Red Sonja review – pixie-ish Matilda Lutz steps into Brigitte Nielsen’s battle corset for action remake

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The revival of Nielsen’s 80s classic applies CGI and flashbacks a little too liberally, but there’s the odd glimmer of wit in an otherwise clunky script Ever since Brigitte Nielsen unlaced her battle corset after shooting ended on pulpy fantasy actioner Red Sonja back in the 1980s, there’s been talk of sequels and/or reboots. Truffle around the internet and you’ll find a saga to rival the finest in Old Norse about deals signed and projects greenlit and then abandoned over the years, with names attached to direct ranging from X-Men’s Bryan Singer to Transparent’s Joey Soloway. What a shame Soloway’s version never got off the ground because that surely would have been a hoot, and probably more interesting than this soggy, CGI-infused, low-budget confection that’s finally arrived. Little-known actor Matilda Lutz gets the lead role this time around, as well as getting all the hair extensions in the auburn aisle. She presents a Sonja that’s more a pixie-like hippy chick than Nielsen’s Val...
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Carmen review – Paul Mescal’s moves will have his fanbase melting

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Mescal and Melissa Barrera lead this modern-day version of Bizet’s opera, which awkwardly combines tough realism with high-gloss romance

This film contains a scene with maximum meme potential: Normal People’s Paul Mescal breaks into expressionist dance, leaping through the air, soulfully twisting his body with the agony of a broken heart. It will have the Mescalmania fanbase melting into puddles. But really it’s his acting not his ballet that carries off this reimagining of Georges Bizet’s 1875 opera. Updated to modern day Mexico and the US, it’s a heartfelt, extravagant film, swirling with melodrama and music.

The story opens in Mexico, where Carmen (Melissa Barrera) flees north to the US after her flamenco dancer mother is killed by drug cartel thugs. Meanwhile, across the border in Texas, Mescal plays Aidan, an ex-marine who reluctantly takes a job with a patrol that cruises the border picking up illegals. On his first night there is a terrible incident: his colleague opens fire on a truck in which Carmen is a passenger. Aidan and Carmen go on the run.

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