Purr-fect casting: is Orangey the most important movie cat ever?

A new retrospective celebrates the work of the cat credited with roles in Breakfast at Tiffany’s, The Comedy of Terrors and Rhubarb In the midst of Oscar season, it becomes evident just how much work it takes to win an Academy Award, both in on-screen work and off-screen campaigning. Consider, however, that multiple actors have won more than one Oscar. (Emma Stone, one of this year’s best actress nominees, won twice in the past decade.) Only a single cat, meanwhile, has twice won the Patsy – the Picture Animal Top Star of the Year. (The award, given by the American Humane Association, not to be confused with the Humane Society, was discontinued in 1986.) That cat is Orangey, the subject of a small retrospective at New York City’s Metrograph cinema. Plenty of rep houses will play a movie like Breakfast at Tiffany’s around Valentine’s Day; the Metrograph is going deeper into the Orangey catalogue for a wider variety of titles and genres. Breakfast at Tiffany’s does offer Orangey his mo...

Streaming: the best holiday romance films

Netflix’s featherweight A Tourist’s Guide to Love follows a familiar arc, but there’s more to fall for in classics from Summertime to The Green Ray

There’s nothing new under the sun in A Tourist’s Guide to Love – though there’s an awful lot of that sun, brightening every postcard shot in this featherweight Netflix romcom, and for viewers starved of warmth after a long, dreary winter, that’s enough of a lure. It follows a familiar arc: reeling from a breakup, a perky travel executive (Rachael Leigh Cook) takes a trip to Vietnam for notional work reasons, only to be swept off her feet by her charming local tour guide (Scott Lý). The film hits every holiday-romance beat you expect, but it hardly needs to shake things up: cinema has a proud and comforting tradition of stories in which a trip somewhere sunny and far away proves just the ticket for a character whose life has hit the skids.

My favourite example of the form – the fine wine to the budget lambrini of A Tourist’s Guide to Love – remains David Lean’s Summertime (oddly available to stream only on the free, ad-supported service Pluto). Its story of a buttoned-up, middle-aged American secretary splurging her savings on a long-desired trip to Venice and finding, with a suave Italian antique dealer, the kind of spontaneous romance she’s never known, is the platonic ideal of the genre: bathed in sunshine and Technicolor, the character blooms before our eyes, but the happy ending is compromised and complex, and richer for it.

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