Bombay HC asks Shilpa Shetty, Raj Kundra to deposit Rs 60 crores for travel, and LOC relief

The Bombay High Court has directed actor Shilpa Shetty and her husband, businessman Raj Kundra, to deposit Rs 60 crore or provide a continuous bank guarantee from a nationalised bank before it will consider lifting a Lookout Circular (LOC) restricting their foreign travel. This order came during a hearing on their urgent plea to visit London for Kundra's ailing father, who is undergoing serious medical treatment. The bench of Justices AS Gadkari and RR Bhonsale emphasised the need to demonstrate bona fides amid doubts about their return to India. The LOC stems from a Rs 60.48 crore fraud complaint filed by Deepak Kothari, Director of UY Industries Pvt Ltd, alleging the couple induced him to invest in their now-defunct Best Deal TV Pvt Ltd between 2015 and 2023. Kothari claims the funds, provided as a loan with Shetty's personal guarantee, were misused amid heavy business losses, with no recovery despite repeated demands. The Economic Offences Wing (EOW) of Mumbai Police is inv...

Pray for Our Sinners review – the Irish campaigners who took on brutal church abuse

Inspirational documentary recovers the stories of those who dared to question the treatment of children in a small Irish town

Irish film-maker and journalist Sinéad O’Shea has a gripping and inspirational story to tell about her home town of Navan in Co Meath, and she tells it terrifically well, talking to the people involved, engaging with the history, delivering the drama and teasing out the poignancies and complexities.

O’Shea is speaking to the people who stood up to church abuse in the 60s and 70s, at a time when challenging the Catholic authorities seemed unthinkable. There can hardly be anyone left now who doesn’t know something about Ireland’s coming to terms with the historical abuse sanctioned by the church and its treatment of young pregnant women in the brutal mother-and-baby houses and Magdalene Laundries, the subject of movies such as Stephen Frears’s Philomena and Peter Mullan’s The Magdalene Sisters. These were the workhouses of shame, or perhaps the refineries in which guilt and fear were extracted as fuel for the theocracy. Schools were the same, with their incessant beatings, carried out by unmarried men who had of course been beaten and humiliated themselves in their formative years: a theatre of cruelty where the punishment was the point. (England has nothing to be smug about: we had teachers routinely assaulting children in front of other children for reasons they perhaps couldn’t explain to themselves.)

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