My mother, Audrey Hepburn: the star’s son Sean on her movies, marriages, good works and fascist parents

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The heroine of Roman Holiday and Breakfast at Tiffany’s knew war and poverty, riches and fame, love and betrayal – yet claimed to have lived a ‘terribly boring’ life. Sean Hepburn Ferrer paints a very different picture in his new biography Growing up, Sean Hepburn Ferrer says he never felt like the son of a movie star – but he very much is. His mother was Audrey Hepburn, one of the biggest names in the golden age of Hollywood, an Oscar-winner, a screen star and a fashion icon. Hundreds of millions of people all over the world recognise her from classics such as Roman Holiday, Funny Face and My Fair Lady – besotted with the way she laughs, dances, or poses tastefully in Givenchy couture. Audrey’s image is so ubiquitous in posters, art prints, magazines, on handbags, keyrings or T-shirts, that the family has made hunting for her likeness into a game. “I must have made this crack to my kids,” Sean says. “We were probably waiting for a train or a plane that had been delayed: ‘Three minut...
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The Locksmith review – Ryan Philippe holds the key to straight-ahead noir thriller

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Philippe’s newly released con faces heavy pressure not to go straight as his family grows ever more estranged and the film runs low on fresh ideas

The plot manoeuvres in this léger noir are so boilerplate and predictable that viewers are likely to find themselves expecting much bigger twists than are actually delivered. Surely that nice guy will turn out to be a double-crosser, you assume? Or you might imagine one of the vampy women will turn out to be a triple-crossing femme fatale. But no, it’s all pretty much on the level, which makes the snippets of classic Hollywood crime thrillers such as Touch of Evil, just glimpsed on a TV set, feel seriously undermining, gesturing as they do towards much more sophisticated works of cinema than we have here.

Ryan Phillippe stars as Miller, the titular locksmith, who in the opening scene has been forced into doing a heist that goes very wrong and ends up sending him to prison for 10 years. When he gets out, his now-ex-wife Beth (Kate Bosworth) is a rising police officer and his daughter Lindsay (Madeleine Guilbot) barely knows him. At least old friend Frank (Ving Rhames) offers him a job, but it’s only a matter of time before the past comes round again with Miller under pressure to atone for past crimes by committing entirely new ones. Gabriela Quezada is on hand as a battered sex worker, the surviving sister of a man whom Miller got killed years back. There are good cops and dirty cops, and shootouts at motels that puncture the eerie quiet of what looks like a barely populated desert town.

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