First poster of Sanjay Leela Bhansali and Ketan Mehta’s Jai Somnath unveiled on Maha Shivratri

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Sanjay Leela Bhansali and Ketan Mehta, two of Indian cinema’s most influential creative forces, have come together to tell an important tale from India’s spiritual history. Bhansali has announced an upcoming seminal tale of Indian civilization titled Jai Somnath, in collaboration with acclaimed director Ketan Mehta. This marks an interesting partnership between two of the most powerful creative voices in Indian cinema. Jai Somnath traces back to 1025–1026 CE, when Mahmud of Ghazni attacked and plundered the Somnath Temple in Gujarat, a defining chapter in Indian history. This year marks 1000 years of the Ghazni attack and the destruction of the temple, and its subsequent resurrection. Somnath symbolizes the indestructible spirit of India and the glory of Indian civilization. Given the deep emotional and cultural significance of this chapter, the film aims to strike a strong chord with audiences as it revisits an important moment from India’s past.   View this post on Instagram ...
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Sick of Myself review – like-chasing narcissist is focus of online fame horror-satire

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A strong lead performance can’t save this unsubtle Norwegian film about a woman who goes too far in chasing social media clout

Kristoffer Borgli’s body-horror satire has had some enthusiastic reviews since it premiered at Cannes last year; I found the Norwegian film unsubtle and unrewarding, exhaustingly implausible on a basic realist level, and containing a jarring obviousness which makes its supposed commentary on society and celebrity all but valueless.

It does, however, have a strong lead performance from Kristine Kujath Thorp, who plays Signe, a young woman in Oslo who is in an uneasy relationship with Thomas (Eirik Sæther), an insufferably conceited conceptual artist creating sculptures from stolen office furniture. In her peevish and snippy way, Signe is toxically jealous of Thomas’s status and prestige; she resents her own subordinate position in their friend group as his girlfriend and her humiliatingly lowly job as a coffee shop barista. There is a weird echo here of Joachim Trier’s incomparably superior The Worst Person in the World, and Sick of Myself features a droll cameo from Trier’s key player, Anders Danielsen Lie.

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