrying her sleepy little boy. Then it’s a sprint from the suburbs into Paris where she works in a fancy hotel as head chambermaid. It’s a high-stress job. “The guests are demanding. They pay to be.” Then it’s back to the suburbs to pick up her kids in time for bed.

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