Gregg Araki on sex, film and queer resistance: ‘All the terrible shit in the world is because of sexual repression’

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As his 12th feature film, I Want Your Sex, hits theaters, the cult gay film-maker is as fired up as ever Is straight sex the most perverse sex of all? Gregg Araki ’s new film makes a convincing case. Titled I Want Your Sex, the movie is a deliriously fun and often hilarious study of desire, power and art that features bondage, full-frontal and a vagina made out of pink chewed-up bubble gum. “For me, it is a very queer story,” the director says, speaking the week of the film’s release in a video call from his Los Angeles home. “It’s a take on kink and alternate sexuality that goes right across the straight-queer spectrum.” While it is not the first heterosexual movie by Gregg Araki – that honor goes to his 1995 acid trip of a road movie The Doom Generation – it features the new queer cinema pioneer’s starriest cast in years, perhaps in a sign that Hollywood at large has caught up to the cult director’s anarchic vision. Forty years into his career, we still want Araki’s sex: the film is...
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A Way Home review – Alzheimer’s and immigration in portrait of a disappearing past

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Karima Saïdi’s documentary movingly tries to shore up memories from her mother’s life, but the ethics of the process are uneasy

While caring for her mother Aïcha who has Alzheimer’s, film-maker Karima Saïdi often asks her the simple yet loaded question: “Where do you live?” At one point, her mother replies: “In a handkerchief”; a strangely poetic answer that encapsulates the mental haze of her condition. At other times she speaks of her childhood in Tangier, or the family home in Brussels where she saw her children grow up. As Aïcha’s mind wanders, Saïdi’s documentary transforms into a haven for her memories, which are fading fast.

This cinematic nest is built from old home videos and photographs, which tell of a turbulent immigrant life in Belgium. Saïdi’s older sister Amina was forced into marriage at the age of 15, and her brothers Jamal and Mohamed both died relatively young. Told through Saïdi’s sombre voiceover, these tragic events also incur questions for Aïcha, who is urged for confirmation as well as further details.

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