Parallel Tales review – Isabelle Huppert pens furtive sexual fantasy for Vincent Cassel in Asghar Farhadi’s latest

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Cannes film festival: Iranian auteur Asghar Farhadi returns to France with this intriguing middleweight meta-drama featuring a cameo from Catherine Deneuve Asghar Farhadi is the Iranian auteur whose film-making style has always shown the high European influences of Antonioni and Haneke. He has in fact made two films in Europe: The Past in France and Everybody Knows in Spain. Now he returns to France and the French language for this diverting, middleweight meta-drama about betrayal and about a supposed link between voyeurism and creativity: do writers spy on the characters they have brought to life? Continue reading... from Film | The Guardian https://ift.tt/9kWXKsO via IFTTT
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A Way Home review – Alzheimer’s and immigration in portrait of a disappearing past

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Karima Saïdi’s documentary movingly tries to shore up memories from her mother’s life, but the ethics of the process are uneasy

While caring for her mother Aïcha who has Alzheimer’s, film-maker Karima Saïdi often asks her the simple yet loaded question: “Where do you live?” At one point, her mother replies: “In a handkerchief”; a strangely poetic answer that encapsulates the mental haze of her condition. At other times she speaks of her childhood in Tangier, or the family home in Brussels where she saw her children grow up. As Aïcha’s mind wanders, Saïdi’s documentary transforms into a haven for her memories, which are fading fast.

This cinematic nest is built from old home videos and photographs, which tell of a turbulent immigrant life in Belgium. Saïdi’s older sister Amina was forced into marriage at the age of 15, and her brothers Jamal and Mohamed both died relatively young. Told through Saïdi’s sombre voiceover, these tragic events also incur questions for Aïcha, who is urged for confirmation as well as further details.

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