Samantha Ruth Prabhu in talks to join Salman Khan in Raj & DK’s upcoming superhero comedy: Report

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A new development has emerged around the upcoming film being developed by filmmaker duo Raj Nidimoru and Krishna DK. Just days after reports surfaced that Salman Khan had been roped in to headline the project, fresh updates suggest that actor Samantha Ruth Prabhu is also in discussions to join the film. The director duo, popularly known as Raj & DK, are widely recognised for creating successful streaming series such as The Family Man and Guns & Gulaabs, while also backing films as producers. With their next venture, the filmmakers are reportedly aiming for a larger cinematic scale, bringing together a unique blend of genres. According to a report in Mid-Day, Samantha is currently being considered for a key role in the project. A source told the publication, “Samantha is very much in the conversation. She shares a strong creative equation with the makers, and they feel she fits the part." Bollywood Hungama had earlier reported that Salman Khan’s role in the film will offe...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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