Amid Bhool Chuk Maaf two-week OTT window row, Kamal Haasan CONFIRMS that Thug Life to arrive on digital 8 weeks after theatrical release: “It'll make the industry healthy. It's not even an experiment. It's a pragmatic thing to do”

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Kamal Haasan, Mani Ratnam, A R Rahman, Silambarasan T R, Trisha Krishnan, Abhirami and Ashok Selvan attended the press conference of their much-awaited Pan India film, Thug Life, at a multiplex in Mumbai. A few weeks ago, there were reports that this much-awaited film would arrive on a digital platform after completing 8 weeks in cinemas. This was a significant move as most Tamil biggies opt to arrive on OTT in just 4 weeks. The national chains, that is, PVR, Inox, and Cinepolis, have a strict rule of not releasing films that don’t adhere to the eight-week rule. As a result, the trade was excited over this development. With a release in the biggest multiplex chains, the chances of Thug Life scoring, especially in the Hindi version, will be significantly higher. At the Thug Life Mumbai press conference, Kamal Haasan was asked about it and he confirmed that the reports were indeed true. He said, “It's not even an experiment. It's a pragmatic thing to do. I am glad the OTT platfo...
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Pray for Our Sinners review – the Irish campaigners who took on brutal church abuse

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Inspirational documentary recovers the stories of those who dared to question the treatment of children in a small Irish town

Irish film-maker and journalist Sinéad O’Shea has a gripping and inspirational story to tell about her home town of Navan in Co Meath, and she tells it terrifically well, talking to the people involved, engaging with the history, delivering the drama and teasing out the poignancies and complexities.

O’Shea is speaking to the people who stood up to church abuse in the 60s and 70s, at a time when challenging the Catholic authorities seemed unthinkable. There can hardly be anyone left now who doesn’t know something about Ireland’s coming to terms with the historical abuse sanctioned by the church and its treatment of young pregnant women in the brutal mother-and-baby houses and Magdalene Laundries, the subject of movies such as Stephen Frears’s Philomena and Peter Mullan’s The Magdalene Sisters. These were the workhouses of shame, or perhaps the refineries in which guilt and fear were extracted as fuel for the theocracy. Schools were the same, with their incessant beatings, carried out by unmarried men who had of course been beaten and humiliated themselves in their formative years: a theatre of cruelty where the punishment was the point. (England has nothing to be smug about: we had teachers routinely assaulting children in front of other children for reasons they perhaps couldn’t explain to themselves.)

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