Superman review – is it a bust? Is it a pain? James Gunn’s dim reboot is both

The Man of Steel – played with square-faced soullessness by David Corenswet – has an uninteresting crisis of confidence in Gunn’s cluttered, pointless franchise restarter Here is a film occupying the heartsinking Venn diagram overlap between franchise exhaustion and AI soullessness: a film fatally unconvinced of the reason for its own existence. We’d all hoped that writer-director James Gunn, who was in charge of Marvel’s Guardians of the Galaxy movie series, might put some wind back beneath Superman’s wings – or in his cape, or under his boots, or at any rate somewhere near his costumed person. The Man of Steel needed a fresh start after his self-cancelling contest in Batman v Superman: Dawn of Justice in 2016, and getting muddled together with a lot of other utility superheroes in Justice League a year later – though I will admit to enjoying the pure hubristic craziness of the lengthy Zack Snyder cut of that movie when it saw the light of day. But this? If it was to be a reboot t...

The Locksmith review – Ryan Philippe holds the key to straight-ahead noir thriller

Philippe’s newly released con faces heavy pressure not to go straight as his family grows ever more estranged and the film runs low on fresh ideas

The plot manoeuvres in this léger noir are so boilerplate and predictable that viewers are likely to find themselves expecting much bigger twists than are actually delivered. Surely that nice guy will turn out to be a double-crosser, you assume? Or you might imagine one of the vampy women will turn out to be a triple-crossing femme fatale. But no, it’s all pretty much on the level, which makes the snippets of classic Hollywood crime thrillers such as Touch of Evil, just glimpsed on a TV set, feel seriously undermining, gesturing as they do towards much more sophisticated works of cinema than we have here.

Ryan Phillippe stars as Miller, the titular locksmith, who in the opening scene has been forced into doing a heist that goes very wrong and ends up sending him to prison for 10 years. When he gets out, his now-ex-wife Beth (Kate Bosworth) is a rising police officer and his daughter Lindsay (Madeleine Guilbot) barely knows him. At least old friend Frank (Ving Rhames) offers him a job, but it’s only a matter of time before the past comes round again with Miller under pressure to atone for past crimes by committing entirely new ones. Gabriela Quezada is on hand as a battered sex worker, the surviving sister of a man whom Miller got killed years back. There are good cops and dirty cops, and shootouts at motels that puncture the eerie quiet of what looks like a barely populated desert town.

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