SCOOP: Shah Rukh Khan and Siddharth Anand LOCK Christmas 2026 release for King; Announcement on the way

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After the historic success of Pathaan, Shah Rukh Khan and Siddharth Anand are reuniting for the second time on King. The film rides on a stellar star-cast with Shah Rukh Khan, Deepika Padukone, Anil Kapoor, Rani Mukerji, Abhishek Bachchan, Jaideep Ahlawat, Arshad Warsi, Suhana Khan and Abhay Verma among others. Over the last few days, there has been a historic buzz around the release date of this tentpole actioner. Bollywood Hungama is bringing to all the readers an exclusive scoop on King. Reliable sources have confirmed that Shah Rukh Khan and Siddharth Anand have locked a Christmas 2026 release for King. "The duo of SRK and Sid were brainstorming several options for their release, and the two in the forefront were - December 4 and December 25. After weighing all options, they have locked a Christmas 2026 release for their action packed entertainer." The source also informed us further that the film is skipping the iconic December 4 window due to Ramayana. "SRK and S...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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