Shukla Kumar, wife of Rajendra Kumar and mother of Kumar Gaurav, passes away; prayer meet to be held on January 10

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Shukla Kumar, wife of legendary actor Rajendra Kumar and mother of actor Kumar Gaurav, passed away recently. The news has left the Hindi film fraternity and admirers of the Kumar family in mourning. A prayer meet in her remembrance will be held on January 10, as confirmed by close sources. While Shukla Kumar largely stayed away from the public eye, she was a central pillar in one of Bollywood’s most respected film families. Married to Rajendra Kumar, fondly remembered as “Jubilee Kumar” for his unmatched box-office streak, she witnessed the rise and transitions of Hindi cinema from close quarters. Her quiet presence remained constant through the highs of stardom and the inevitable shifts that followed. Her son, Kumar Gaurav, entered the film industry with one of the most sensational debuts Bollywood had seen. His 1981 film Love Story, opposite Vijeta Pandit, turned him into an overnight star and remains one of the most successful debut films in Hindi cinema. The actor was briefly hai...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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