Ram Gopal Varma calls Seedance 2.0 the “asteroid” set to brutally murder film industry’s “arrogance”: “This is actually the liberation of cinema”

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Filmmaker Ram Gopal Varma has stirred a fresh debate on the future of cinema, calling AI tool “Seedance 2.0” the “murderer of the film industry” while also describing it as a force of liberation. In a post shared on February 25, 2026, Varma argued that advanced AI filmmaking tools could dismantle the traditional structure of the movie business. Referring to blockbuster filmmaker S. S. Rajamouli, he wrote that directors like Rajamouli command massive budgets due to their proven creative vision and track record. However, he questioned how many equally talented storytellers across India never get access to funding or industry networks. According to Varma, tools like Seedance 2.0 have “kicked the gate down and set it on fire,” enabling creators from small towns to generate large-scale, cinematic visuals using descriptive prompts alone. He described it as “true democracy in motion,” suggesting that AI shifts power away from a select few and into the hands of the masses. Varma went furthe...
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Sick of Myself review – like-chasing narcissist is focus of online fame horror-satire

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A strong lead performance can’t save this unsubtle Norwegian film about a woman who goes too far in chasing social media clout

Kristoffer Borgli’s body-horror satire has had some enthusiastic reviews since it premiered at Cannes last year; I found the Norwegian film unsubtle and unrewarding, exhaustingly implausible on a basic realist level, and containing a jarring obviousness which makes its supposed commentary on society and celebrity all but valueless.

It does, however, have a strong lead performance from Kristine Kujath Thorp, who plays Signe, a young woman in Oslo who is in an uneasy relationship with Thomas (Eirik Sæther), an insufferably conceited conceptual artist creating sculptures from stolen office furniture. In her peevish and snippy way, Signe is toxically jealous of Thomas’s status and prestige; she resents her own subordinate position in their friend group as his girlfriend and her humiliatingly lowly job as a coffee shop barista. There is a weird echo here of Joachim Trier’s incomparably superior The Worst Person in the World, and Sick of Myself features a droll cameo from Trier’s key player, Anders Danielsen Lie.

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