Kartik Aaryan takes legal route to protect his identity, flags online misuse

Actor Kartik Aaryan has approached the Bombay High Court, alleging unauthorised commercial use of his personality across multiple online platforms, in a move that underscores growing concerns over digital misuse of celebrity identities. According to reports, the actor has filed an intellectual property (IP) suit seeking protection of his name, image, likeness, and other identifiable attributes, which he claims are being used without consent. The plea targets several online platforms as well as unidentified individuals, often referred to as “John Doe” parties, accused of exploiting his persona for commercial gain. In his petition, Kartik has sought a permanent injunction to restrain entities from using his identity in advertisements, merchandise, or digital content. He has also urged the court to direct platforms to take down such material and disclose details of those responsible. The actor’s legal team has argued that the misuse extends to emerging digital formats, including manipul...

The director who dared to tell uncomfortable truths: Lindsay Anderson at 100

With films such as O Lucky Man! and Britannia Hospital, the British auteur portrayed his country as a bleak dystopia in decline – what would he make of today’s Britain?

‘No film can be too personal,” declared Lindsay Anderson in the Free Cinema manifesto of 1956. A decade later he lived up to this slogan when he shot his elegy to youth rebellion If…. at his old school, Cheltenham College. Winning the Palme d’Or at the 1969 Cannes film festival, it was the first in a loose trilogy of films that held up a mirror to a contemporary Britain that Anderson considered to be in a state of moral decline.

O Lucky Man! followed in 1973. Malcolm McDowell, who had played the chief rebel in If…., returned as a modern-day Candide who discovers that 1970s society offers very little grounds for his natural optimism. A brilliant score from Alan Price underpins the film’s bleak viewpoint. In the words of the title song: “If you have a friend on whom you think you can rely, you are a lucky man!” Perhaps paradoxically, Anderson had many friends on whom he could rely even if he didn’t think so and I was lucky that some of those friends became my friends, too.

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