CBFC censors ‘sex’ and ‘f**k’ in Steven Spielberg’s Disclosure Day

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On June 10, Bollywood Hungama reported that the Central Board of Film Certification (CBFC) sprang a pleasant surprise by passing three crucial films of the week with zero cuts – Bharat Bhhagya Viddhaata, Haunted – Echoes Of The Past and Backrooms. However, the sole exception was Disclosure Day. The film received its censor certificate at the eleventh hour and was required to make a few cuts. In a dialogue in the first act, the word ‘sex’ was muted. It occurs in the scene where Daniel Kellner (Josh O'Connor) learns that his girlfriend, Jane (Eve Hewson), was a nun. When asked whether she still follows the same religious commitments, Jane replies in the negative, pointing out that they’ve already had sex. It is in this dialogue that the CBFC made a change. The other word that got muted was ‘f**k’, and it occurred twice in the film. Once these changes were made, Disclosure Day was passed with a U/A 13+ certificate on June 11. The length of the film, as mentioned on the censor certifi...
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The Locksmith review – Ryan Philippe holds the key to straight-ahead noir thriller

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Philippe’s newly released con faces heavy pressure not to go straight as his family grows ever more estranged and the film runs low on fresh ideas

The plot manoeuvres in this léger noir are so boilerplate and predictable that viewers are likely to find themselves expecting much bigger twists than are actually delivered. Surely that nice guy will turn out to be a double-crosser, you assume? Or you might imagine one of the vampy women will turn out to be a triple-crossing femme fatale. But no, it’s all pretty much on the level, which makes the snippets of classic Hollywood crime thrillers such as Touch of Evil, just glimpsed on a TV set, feel seriously undermining, gesturing as they do towards much more sophisticated works of cinema than we have here.

Ryan Phillippe stars as Miller, the titular locksmith, who in the opening scene has been forced into doing a heist that goes very wrong and ends up sending him to prison for 10 years. When he gets out, his now-ex-wife Beth (Kate Bosworth) is a rising police officer and his daughter Lindsay (Madeleine Guilbot) barely knows him. At least old friend Frank (Ving Rhames) offers him a job, but it’s only a matter of time before the past comes round again with Miller under pressure to atone for past crimes by committing entirely new ones. Gabriela Quezada is on hand as a battered sex worker, the surviving sister of a man whom Miller got killed years back. There are good cops and dirty cops, and shootouts at motels that puncture the eerie quiet of what looks like a barely populated desert town.

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