Solo Sunny review – a rueful East German gem of ambition, loneliness and faded dreams

Konrad Wolf’s 1980 drama follows a singer trying to escape the drab compromises of GDR life, capturing the melancholy of thwarted ambition with warmth and wit The terrible sadness, tattiness and poisoned idealism of the old GDR is preserved as if in a time capsule in this East German film from 1980; it could be a kind of B-side to Bob Fosse’s Cabaret. The heroine, would-be solo pop singer Sunny, is told by her ungallant MC that she is no Liza Minnelli; Cabaret fans might well incidentally recognise here the brusque German word “bumsen”. Solo Sunny is the work of Konrad “Koni” Wolf, a director with an impressive and strange pedigree: he was a garlanded state-sanctioned artist in East Germany, much admired at the Berlin film festival, whose older brother Markus happened to be one of the highest-ranking officials in the Stasi. It makes Wolf the second most politically compromised German film-maker in history. (The disillusioned communist East German character in Jenny Erpenbeck’s novel Ka...

Carmen review – Paul Mescal’s moves will have his fanbase melting

Mescal and Melissa Barrera lead this modern-day version of Bizet’s opera, which awkwardly combines tough realism with high-gloss romance

This film contains a scene with maximum meme potential: Normal People’s Paul Mescal breaks into expressionist dance, leaping through the air, soulfully twisting his body with the agony of a broken heart. It will have the Mescalmania fanbase melting into puddles. But really it’s his acting not his ballet that carries off this reimagining of Georges Bizet’s 1875 opera. Updated to modern day Mexico and the US, it’s a heartfelt, extravagant film, swirling with melodrama and music.

The story opens in Mexico, where Carmen (Melissa Barrera) flees north to the US after her flamenco dancer mother is killed by drug cartel thugs. Meanwhile, across the border in Texas, Mescal plays Aidan, an ex-marine who reluctantly takes a job with a patrol that cruises the border picking up illegals. On his first night there is a terrible incident: his colleague opens fire on a truck in which Carmen is a passenger. Aidan and Carmen go on the run.

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