Ayushmann Khurrana brings back the golden era of comedy with Pati Patni Aur Woh Do; says, “It’s a throwback to a time when storytelling was simple, clean, and genuinely funny”

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Actor Ayushmann Khurrana is gearing up for the release of his upcoming family entertainer, Pati Patni Aur Woh Do. The film promises to bring back the charm of classic situational comedy, drawing inspiration from the golden era of Hindi cinema. The film taps into a storytelling tradition that audiences have cherished for decades, a space where misunderstandings spiral into hilarious situations, every character adds a new layer to the narrative, and the humour feels organic, clean and timeless. Speaking about the film, Ayushmann said, “Pati Patni Aur Woh Do is a situational comedy in its purest, most classic form. The idea traces its roots back to the legacy of Sanjeev Kumar. I have been a big fan of his work. Humour from films of that era emerged from misunderstandings, timing, and character dynamics. I’ve always admired that style of storytelling, seen in timeless films like Padosan, Chupke Chupke, Angoor and Gol Maal. They are a laugh riot and I’m hoping Pati Patni Aur Woh Do will al...
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The Integrity of Joseph Chambers review – tense parable of troubled masculinity

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A city slicker moves his family to Alabama in search of a wholesome life and sets off for a solo hunting trip. It’s not going to go well

Robert Machoian is an indie film-maker drawn to a certain type of troubled American masculinity: the type that’s never so toxic as when weak or insecure. His previous drama The Killing of Two Lovers was about male anger, and this tense, suspenseful new film has similar ideas: a Dostoevskian parable set over a single day in remote woodland, with a slow-moving simplicity that belies its storytelling ingenuity and force, and again featuring Machoian’s longtime collaborator, actor-producer Clayne Crawford. This actually looks as if it could have been conceived in the 1970s, with a hint of Boorman’s Deliverance: right down to the Burt Reynolds moustache that the male lead smugly sculpts for himself one morning in front of the shaving mirror, to his wife’s annoyance.

Crawford plays Joseph Chambers, a prosperous insurance salesman and Christian family man who has moved to rural Alabama with his wife Tess (Jordana Brewster) and their two boys, to find a more wholesome place away from the city for the children’s upbringing. But Joseph has got it into his head to have a day’s hunting on his own in some nearby woodland belonging to his friend Doug (Carl Kennedy), to learn some survival skills and generally prove his manhood. Tess, who grew up with a dad and brothers who hunted, and actually knows more about this kind of stuff than her naive city-slicker husband, is dead against him going on his own like this.

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