Two endings in Housefull 5 – will it prove to be a game-changer or backfire? Trade experts share their views

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The trailer of Housefull 5 is out and during the launch, producer Sajid Nadiadwala confirmed that 2 versions of the comic caper will be released. He said, “So, if you see at Gaiety, you'll see a character playing a killer but in Galaxy, the culprit will be somebody else. In PVR Audi 4, you'll have one killer but in PVR Audi 5, you'll see a version with a different killer. Even in the same audi, different show timings will have different actors playing the killer. This is happening in the world for the first time.” We asked the trade experts if this move could be a game-changer or will it backfire? Trade veteran Taran Adarsh said, “It remains to be seen how people react to it. I don’t think it has happened before. People have shot two endings, like what happened with Sholay (1975). But with Housefull 5, there are two versions and they’ll also be available to the audience. That would be very interesting.” He added, “I’d love to watch it twice as I would want to know what th...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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