Tiger Shroff and Lakshya lead 100+ dancers for high-energy track in Lag Jaa Gale: Report

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Tiger Shroff and Lakshya are gearing up to shoot a major dance-off sequence for their upcoming film Lag Jaa Gale, with a large production number scheduled to be shot at Mukesh Mills in Colaba starting December 24, 2025. The sequence is being described by insiders, quoted by a Mid-Day report, as a full-scale dance battle designed to showcase contrasting performance styles between the two actors. The report stated that choreographer Ganesh Acharya has crafted the routine, which involves over 100 professional dancers and is expected to be wrapped up by December 29. The beat-driven number is reportedly structured to highlight Tiger’s explosive, athletic dance approach alongside Lakshya’s more fluid and relaxed style, with rehearsals underway for the past three weeks. The dance face-off adds a new layer of excitement to Lag Jaa Gale, a revenge action-drama produced by Dharma Productions and directed by Raj Mehta. The film also stars Janhvi Kapoor, with whom Tiger Shroff shares screen spac...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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