FWICE calls for ban on Diljit Dosanjh’s projects after Pakistani actress Hania Aamir appears in Sardaar Ji 3 trailer

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After the recent terror attack in Pahalgam, the Indian film industry is treading cautiously, distancing itself from collaborations with Pakistani artists. The first major casualty was Abir Gulaal, which was set to mark Fawad Khan’s much-awaited Bollywood comeback alongside Vaani Kapoor. The film was shelved just days before its release. Another film under scrutiny is Sardaar Ji 3, starring Diljit Dosanjh. Speculation around Pakistani actress Hania Aamir’s casting in the project was confirmed when the trailer dropped on June 23. In the same announcement, the makers clarified that the film would release exclusively overseas. However, the move sparked widespread backlash online. Several netizens criticised both Diljit and the producers for casting a Pakistani actress amid heightened tensions between the two nations, especially following Hania Aamir’s condemnation of India’s counter-operation, Operation Sindoor. Now, the Federation of Western India Cine Employees (FWICE) has called for a...
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A Way Home review – Alzheimer’s and immigration in portrait of a disappearing past

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Karima Saïdi’s documentary movingly tries to shore up memories from her mother’s life, but the ethics of the process are uneasy

While caring for her mother Aïcha who has Alzheimer’s, film-maker Karima Saïdi often asks her the simple yet loaded question: “Where do you live?” At one point, her mother replies: “In a handkerchief”; a strangely poetic answer that encapsulates the mental haze of her condition. At other times she speaks of her childhood in Tangier, or the family home in Brussels where she saw her children grow up. As Aïcha’s mind wanders, Saïdi’s documentary transforms into a haven for her memories, which are fading fast.

This cinematic nest is built from old home videos and photographs, which tell of a turbulent immigrant life in Belgium. Saïdi’s older sister Amina was forced into marriage at the age of 15, and her brothers Jamal and Mohamed both died relatively young. Told through Saïdi’s sombre voiceover, these tragic events also incur questions for Aïcha, who is urged for confirmation as well as further details.

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