SCOOP: Kartik Aaryan and Luv Ranjan's next to go on floors in October 2026

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Kartik Aaryan is among the busiest actors of B-Town, signing on for films left, right, and centre. While he is presently juggling between Anurag Basu's next film and Kabir Khan's directorial, we have exclusive scoop that Kartik and Luv Ranjan have been meeting off late to strategise on their next collaboration after the historic success of Pyaar Ka Punchnama Franchise and Sonu Ke Titu Ki Sweety. Reliable sources confirm that Kartik Aaryan has given a go-ahead to Luv Ranjan's next film, and it will go on floors towards the end of 2026. "Luv Ranjan has been keen to partner with Kartik Aaryan for a while now, and the duo have been jamming on multiple subjects over the last 6 months. After multiple rounds of discussions, they have finally locked in on an exciting idea, which falls right in the world of the Punchnama franchise. Kartik has okayed the script and has tentatively allotted dates from the end of 2026, starting in October," a source shared with Bollywood Hun...
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Sick of Myself review – like-chasing narcissist is focus of online fame horror-satire

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A strong lead performance can’t save this unsubtle Norwegian film about a woman who goes too far in chasing social media clout

Kristoffer Borgli’s body-horror satire has had some enthusiastic reviews since it premiered at Cannes last year; I found the Norwegian film unsubtle and unrewarding, exhaustingly implausible on a basic realist level, and containing a jarring obviousness which makes its supposed commentary on society and celebrity all but valueless.

It does, however, have a strong lead performance from Kristine Kujath Thorp, who plays Signe, a young woman in Oslo who is in an uneasy relationship with Thomas (Eirik Sæther), an insufferably conceited conceptual artist creating sculptures from stolen office furniture. In her peevish and snippy way, Signe is toxically jealous of Thomas’s status and prestige; she resents her own subordinate position in their friend group as his girlfriend and her humiliatingly lowly job as a coffee shop barista. There is a weird echo here of Joachim Trier’s incomparably superior The Worst Person in the World, and Sick of Myself features a droll cameo from Trier’s key player, Anders Danielsen Lie.

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