King leak controversy: Siddharth Anand issues strong warning after Shah Rukh Khan, Deepika Padukone set photos go viral

Just a day after social media was flooded with leaked photos from the sets of the much-anticipated action-drama King, director Siddharth Anand has issued an official statement addressing the situation. The viral images, reportedly featuring Shah Rukh Khan and Deepika Padukone shooting in Cape Town, sparked massive excitement among fans, but have also left the film’s team concerned about preserving the cinematic experience. Taking to social media, Siddharth Anand shared a note requesting fans and online platforms to refrain from circulating unauthorized content from the shoot. Emphasizing the importance of maintaining the film’s intrigue, the filmmaker urged audiences to wait for official reveals. "Request to all the fans. Please do not post or circulate any leaked multimedia from the sets of King. The team is working round the clock to ensure the best cinematic experience for everyone. Let us wait for the surprise on the big screen and for the assets to be revealed as the team of...

Club Zero review – not much to chew on in this baffling non-satire

Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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