SCOOP: Sunny Deol-Aamir Khan-Rajkumar Santoshi's Lahore 1947 likely to be renamed Batwara 1947

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In February 2026, Bollywood Hungama had reported that the makers of Lahore 1947 are looking for a change of title. We have now learned from sources that the film is likely to be rechristened as Batwara 1947. An article in Mid-Day on April 17 mentioned that the period drama has been tentatively titled as Batwara 1947. A source told Bollywood Hungama, "The makers prefer the title Batwara 1947. In all probability, this would be the title of the film once all the stakeholders agree to it. A clearer picture will emerge in a few weeks on this front." In February 2026, Bollywood Hungama carried a quote from a source that stated, "Lahore 1947 is based on the famous play ‘Jis Lahore Nai Dekhya’. Since the film is set in the Pakistani city and during the Independence period, the title Lahore 1947 was initially deemed suitable. But now the makers feel that there can be a better title that is apt for the story of the film." The film will release in cinemas on August 13, that...
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The Locksmith review – Ryan Philippe holds the key to straight-ahead noir thriller

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Philippe’s newly released con faces heavy pressure not to go straight as his family grows ever more estranged and the film runs low on fresh ideas

The plot manoeuvres in this léger noir are so boilerplate and predictable that viewers are likely to find themselves expecting much bigger twists than are actually delivered. Surely that nice guy will turn out to be a double-crosser, you assume? Or you might imagine one of the vampy women will turn out to be a triple-crossing femme fatale. But no, it’s all pretty much on the level, which makes the snippets of classic Hollywood crime thrillers such as Touch of Evil, just glimpsed on a TV set, feel seriously undermining, gesturing as they do towards much more sophisticated works of cinema than we have here.

Ryan Phillippe stars as Miller, the titular locksmith, who in the opening scene has been forced into doing a heist that goes very wrong and ends up sending him to prison for 10 years. When he gets out, his now-ex-wife Beth (Kate Bosworth) is a rising police officer and his daughter Lindsay (Madeleine Guilbot) barely knows him. At least old friend Frank (Ving Rhames) offers him a job, but it’s only a matter of time before the past comes round again with Miller under pressure to atone for past crimes by committing entirely new ones. Gabriela Quezada is on hand as a battered sex worker, the surviving sister of a man whom Miller got killed years back. There are good cops and dirty cops, and shootouts at motels that puncture the eerie quiet of what looks like a barely populated desert town.

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