Alia Bhatt backs students amid NEET protest in heartfelt note: “Their courage humbles me”

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Actor Alia Bhatt has become the latest celebrity to speak out on the ongoing protests over the alleged NEET paper leak and the violence reported during demonstrations at Delhi's Jantar Mantar. In an emotional note shared on Instagram, the actor expressed solidarity with the students and praised their courage and determination. Reflecting on the developments over the past few days, Alia wrote that the events had left her heartbroken while also giving her hope. "The last few days have broken my heart and then mended it, again and again, with hope," she wrote. Alia Bhatt says students represent hope and sacrifice The actor said every student participating in the movement represents years of hard work, sacrifice, and the aspirations of their families. She added that their fight extends beyond their own future and could create a better path for generations to come: "Behind every student standing their ground is a dream, a family's hope, a journey of countless sacrifi...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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