Red Sonja review – pixie-ish Matilda Lutz steps into Brigitte Nielsen’s battle corset for action remake

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The revival of Nielsen’s 80s classic applies CGI and flashbacks a little too liberally, but there’s the odd glimmer of wit in an otherwise clunky script Ever since Brigitte Nielsen unlaced her battle corset after shooting ended on pulpy fantasy actioner Red Sonja back in the 1980s, there’s been talk of sequels and/or reboots. Truffle around the internet and you’ll find a saga to rival the finest in Old Norse about deals signed and projects greenlit and then abandoned over the years, with names attached to direct ranging from X-Men’s Bryan Singer to Transparent’s Joey Soloway. What a shame Soloway’s version never got off the ground because that surely would have been a hoot, and probably more interesting than this soggy, CGI-infused, low-budget confection that’s finally arrived. Little-known actor Matilda Lutz gets the lead role this time around, as well as getting all the hair extensions in the auburn aisle. She presents a Sonja that’s more a pixie-like hippy chick than Nielsen’s Val...
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A Way Home review – Alzheimer’s and immigration in portrait of a disappearing past

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Karima Saïdi’s documentary movingly tries to shore up memories from her mother’s life, but the ethics of the process are uneasy

While caring for her mother Aïcha who has Alzheimer’s, film-maker Karima Saïdi often asks her the simple yet loaded question: “Where do you live?” At one point, her mother replies: “In a handkerchief”; a strangely poetic answer that encapsulates the mental haze of her condition. At other times she speaks of her childhood in Tangier, or the family home in Brussels where she saw her children grow up. As Aïcha’s mind wanders, Saïdi’s documentary transforms into a haven for her memories, which are fading fast.

This cinematic nest is built from old home videos and photographs, which tell of a turbulent immigrant life in Belgium. Saïdi’s older sister Amina was forced into marriage at the age of 15, and her brothers Jamal and Mohamed both died relatively young. Told through Saïdi’s sombre voiceover, these tragic events also incur questions for Aïcha, who is urged for confirmation as well as further details.

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