Harpo speaks! New recordings reveal mute Marx brother chatting with audience

The comedy legend, who adopted his silent persona because of stage nerves, did occasionally address his audience, as revealed by a new archive release Groucho was the cigar-chomping wit with the improbable moustache, Chico was the piano-playing rustic grifter and Zeppo played the straight man and the lover. But as any Marx Brothers fan knows, Harpo was the pantomime, who cracked up the audience without saying a word, dressed in his tattered raincoat and curly wig. His persona was childlike and mischievous but also musical – he let his harp and his taxi horn do the talking. But now we get to see, or rather hear, a new side to Harpo Marx. A very special recording has been unearthed of Harpo in 1964 speaking to an audience, in character. Arthur “Harpo” Marx was born Adolph Marx in New York in 1888. He started performing with his brothers in 1910, and his nickname probably came about because of his instrument of choice – he was an entirely self-taught musician. By 1915, due to his nerves a...

Young Soul Rebels review – life-giving ode to diversity in silver jubilee London

Part thriller, part drama, part comedy, Isaac Julien’s urban pastoral set in the aftermath of a homophobic murder still feels fresh, buoyant and likable

Isaac Julien’s feature from 1991 is rereleased after more than 30 years and it still feels fresh, buoyant, likable and emotionally open. It is a paean to diversity and intersectionality set in east London during the 1977 Queen’s silver jubilee, with some cheeky jibes about middle-class outlaws and “St Martins” art-school types (St Martins being Julien’s own alma mater). Young Soul Rebels takes the form of an urban pastoral, but is also a kind of romantic comedy, a coming-of-age drama about friendship and a thriller about a brutal homophobic murder – and there’s actually a clever plot twist about the victim’s tape-deck which another type of film might have made much more of, maybe in the manner of Francis Ford Coppola.

A young black man is murdered while cruising in a park and the news has different effects on his friends, Chris (Valentine Nonyela) and Caz (Mo Sesay) who run a pirate radio station called Soul Patrol. Chris is stunned but Caz is all the more determined to throw himself into his music and maybe get them both a job on the local white-owned radio station, Metropolitan, which has a huge patriotic crown in the lobby and a life-sized cutout of the Queen, waving. (I’m surprised no one’s done that for King Charles.) Chris is angry that Caz is not as grief-stricken as he is, and pulls away from him into a relationship with stroppy white punk Billibud (Jason Durr); meanwhile, biracial and bisexual Caz faces bigotry from his black friends and he retreats from Chris into a new relationship with a production assistant at the radio station: this is Tracy, in which role Sophie Okonedo made a terrifically warm debut.

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