FWICE demands withdrawal of Ghooskhor Pandat title, warns of strict action

The controversy around the upcoming Netflix film Ghooskhor Pandat, produced by Neeraj Pandey and starring Manoj Bajpayee, grew more intense this week after the Federation of Western India Cine Employees (FWICE) formally objected to its title and urged the makers to withdraw it, warning of significant industry action if the demand is not met. The dispute began soon after the film’s announcement and teaser release, with many viewers and various organisations criticising the title Ghooskhor Pandat as offensive and potentially derogatory toward a specific community. The title combines ghooskhor — a colloquial Hindi term for someone who takes bribes — with Pandat, commonly associated with the Brahmin community. Critics argued that this linkage could perpetuate stereotypes and hurt sentiments. FWICE’s Objection and Warning FWICE, a body representing workers, technicians and artists across more than three dozen affiliated associations, sent a letter to producers’ bodies and major OTT platfor...

Sick of Myself review – like-chasing narcissist is focus of online fame horror-satire

A strong lead performance can’t save this unsubtle Norwegian film about a woman who goes too far in chasing social media clout

Kristoffer Borgli’s body-horror satire has had some enthusiastic reviews since it premiered at Cannes last year; I found the Norwegian film unsubtle and unrewarding, exhaustingly implausible on a basic realist level, and containing a jarring obviousness which makes its supposed commentary on society and celebrity all but valueless.

It does, however, have a strong lead performance from Kristine Kujath Thorp, who plays Signe, a young woman in Oslo who is in an uneasy relationship with Thomas (Eirik Sæther), an insufferably conceited conceptual artist creating sculptures from stolen office furniture. In her peevish and snippy way, Signe is toxically jealous of Thomas’s status and prestige; she resents her own subordinate position in their friend group as his girlfriend and her humiliatingly lowly job as a coffee shop barista. There is a weird echo here of Joachim Trier’s incomparably superior The Worst Person in the World, and Sick of Myself features a droll cameo from Trier’s key player, Anders Danielsen Lie.

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