Prasanth Varma’s Mahakali to also release in Hindi following Akshaye Khanna’s popularity after Dhurandhar

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Akshaye Khanna is being very selective after Dhurandhar, as he used to be even before his resurrection. In his next release Mahakali, Akshaye Khanna plays Shukracharya, a manipulative sage, marking his entry into Tollywood. The film, part of the Prasanth Varma Cinematic Universe (PVCU), is directed by Puja Aparna Kolluru. Said producer Prashanth Varma, “We had signed Akshaye Sir much before Dhurandhar. He is the highlight of Mahakali.” Varma intends to highlight Akshay Khanna’s presence in the North Hindi speaking belt. Earlier, the plan was to release Mahakali in Telugu only. But now after Dhurandhar, there will be a Hindi version highlighting Akshaye Khanna in the marketing. Also Read: Feroz Abbas Khan on birthday boy Akshaye Khanna’s performance in Gandhi My Father, “His emotional investment to play the part was palpable, he has made Harilal memorable in cinema” from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama h...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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