Ye confirms India concert at Delhi’s Jawaharlal Nehru Stadium on may 23

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Global rapper and producer Kanye West has officially confirmed his India performance, putting an end to ongoing speculation after sharing the Ye Live in India tour flyer on social media. The announcement has quickly gained traction online, with fans reacting to the news across platforms. The concert is scheduled to take place on May 23, 2026, at Jawaharlal Nehru Stadium, marking a major addition to India’s live music calendar. With the confirmation coming directly from the artist, the event is now being seen as one of the most high-profile international concerts to be hosted in the country in recent years. Kanye West is known for delivering large-scale performances that go beyond conventional concerts. His shows often feature elaborate stage setups, experimental visuals, and a strong focus on creating an immersive experience for audiences. While specific details about the India show remain undisclosed, expectations are high that it will reflect his signature style of production. The...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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