John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

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Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder Coming just after his superb feature The Christophers , Steven Soderbergh has now made a surprisingly moderate documentary, dominated and frankly marred by uninteresting and pointless AI. It is about the inadvertently poignant final interview given by John Lennon and Yoko Ono on 8 December 1980 in New York’s Dakota apartment building, hours before his death. The interviewers were Dave Sholin, Laurie Kaye and Ron Hummel from San Francisco’s KFRC radio station. On their way out of the building with the conversation on tape, they were accosted by a creepy stalker-fan; in attempt to calm the man down, Kaye gave him a brand new copy of John and Yoko’s new album Double Fantasy. This sinister man was Lennon’s future murderer who got him to sign an album – perhaps this very album – and later shot him dead. It is a chilling, stomach-turning twist of f...
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Young Soul Rebels review – life-giving ode to diversity in silver jubilee London

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Part thriller, part drama, part comedy, Isaac Julien’s urban pastoral set in the aftermath of a homophobic murder still feels fresh, buoyant and likable

Isaac Julien’s feature from 1991 is rereleased after more than 30 years and it still feels fresh, buoyant, likable and emotionally open. It is a paean to diversity and intersectionality set in east London during the 1977 Queen’s silver jubilee, with some cheeky jibes about middle-class outlaws and “St Martins” art-school types (St Martins being Julien’s own alma mater). Young Soul Rebels takes the form of an urban pastoral, but is also a kind of romantic comedy, a coming-of-age drama about friendship and a thriller about a brutal homophobic murder – and there’s actually a clever plot twist about the victim’s tape-deck which another type of film might have made much more of, maybe in the manner of Francis Ford Coppola.

A young black man is murdered while cruising in a park and the news has different effects on his friends, Chris (Valentine Nonyela) and Caz (Mo Sesay) who run a pirate radio station called Soul Patrol. Chris is stunned but Caz is all the more determined to throw himself into his music and maybe get them both a job on the local white-owned radio station, Metropolitan, which has a huge patriotic crown in the lobby and a life-sized cutout of the Queen, waving. (I’m surprised no one’s done that for King Charles.) Chris is angry that Caz is not as grief-stricken as he is, and pulls away from him into a relationship with stroppy white punk Billibud (Jason Durr); meanwhile, biracial and bisexual Caz faces bigotry from his black friends and he retreats from Chris into a new relationship with a production assistant at the radio station: this is Tracy, in which role Sophie Okonedo made a terrifically warm debut.

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