Ayushmann Khurrana brings back the golden era of comedy with Pati Patni Aur Woh Do; says, “It’s a throwback to a time when storytelling was simple, clean, and genuinely funny”

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Actor Ayushmann Khurrana is gearing up for the release of his upcoming family entertainer, Pati Patni Aur Woh Do. The film promises to bring back the charm of classic situational comedy, drawing inspiration from the golden era of Hindi cinema. The film taps into a storytelling tradition that audiences have cherished for decades, a space where misunderstandings spiral into hilarious situations, every character adds a new layer to the narrative, and the humour feels organic, clean and timeless. Speaking about the film, Ayushmann said, “Pati Patni Aur Woh Do is a situational comedy in its purest, most classic form. The idea traces its roots back to the legacy of Sanjeev Kumar. I have been a big fan of his work. Humour from films of that era emerged from misunderstandings, timing, and character dynamics. I’ve always admired that style of storytelling, seen in timeless films like Padosan, Chupke Chupke, Angoor and Gol Maal. They are a laugh riot and I’m hoping Pati Patni Aur Woh Do will al...
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Young Soul Rebels review – life-giving ode to diversity in silver jubilee London

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Part thriller, part drama, part comedy, Isaac Julien’s urban pastoral set in the aftermath of a homophobic murder still feels fresh, buoyant and likable

Isaac Julien’s feature from 1991 is rereleased after more than 30 years and it still feels fresh, buoyant, likable and emotionally open. It is a paean to diversity and intersectionality set in east London during the 1977 Queen’s silver jubilee, with some cheeky jibes about middle-class outlaws and “St Martins” art-school types (St Martins being Julien’s own alma mater). Young Soul Rebels takes the form of an urban pastoral, but is also a kind of romantic comedy, a coming-of-age drama about friendship and a thriller about a brutal homophobic murder – and there’s actually a clever plot twist about the victim’s tape-deck which another type of film might have made much more of, maybe in the manner of Francis Ford Coppola.

A young black man is murdered while cruising in a park and the news has different effects on his friends, Chris (Valentine Nonyela) and Caz (Mo Sesay) who run a pirate radio station called Soul Patrol. Chris is stunned but Caz is all the more determined to throw himself into his music and maybe get them both a job on the local white-owned radio station, Metropolitan, which has a huge patriotic crown in the lobby and a life-sized cutout of the Queen, waving. (I’m surprised no one’s done that for King Charles.) Chris is angry that Caz is not as grief-stricken as he is, and pulls away from him into a relationship with stroppy white punk Billibud (Jason Durr); meanwhile, biracial and bisexual Caz faces bigotry from his black friends and he retreats from Chris into a new relationship with a production assistant at the radio station: this is Tracy, in which role Sophie Okonedo made a terrifically warm debut.

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