‘Everything I know about evil I learned in that small town’: John Carpenter on terrifying the world with Halloween, The Thing and The Fog

At 78, the king of horror and sci-fi movies is as much of a rebel as ever. He talks about creativity, compromise (he’s not a fan) and how he became addicted to moviemaking In 2024, John Carpenter had a dream that sounds like one of his movies: it involved a portal to the underworld beneath a disused church, monstrous demons and people being turned inside out. “I woke up and thought: wow! What an elaborate story,” he says. “I rarely have cinematic dreams, but this was one of them.” He liked it so much that he has turned it into a graphic novel, Cathedral, with an accompanying soundtrack. “It seemed to fit this heavy metal groove that we were starting on, and it worked out pretty well.” Most people would consider this a nightmare rather than a dream, I suggest. “No. Nightmares, for me, are personal – something that happened to me,” he replies. “Usually my nightmares are, I’m directing a movie and no one will listen to me. No one will follow my directions. Seriously, that’s what I wake up...

The Integrity of Joseph Chambers review – tense parable of troubled masculinity

A city slicker moves his family to Alabama in search of a wholesome life and sets off for a solo hunting trip. It’s not going to go well

Robert Machoian is an indie film-maker drawn to a certain type of troubled American masculinity: the type that’s never so toxic as when weak or insecure. His previous drama The Killing of Two Lovers was about male anger, and this tense, suspenseful new film has similar ideas: a Dostoevskian parable set over a single day in remote woodland, with a slow-moving simplicity that belies its storytelling ingenuity and force, and again featuring Machoian’s longtime collaborator, actor-producer Clayne Crawford. This actually looks as if it could have been conceived in the 1970s, with a hint of Boorman’s Deliverance: right down to the Burt Reynolds moustache that the male lead smugly sculpts for himself one morning in front of the shaving mirror, to his wife’s annoyance.

Crawford plays Joseph Chambers, a prosperous insurance salesman and Christian family man who has moved to rural Alabama with his wife Tess (Jordana Brewster) and their two boys, to find a more wholesome place away from the city for the children’s upbringing. But Joseph has got it into his head to have a day’s hunting on his own in some nearby woodland belonging to his friend Doug (Carl Kennedy), to learn some survival skills and generally prove his manhood. Tess, who grew up with a dad and brothers who hunted, and actually knows more about this kind of stuff than her naive city-slicker husband, is dead against him going on his own like this.

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