‘My mother was 4ft 11in and scared the hell out of people’ – Sean Astin on child stardom, The Lord of the Rings and surviving 45 years in Hollywood

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His mother was an Oscar-winning actor who had been exploited from a young age; Astin appeared in The Goonies at just 13. Now, he has followed in his mother’s footsteps again as a union leader. He talks Stranger Things, AI and why playing Samwise Gamgee cost him his house Sean Astin is showing me around his new office. There’s framed movie prints on the walls, piles of paperwork and a stack of boxes of Stranger Things Funko Pops. “If you were here, you could look out this window and see a 10-storey building with our iconic Sag-Aftra logo on it,” he says proudly on video call, gesturing out of the window to the Los Angeles skyline. “But you just have to trust me that it’s there.” He shows me a framed photo of his mother, Patty Duke, aged 16, with the best supporting actress Oscar she won in 1963 (for playing Helen Keller in The Miracle Worker), and even more proudly, a framed copy of Duke’s business card from when she was president of the Screen Actors Guild in the mid-80s – the role he ...
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The Locksmith review – Ryan Philippe holds the key to straight-ahead noir thriller

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Philippe’s newly released con faces heavy pressure not to go straight as his family grows ever more estranged and the film runs low on fresh ideas

The plot manoeuvres in this léger noir are so boilerplate and predictable that viewers are likely to find themselves expecting much bigger twists than are actually delivered. Surely that nice guy will turn out to be a double-crosser, you assume? Or you might imagine one of the vampy women will turn out to be a triple-crossing femme fatale. But no, it’s all pretty much on the level, which makes the snippets of classic Hollywood crime thrillers such as Touch of Evil, just glimpsed on a TV set, feel seriously undermining, gesturing as they do towards much more sophisticated works of cinema than we have here.

Ryan Phillippe stars as Miller, the titular locksmith, who in the opening scene has been forced into doing a heist that goes very wrong and ends up sending him to prison for 10 years. When he gets out, his now-ex-wife Beth (Kate Bosworth) is a rising police officer and his daughter Lindsay (Madeleine Guilbot) barely knows him. At least old friend Frank (Ving Rhames) offers him a job, but it’s only a matter of time before the past comes round again with Miller under pressure to atone for past crimes by committing entirely new ones. Gabriela Quezada is on hand as a battered sex worker, the surviving sister of a man whom Miller got killed years back. There are good cops and dirty cops, and shootouts at motels that puncture the eerie quiet of what looks like a barely populated desert town.

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