Salman Khan’s Maatrubhumi to undergo 40-day reshoot, new song in the works: Report

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Actor Salman Khan recently announced a significant update to his upcoming war drama, revealing its new title as Maatrubhumi: May War Rest in Peace. The project was earlier known as Battle of Galwan, and the revised name points to a noticeable shift in tone and messaging. Directed by Apoorva Lakhia, the film is inspired by the 2020 India-China military clash in the Galwan Valley. Salman Khan will portray late Colonel Bikumalla Santosh Babu in the film, which initially began shooting in Ladakh in September 2025 and was close to completion by December the same year. However, the project is currently undergoing extensive changes. According to a Mid-Day report, the team has been reshooting portions of the film in Mumbai since February 2026, with nearly 40 days of additional work planned. The revised schedule includes filming new sequences aimed at reshaping the narrative. One of the notable additions is a Chinese-language song, which will be composed by Himesh Reshammiya. The song is exp...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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