Celina Jaitly responds after Delhi High Court disposes plea over brother’s refusal to communicate

Actor Celina Jaitly has reacted after the Delhi High Court dismissed her petition seeking communication and legal assistance for her brother, Major (Retd.) Vikrant Jaitly, who is currently detained in the United Arab Emirates. According to a reports, the court disposed of the plea after being informed that Vikrant Jaitly had declined to communicate with his sister and preferred to make legal decisions in consultation with his wife, Charul Jaitly. The court was also told that he had been granted consular access on multiple occasions and had refused legal representation offered to him, including pro bono assistance. Responding to the development, Celina Jaitly shared a note on Instagram expressing concern while acknowledging the court’s decision. She wrote, “Today was the last hearing of my writ petition. I had approached the Hon’ble Court out of deep concern for the safety, security & well being of my brother.” She added, “He is in a foreign nation & as his sister, I felt it w...

Pray for Our Sinners review – the Irish campaigners who took on brutal church abuse

Inspirational documentary recovers the stories of those who dared to question the treatment of children in a small Irish town

Irish film-maker and journalist Sinéad O’Shea has a gripping and inspirational story to tell about her home town of Navan in Co Meath, and she tells it terrifically well, talking to the people involved, engaging with the history, delivering the drama and teasing out the poignancies and complexities.

O’Shea is speaking to the people who stood up to church abuse in the 60s and 70s, at a time when challenging the Catholic authorities seemed unthinkable. There can hardly be anyone left now who doesn’t know something about Ireland’s coming to terms with the historical abuse sanctioned by the church and its treatment of young pregnant women in the brutal mother-and-baby houses and Magdalene Laundries, the subject of movies such as Stephen Frears’s Philomena and Peter Mullan’s The Magdalene Sisters. These were the workhouses of shame, or perhaps the refineries in which guilt and fear were extracted as fuel for the theocracy. Schools were the same, with their incessant beatings, carried out by unmarried men who had of course been beaten and humiliated themselves in their formative years: a theatre of cruelty where the punishment was the point. (England has nothing to be smug about: we had teachers routinely assaulting children in front of other children for reasons they perhaps couldn’t explain to themselves.)

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