Dreams Travel With the Wind review – communing with the spirits to preserve Indigenous culture in Colombia

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This intensely personal film follows Colombian director Inti Jacanamijoy’s grandfather to the ancestral lands of the Wayuu people Spirituality and history collide in Inti Jacanamijoy’s debut documentary, shot among the rugged, enigmatic terrain of La Guajira, Colombia, the birthplace of his grandfather, José Agustín. Now in his 90s, the older man muses on the inevitability of death, all while looking back on his painful upbringing as a Wayuu Indigenous person . His voiceover, laid over the sight of lush forest and babbling brooks, recalls a cruel separation from his mother and his ancestral land, forced by Catholic invaders. This sense of fracture resonates throughout the family lineage. Jacanamijoy too speaks of his feelings of loss caused by generational trauma. Against such emotional and geographical disconnects, the film looks to dreams – and even the afterlife – as a possible space for reconciliation and healing. José Agustín’s mother has long passed, yet he often sees her in hi...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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