Historic Oxford cinema under threat as Oriel College refuses to extend lease

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The Ultimate Picture Palace opened in 1911 and is housed in a Grade II-listed building in need of renovation The survival of one of the UK’s oldest independent cinemas is under threat while its landlord, the University of Oxford’s Oriel College, refuses to extend its lease to allow vital renovations. The Ultimate Picture Palace in east Oxford opened in 1911, and has entertained generations of students and residents, including the Oscar-winning director Sam Mendes. It sells tickets for its 106 seats through an old-fashioned box office window to patrons queueing on the street, and its screen is behind a manually opened curtain. Continue reading... from Film | The Guardian https://ift.tt/i7wYmMN via IFTTT
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A Way Home review – Alzheimer’s and immigration in portrait of a disappearing past

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Karima Saïdi’s documentary movingly tries to shore up memories from her mother’s life, but the ethics of the process are uneasy

While caring for her mother Aïcha who has Alzheimer’s, film-maker Karima Saïdi often asks her the simple yet loaded question: “Where do you live?” At one point, her mother replies: “In a handkerchief”; a strangely poetic answer that encapsulates the mental haze of her condition. At other times she speaks of her childhood in Tangier, or the family home in Brussels where she saw her children grow up. As Aïcha’s mind wanders, Saïdi’s documentary transforms into a haven for her memories, which are fading fast.

This cinematic nest is built from old home videos and photographs, which tell of a turbulent immigrant life in Belgium. Saïdi’s older sister Amina was forced into marriage at the age of 15, and her brothers Jamal and Mohamed both died relatively young. Told through Saïdi’s sombre voiceover, these tragic events also incur questions for Aïcha, who is urged for confirmation as well as further details.

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