You, Me & Tuscany review – slick romcom offers solidly charming getaway

Halle Bailey and Regé-Jean Page flirt their way through expected genre tropes in a watchable, if a little unspecific, slice of formulaic fantasy You, Me & Tuscany is a perfectly wholesome and harmless meet-cute that starts by asking: “What if the Little Mermaid had a Lady and the Tramp-style hookup with the season one heart-throb from Bridgerton, spaghetti and all?” Halle Bailey is Anna, hopelessly navigating life after the death of her mother, torn between the worlds of adult responsibility and inner child whimsy. A freelance hustle as a house sitter helps make ends meet, but her impulse to fully inhabit her clients’ lives constantly threatens her livelihood. A gig watching over a spectacular Central Park West apartment seems out of a dream. But it quickly goes awry when the lady of the house (Nia Vardalos in a sly cameo) returns early and catches Anna cosplaying as a Park Avenue princess in her premium lingerie. Embarrassed, Anna retreats into the arms of her bestie Claire (Az...

Club Zero review – not much to chew on in this baffling non-satire

Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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