REVEALED: Not Emraan Hashmi or Akshay Kumar, this actor plays Bade Sahab in Dhurandhar The Revenge

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The all-time grosser Dhurandhar (2025) ended on a high. Viewers wondered who Bade Sahab is and most importantly, which actor would essay the role of the mysterious figure. In the months that followed, speculations arose that Emraan Hashmi or Akshay Kumar had been signed to play Bade Sahab. It has now come to light that these reports were false and its actor, Danish Iqbal, who essays the said part. Danish Iqbal has previously worked in significant films and shows like Maharani, Aranyak, Faraaz, Aakhri Sach, Bhakshak, Haq, The Hunt: The Rajiv Gandhi Assassination Case etc. Last week, viewers saw him in the role of K C Majumdar in Prakash Jha's recently released web series, Sankalp. Like Dhurandhar, the political revenge drama was also produced by Jio Studios. Speaking of Dhurandhar The Revenge, it is the sequel to Dhurandhar (2025), which starred Ranveer Singh, Akshaye Khanna, Sanjay Dutt, R Madhavan, Arjun Rampal, Sara Arjun and others. It tells the story of an Indian who infiltra...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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