Ayushmann Khurrana brings back the golden era of comedy with Pati Patni Aur Woh Do; says, “It’s a throwback to a time when storytelling was simple, clean, and genuinely funny”

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Actor Ayushmann Khurrana is gearing up for the release of his upcoming family entertainer, Pati Patni Aur Woh Do. The film promises to bring back the charm of classic situational comedy, drawing inspiration from the golden era of Hindi cinema. The film taps into a storytelling tradition that audiences have cherished for decades, a space where misunderstandings spiral into hilarious situations, every character adds a new layer to the narrative, and the humour feels organic, clean and timeless. Speaking about the film, Ayushmann said, “Pati Patni Aur Woh Do is a situational comedy in its purest, most classic form. The idea traces its roots back to the legacy of Sanjeev Kumar. I have been a big fan of his work. Humour from films of that era emerged from misunderstandings, timing, and character dynamics. I’ve always admired that style of storytelling, seen in timeless films like Padosan, Chupke Chupke, Angoor and Gol Maal. They are a laugh riot and I’m hoping Pati Patni Aur Woh Do will al...
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Sick of Myself review – like-chasing narcissist is focus of online fame horror-satire

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A strong lead performance can’t save this unsubtle Norwegian film about a woman who goes too far in chasing social media clout

Kristoffer Borgli’s body-horror satire has had some enthusiastic reviews since it premiered at Cannes last year; I found the Norwegian film unsubtle and unrewarding, exhaustingly implausible on a basic realist level, and containing a jarring obviousness which makes its supposed commentary on society and celebrity all but valueless.

It does, however, have a strong lead performance from Kristine Kujath Thorp, who plays Signe, a young woman in Oslo who is in an uneasy relationship with Thomas (Eirik Sæther), an insufferably conceited conceptual artist creating sculptures from stolen office furniture. In her peevish and snippy way, Signe is toxically jealous of Thomas’s status and prestige; she resents her own subordinate position in their friend group as his girlfriend and her humiliatingly lowly job as a coffee shop barista. There is a weird echo here of Joachim Trier’s incomparably superior The Worst Person in the World, and Sick of Myself features a droll cameo from Trier’s key player, Anders Danielsen Lie.

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