PM Narendra Modi wishes Asha Bhosle a speedy recovery after hospitalisation

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Prime Minister Narendra Modi has extended his wishes for the recovery of veteran playback singer Asha Bhosle following news of her recent hospitalisation. The 92-year-old singer is currently undergoing treatment for exhaustion and a chest infection, according to a statement shared earlier by her granddaughter Zanai Bhosle. Taking to X, the Prime Minister expressed concern about her health and conveyed his support. He wrote: “Deeply concerned to hear that Asha Bhosle Ji has been admitted to hospital. Praying for her good health and a speedy recovery.” Deeply concerned to hear that Asha Bhosle Ji has been admitted to hospital. Praying for her good health and a speedy recovery. — Narendra Modi (@narendramodi) April 12, 2026 His message comes amid widespread concern from across the film and music fraternity after initial reports about the singer’s hospitalisation surfaced earlier in the day. The clarification from her family later confirmed that she is receiving treatment for exhaustion...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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