The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance

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Mohammad Tahir and his colleagues operate through bombing and blackouts in barely functional hospitals – but there are moments of relief amid the documentary’s tragedy and gore What this documentary might lack in film-making finesse it makes up for with sheer visceral and emotional impact. British nerve surgeon Mohammad Tahir and his colleagues, who also work the cameras, toil in Gaza’s barely operational hospitals during some of the worst days and nights of the war in the winter of 2024-25. Supported by US-based charity FAJR Global , who provide medical care to the world’s most in need, Tahir operates through bombings and blackouts with a bare minimum of medical supplies, sometimes treating patients lying on the floor in puddles of blood because there are no gurneys. This is often hard to watch, and not just because of all the gore; many of the victims are children, out of whom Tahir and the others dig bullets as well as tiny tungsten cubes, new-fangled shrapnel designed to cause maxi...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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