Ayushmann Khurrana brings back the golden era of comedy with Pati Patni Aur Woh Do; says, “It’s a throwback to a time when storytelling was simple, clean, and genuinely funny”

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Actor Ayushmann Khurrana is gearing up for the release of his upcoming family entertainer, Pati Patni Aur Woh Do. The film promises to bring back the charm of classic situational comedy, drawing inspiration from the golden era of Hindi cinema. The film taps into a storytelling tradition that audiences have cherished for decades, a space where misunderstandings spiral into hilarious situations, every character adds a new layer to the narrative, and the humour feels organic, clean and timeless. Speaking about the film, Ayushmann said, “Pati Patni Aur Woh Do is a situational comedy in its purest, most classic form. The idea traces its roots back to the legacy of Sanjeev Kumar. I have been a big fan of his work. Humour from films of that era emerged from misunderstandings, timing, and character dynamics. I’ve always admired that style of storytelling, seen in timeless films like Padosan, Chupke Chupke, Angoor and Gol Maal. They are a laugh riot and I’m hoping Pati Patni Aur Woh Do will al...
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A Way Home review – Alzheimer’s and immigration in portrait of a disappearing past

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Karima Saïdi’s documentary movingly tries to shore up memories from her mother’s life, but the ethics of the process are uneasy

While caring for her mother Aïcha who has Alzheimer’s, film-maker Karima Saïdi often asks her the simple yet loaded question: “Where do you live?” At one point, her mother replies: “In a handkerchief”; a strangely poetic answer that encapsulates the mental haze of her condition. At other times she speaks of her childhood in Tangier, or the family home in Brussels where she saw her children grow up. As Aïcha’s mind wanders, Saïdi’s documentary transforms into a haven for her memories, which are fading fast.

This cinematic nest is built from old home videos and photographs, which tell of a turbulent immigrant life in Belgium. Saïdi’s older sister Amina was forced into marriage at the age of 15, and her brothers Jamal and Mohamed both died relatively young. Told through Saïdi’s sombre voiceover, these tragic events also incur questions for Aïcha, who is urged for confirmation as well as further details.

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