EXCLUSIVE: Viineet Kumar Siingh, Saurabh Shukla join Manoj Bajpayee, Rajkummar Rao for Shoojit Sircar’s MYTHO-HUMOUR film

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Shoojit Sircar has carved a niche for himself with his films like Vicky Donor (2012), Piku (2015), October (2024), Sardar Udham (2021) and the recently released flick, I Want To Talk (2024). Bollywood Hungama has now learned some exciting information about his next film, which is going to be the first-ever mytho-humour entertainer. A source told Bollywood Hungama, “It marks Shoojit Sircar’s much-awaited return to humour. The acclaimed filmmaker, known for bringing warmth, wit and sharp observation to films such as Vicky Donor and Piku, is now stepping into an entirely new space with his first-ever Mytho Humour entertainer.” In industry circles, the project has begun to make noise, for all the right reasons. The source said, “A massive, elaborate set is being constructed by Sardar Udham’s National Award-winning production designer, Mansi Dhruv Mehta. Inspired by a key chapter from the Mahabharat, the world being built blends mythology with a contemporary and satirical lens.” Adding t...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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