EXCLUSIVE: Amid UAE ban and PIL controversy, Sanjay Dutt starrer Aakhri Sawal heads for special screening at Rashtrapati Bhavan today

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In a major development surrounding one of the year’s most talked-about films, Sanjay Dutt starrer Aakhri Sawal is set to hold a special screening at Rashtrapati Bhavan today, Bollywood Hungama has exclusively learned. The screening comes amid mounting controversy around the film. Over the past few days, Aakhri Sawal has been making headlines after reports surfaced of the film being banned in the UAE, while a PIL was also reportedly filed against the project in India. Despite the storm surrounding the film, the makers appear unfazed and are moving ahead with an aggressive rollout strategy. Sources close to the development reveal that preparations for the Rashtrapati Bhavan screening have been underway quietly over the last few days, though details regarding the guest list and attendees remain under wraps. Directed as a hard-hitting social drama, Aakhri Sawal features an ensemble cast led by Sanjay Dutt, the film has already generated substantial curiosity because of its subject matter ...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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