Neurodiverse collective wins award for ‘creative audacity’ at London film festival

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The BFI and Chanel film-maker awards were won by a docufiction film, a queer BDSM biker romance and a film about police corruption in India An experimental feature film co-created by a collective of autistic artists, a queer biker romance, and a film about police corruption in India are the winners of this year’s BFI and Chanel film-maker awards. The awards, which champion “creative audacity” and ambition, come with a £20,000 prize for the three sets of winners. Continue reading... from Film | The Guardian https://ift.tt/Hmv6jZy via IFTTT
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Swallowed review – greasy gay body-horror offers plenty of icky moments

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There’s potential here for an exploration of queer power dynamics, but the film-makers have focused instead on gruesomeness

For reasons too complex to delve into here, horror as a genre has proved an adaptable vehicle for marginalised groups to explore the tensions between mainstream society and its discontents. So there has been a wave of female-centric horror films made by women, a renaissance in horror focusing on race thanks to Jordan Peele and others, and all kinds of scary films addressing ethnic identity by directors far and wide.

Swallowed, a very low-budget sci-fi/body horror with an out-and-proud gay angle, may prompt viewers to wonder why there aren’t more queer-themed horror flicks. The Hunger (1983) and Ginger Snaps (2000) spring to mind, but it seems as if the pickings are distinctly slimmer than in other areas.

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