Red Sonja review – pixie-ish Matilda Lutz steps into Brigitte Nielsen’s battle corset for action remake

The revival of Nielsen’s 80s classic applies CGI and flashbacks a little too liberally, but there’s the odd glimmer of wit in an otherwise clunky script Ever since Brigitte Nielsen unlaced her battle corset after shooting ended on pulpy fantasy actioner Red Sonja back in the 1980s, there’s been talk of sequels and/or reboots. Truffle around the internet and you’ll find a saga to rival the finest in Old Norse about deals signed and projects greenlit and then abandoned over the years, with names attached to direct ranging from X-Men’s Bryan Singer to Transparent’s Joey Soloway. What a shame Soloway’s version never got off the ground because that surely would have been a hoot, and probably more interesting than this soggy, CGI-infused, low-budget confection that’s finally arrived. Little-known actor Matilda Lutz gets the lead role this time around, as well as getting all the hair extensions in the auburn aisle. She presents a Sonja that’s more a pixie-like hippy chick than Nielsen’s Val...

Fragments of Paradise review – moving account of legendary radical Jonas Mekas

KD Davison’s hagiography of the ‘godfather of American avant garde cinema’ says much about his profound influence, but glosses over uncomfortable details about his early life

Hailed as “the godfather of American avant garde cinema”, Jonas Mekas led an extraordinary, multi-hyphenated career whose wide-ranging influence must have proved a challenge for a documentary to encompass. When Mekas arrived in New York as a Lithuanian exile in 1949, the first thing he bought was a Bolex camera. For the displaced immigrant, when language faltered images became a means of communication.

As Fragments of Paradise charts Mekas’s professional milestones – a critic, a film-maker, a curator, and so on – what emerges most movingly is his philosophy of creative togetherness. In founding Film Culture magazine, the Film-Makers’ Cooperative, and later on the Anthology Film Archives, Mekas succeeded in building a nurturing space for those forgotten by the mainstream. It’s the kind of community-oriented work reflecting the belief that, for him, the home is the cinema.

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