The Ballad of Suzanne Césaire review – the legacy of a dissident and inspirational surrealist author

Brief film looks at the intense flowering of essays by the Caribbean feminist and anti-imperialist who saw surrealism as a revolutionary mode This brief work from New York film-maker Madeleine Hunt-Ehrlich is the equivalent of a platform performance in the theatre: a look at the works of Caribbean feminist, anti-imperialist and surrealist partisan Suzanne Césaire, played by Zita Hanrot; Hanrot, rather, plays an actress musingly preparing to play her. Césaire’s brief, intense flowering of work occurred in second world war Martinique, then a colony of France, controlled by the collaborationist Vichy government. Paradoxically liberated by this oppressive situation, Césaire co-founded a journal called Tropiques and published an influential series of essays on politics, literature and art, which showed how passionately inspired she was by her encounter with the great surrealist André Breton. Continue reading... from Film | The Guardian https://ift.tt/rx4iLoM via IFTTT

Are You There, God? It’s Me, Margaret review – Judy Blume’s classic pre-teen tale retold

Set in 1970, the year Blume’s novel was published, the sweet-natured story is engaging but does feel a little out of date

Judy Blume’s proto-YA classic from 1970 gets a screen adaptation; it is a sweet-natured, undemanding, oddly inconsequential movie about a lonely, smart 12-year-old anxious about the onset of puberty and adulthood. Blume herself gets a producer credit and a blink-and-you’ll-miss-it cameo. The movie is played as a 1970 historical piece rather than being updated to the modern world, which would of course require LGBTQ+ plot additions, though I suspect a completely original drama of this sort set in 1970 would not tacitly consent, as this does, to the invisibility of gay people.

Ant-Man’s Abby Rider Fortson is engaging as Margaret, who has to move from New York to New Jersey when her dad Herb (Benny Safdie) gets a big, though unspecified, job and his wife Barbara (Rachel McAdams) agrees to quit her art teaching career to be a stay-at-home mom for Margaret out there in the burbs. Margaret desperately misses her New York-based grandma – that is, her dad’s mother Sylvia, a nice performance from Kathy Bates – and there are other problems. Barbara is bored and unsatisfied (are they living in the same street as Mad Men’s Don and Betsy Draper?). Her mother’s devoutly Christian and bigoted parents objected to her marrying a Jew, which means Margaret has never met them. And then there is Margaret’s black comic embarrassment-ordeal of growing up: the boys, the training bras and the sanitary towels.

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