Delhi High Court restrains Ilaiyaraaja from streaming songs from 134 films in copyright case filed by Saregama

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In a significant development in a long-running copyright dispute, the Delhi High Court has passed an interim order in favour of music label Saregama India Ltd., restraining legendary composer Ilaiyaraaja from broadcasting or communicating songs from 134 films until further orders. The order was passed by Justice Tushar Rao Gedela, who observed that while Ilaiyaraaja continues to hold rights over his original musical compositions, those rights do not automatically extend to the sound recordings incorporated into cinematograph films. According to the court, the copyright in such sound recordings rests with the producer and, where assigned, with Saregama. As per the court's observations, Ilaiyaraaja's rights under the Copyright Act are limited to the musical work itself, which refers to the composition independent of the lyrics and the sound recording. The court noted that these rights cannot be interpreted as ownership over the complete film soundtrack. The dispute arose after S...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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