MTV Splitsvilla X6 to premiere on January 9 with new format; details inside!

Finding love has just been taken a notch higher as India’s biggest youth dating reality show, MTV Splitsvilla, returns with its 16th season, i.e. bigger, bolder and spicier. Hosted by the ultimate Queen of Hearts - Sunny Leone, who recently celebrated a decade of her iconic journey with the show, joined by her charming co-host, the King of Hearts - Karan Kundrra. This time the drama dose has doubled up with our Mischief Maker duo - Nia Sharma and Uorfi. Gear up for MTV Splitsvilla X6: Pyaar ya Paisa, set against the scenic coast of Mahabalipuram, Tamil Nadu, where 32 hot & single girls and boys step up their game to win 'Pyaar ya Paisa'. Instax Fujifilm presents MTV Splitsvilla X6 Co-powered by Sofy, NEWME, Envy Perfumes and Philips Body Groomer starting 9th January on Fri, Sat & Sun at 7 pm on MTV India and JioHotstar. ‘MTV Splitsvilla X6: Pyaar Ya Paisa’ brings a new twist, picking up from where ex-contestants Digvijay and Kashish left off last season. This time, con...

Club Zero review – not much to chew on in this baffling non-satire

Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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