Kraken review – fjord-based rampage is monster movie with environmental message

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Underwater beastie shows discerning moral judgment when picking off victims in this fun Norwegian action film As Greta Thunberg demonstrates, an eco-chastising feels somehow cleansing when it comes out of Scandinavia. Maybe it’s because of the idea that people there live in greater harmony with nature. It is splendidly showcased in the shape of Norway’s Sognefjord, the country’s largest fjord, in this didactic but still-enjoyable action film. Kraken could almost serve as an extended tourist promo – other than the titular beastie that is, slewing off giant crab-like lice, and emerging from the depths to administer a stern 90-minute ticking-off about tampering with nature. Marine researcher Johanne (Sara Khorami, cementing her Norwegian creature-feature credentials after Troll 2 ) is summoned to the Sognefjord after reports of mass salmon strandings. Her first port of call is the local fish farm run by Erik (Mikkel Bratt Silset), an old flame with whom she developed sonic delousing pods ...
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A Way Home review – Alzheimer’s and immigration in portrait of a disappearing past

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Karima Saïdi’s documentary movingly tries to shore up memories from her mother’s life, but the ethics of the process are uneasy

While caring for her mother Aïcha who has Alzheimer’s, film-maker Karima Saïdi often asks her the simple yet loaded question: “Where do you live?” At one point, her mother replies: “In a handkerchief”; a strangely poetic answer that encapsulates the mental haze of her condition. At other times she speaks of her childhood in Tangier, or the family home in Brussels where she saw her children grow up. As Aïcha’s mind wanders, Saïdi’s documentary transforms into a haven for her memories, which are fading fast.

This cinematic nest is built from old home videos and photographs, which tell of a turbulent immigrant life in Belgium. Saïdi’s older sister Amina was forced into marriage at the age of 15, and her brothers Jamal and Mohamed both died relatively young. Told through Saïdi’s sombre voiceover, these tragic events also incur questions for Aïcha, who is urged for confirmation as well as further details.

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