EXCLUSIVE: Ajay Devgn's Drishyam 3 won't mirror Malayalam version; Ravi Basrur joins Ajay Devgn's October 2 release

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A few days ago, news came in that the shoot of the Hindi version of Drishyam 3 was completed, and now the team of the film is gearing up for its October 2 release. The original Malayalam version was released last month, on May 21, and many are wondering whether the Hindi version will be similar to it. A trade source told Bollywood Hungama, “Drishyam (2015) and Drishyam 2 (2022) in Hindi were quite similar to the original films. But the Hindi Drishyam 3 will be an exception. The makers have drastically altered the plot and twists. At the same time, they have made sure that it does justice to the world of Drishyam.” The source also said, “The makers are also excited with the new additions. It is said that Jaideep Ahlawat and Prakash Raj have put up great acts. At the same time, Ajay Devgn, Tabu, Shriya Saran and others have once again delivered fine performances.” In a recent exclusive interview with Bollywood Hungama, director Abhishek Pathak had revealed that while both versions of Dr...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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