SCOOP: Makers of Bhooth Bangla host exclusive fan screening of Akshay Kumar’s film teaser ahead of launch

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The excitement around the upcoming horror-comedy Bhooth Bangla starring Akshay Kumar continues to build, and the makers have now taken a unique step to involve fans in the film’s promotional journey. Ahead of the official teaser launch scheduled for tomorrow, the team organized a special fan screening event where attendees got an exclusive first glimpse of the much-anticipated teaser. The event, hosted by the makers of Bhooth Bangla, brought together a select group of fans who were treated to the teaser before its official digital debut. The initiative was aimed at creating early buzz around the film while also rewarding fans who have been eagerly waiting to see Akshay Kumar return in a spooky yet comedic avatar. Sources close to the development reveal that the atmosphere at the screening was electric, with fans reacting enthusiastically to the first look of the film’s tone, visuals, and Akshay Kumar’s character. The teaser reportedly blends eerie elements with the signature humour t...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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