Prakash Raj begins shooting for Drishyam 3, quips he is “not replacing anyone” after Akshaye Khanna’s exit from Ajay Devgn-starrer

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Veteran actor Prakash Raj has officially started shooting for the much-anticipated Hindi thriller Drishyam 3. The actor confirmed his participation through a social media post, while also addressing speculation surrounding the film’s casting after Akshaye Khanna’s reported exit from the project. Taking to X, Prakash Raj shared an update from the sets and wrote: “Started shooting for this engaging franchise #Drishyam3 in Hindi. With a wonderful team and a scintillating role to play. I’m sure you will love it. (And yes, I’m not replacing anyone..)” Started shooting for this engaging franchise #Drishyam3 in hindi. With a wonderful team and a scintillating role to play . Im sure you will love it . ❤️❤️❤️( and yes im not replacing anyone..) 😛😛😛 — Prakash Raj (@prakashraaj) February 10, 2026 The post appeared to directly respond to ongoing assumptions that he might be stepping into a role earlier associated with Khanna. His clarification suggests that his character is a new addition ra...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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