Shraddha Kapoor renews Juhu apartment lease at Rs 6 lakhs per month: Report

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Bollywood actress Shraddha Kapoor has renewed the lease for an apartment in Mumbai’s Juhu locality, with a starting monthly rent of Rs. 6 lakhs, according to property registration documents reviewed by Square Yards on the website of the Inspector General of Registration (IGR) at https://ift.tt/1Bn20eE. The renewal deal was officially registered in February 2026. Juhu is regarded as one of Mumbai’s most prestigious and sought-after real estate destinations, known for its premium residential environment and strong investment appeal. The locality features a blend of luxury apartments, sea-facing bungalows, and exclusive gated developments, attracting affluent homebuyers, celebrities, and long-term investors. Juhu enjoys excellent connectivity via the Western Express Highway, JVPD roads, and proximity to the domestic and international terminals of Chhatrapati Shivaji Maharaj International Airport, along with easy access to key commercial hubs such as Bandra Kurla Complex, Andheri, and San...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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