‘Touch Buddy’ from Dacoit out now: Pawan Singh, Jonita Gandhi and Adivi Sesh bring high energy dance track to life

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Ever since the makers of Dacoit announced ‘Touch Buddy’, a song featuring Pawan Singh, Adivi Sesh and Jonita Gandhi, fans knew they were in for a power-packed musical treat. The recently released teaser only amplified the buzz, adding a whole new level of hype to the high-energy track. Finally, the makers have dropped this banger, with Pawan Singh and Jonita lending their vocals to the much-awaited song. The song was shot in Telugu as well as Hindi. Sung by the powerful duo Pawan Singh and Jonita Gandhi, the fiery lyrics are penned by Vayu Shrivastava, with music composed by Bheems Ceciroleo. Adding a touch of his own signature swag. Adivi Sesh will be seen shaking a leg alongside Pawan Singh and Jonita Gandhi, with the trio lighting up the screen with their moves, making ‘Touch Buddy’ the dance number of the season. Speaking about the song, Bhojpuri King Pawan Singh shared, “I love experimenting with my music, and when Adivi Sesh came to me with the idea, I instantly knew the kind o...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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