REVEALED: Haunted – Echoes Of The Past got NCLT nod for June 12 release; makers directed to deposit all revenues in separate bank account

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On June 10, the National Company Law Tribunal (NCLT), Mumbai Bench III, permitted the release of Vikram Bhatt's horror film Haunted – Echoes Of The Past on June 12, even as the project remains embroiled in an insolvency-related legal dispute. However, the Tribunal has imposed strict conditions to safeguard the interests of the ongoing Corporate Insolvency Resolution Process (CIRP). The order was passed in connection with proceedings involving K Sera Sera & Vikram Bhatt Studiovirtual World Pvt. Ltd. and Hare Krishna Media Tech Pvt. Ltd. While hearing the matter, the NCLT noted that the Resolution Professional (RP) had sought to restrain the film's release and prevent the creation of third-party rights in the movie. The Tribunal also allowed the RP to implead four additional respondents in the matter and directed them to file their replies before the next hearing. A Resolution Professional is an insolvency professional appointed by the NCLT to manage the affairs of a company...
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Fragments of Paradise review – moving account of legendary radical Jonas Mekas

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KD Davison’s hagiography of the ‘godfather of American avant garde cinema’ says much about his profound influence, but glosses over uncomfortable details about his early life

Hailed as “the godfather of American avant garde cinema”, Jonas Mekas led an extraordinary, multi-hyphenated career whose wide-ranging influence must have proved a challenge for a documentary to encompass. When Mekas arrived in New York as a Lithuanian exile in 1949, the first thing he bought was a Bolex camera. For the displaced immigrant, when language faltered images became a means of communication.

As Fragments of Paradise charts Mekas’s professional milestones – a critic, a film-maker, a curator, and so on – what emerges most movingly is his philosophy of creative togetherness. In founding Film Culture magazine, the Film-Makers’ Cooperative, and later on the Anthology Film Archives, Mekas succeeded in building a nurturing space for those forgotten by the mainstream. It’s the kind of community-oriented work reflecting the belief that, for him, the home is the cinema.

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