R. Madhavan to portray pioneering inventor GD Naidu in upcoming biopic GDN; trailer out!

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The makers of GDN, the upcoming biopic on pioneering Indian inventor G.D. Naidu, have unveiled the film's trailer, offering audiences a first look at R. Madhavan in the lead role. The film is scheduled to release in theatres on July 17. The trailer introduces Madhavan as G.D. Naidu, widely regarded as one of India's most influential inventors and industrialists. It showcases the actor in a markedly different avatar as he steps into the life of the visionary known for his contributions to engineering and innovation. Over the years, R. Madhavan has built a career across multiple film industries, working in Tamil, Hindi and other language films. Known for portraying a wide variety of characters, the actor has consistently balanced commercial entertainers with performance-driven projects. With GDN, Madhavan takes on another biographical role, portraying a real-life figure whose work left a lasting impact on India's technological landscape. The trailer hints at the challenges, ...
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Club Zero review – not much to chew on in this baffling non-satire

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Jessica Hausner’s film, which avoids spelling out its obvious subject, focuses on a group of schoolgirls encouraged to live without food

Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world of miracles, is a 21st-century classic. But her recent move to English-language movies has resulted in some nebulous work in the shape of her 2019 picture Little Joe, and so it has proved again with this exasperating and baffling movie.

Club Zero is a strenuous, pointless non-satire which fails to say anything of value about its ostensible subjects: body image, eating disorders and western overconsumption. The “trigger warning” at the beginning of the film about these issues is fatuous, whether intended ironically or not. The deadpan mannerisms are glib, the line readings are torpid in the wrong way and the laborious drama leads us round and round and round like an Escher staircase. But it is certainly well shot by Martin Gschlacht and punctiliously designed by Beck Rainford.

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