Parallel Tales review – Isabelle Huppert pens furtive sexual fantasy for Vincent Cassel in Asghar Farhadi’s latest

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Cannes film festival: Iranian auteur Asghar Farhadi returns to France with this intriguing middleweight meta-drama featuring a cameo from Catherine Deneuve Asghar Farhadi is the Iranian auteur whose film-making style has always shown the high European influences of Antonioni and Haneke. He has in fact made two films in Europe: The Past in France and Everybody Knows in Spain. Now he returns to France and the French language for this diverting, middleweight meta-drama about betrayal and about a supposed link between voyeurism and creativity: do writers spy on the characters they have brought to life? Continue reading... from Film | The Guardian https://ift.tt/9kWXKsO via IFTTT
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Young Soul Rebels review – life-giving ode to diversity in silver jubilee London

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Part thriller, part drama, part comedy, Isaac Julien’s urban pastoral set in the aftermath of a homophobic murder still feels fresh, buoyant and likable

Isaac Julien’s feature from 1991 is rereleased after more than 30 years and it still feels fresh, buoyant, likable and emotionally open. It is a paean to diversity and intersectionality set in east London during the 1977 Queen’s silver jubilee, with some cheeky jibes about middle-class outlaws and “St Martins” art-school types (St Martins being Julien’s own alma mater). Young Soul Rebels takes the form of an urban pastoral, but is also a kind of romantic comedy, a coming-of-age drama about friendship and a thriller about a brutal homophobic murder – and there’s actually a clever plot twist about the victim’s tape-deck which another type of film might have made much more of, maybe in the manner of Francis Ford Coppola.

A young black man is murdered while cruising in a park and the news has different effects on his friends, Chris (Valentine Nonyela) and Caz (Mo Sesay) who run a pirate radio station called Soul Patrol. Chris is stunned but Caz is all the more determined to throw himself into his music and maybe get them both a job on the local white-owned radio station, Metropolitan, which has a huge patriotic crown in the lobby and a life-sized cutout of the Queen, waving. (I’m surprised no one’s done that for King Charles.) Chris is angry that Caz is not as grief-stricken as he is, and pulls away from him into a relationship with stroppy white punk Billibud (Jason Durr); meanwhile, biracial and bisexual Caz faces bigotry from his black friends and he retreats from Chris into a new relationship with a production assistant at the radio station: this is Tracy, in which role Sophie Okonedo made a terrifically warm debut.

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