Purr-fect casting: is Orangey the most important movie cat ever?

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A new retrospective celebrates the work of the cat credited with roles in Breakfast at Tiffany’s, The Comedy of Terrors and Rhubarb In the midst of Oscar season, it becomes evident just how much work it takes to win an Academy Award, both in on-screen work and off-screen campaigning. Consider, however, that multiple actors have won more than one Oscar. (Emma Stone, one of this year’s best actress nominees, won twice in the past decade.) Only a single cat, meanwhile, has twice won the Patsy – the Picture Animal Top Star of the Year. (The award, given by the American Humane Association, not to be confused with the Humane Society, was discontinued in 1986.) That cat is Orangey, the subject of a small retrospective at New York City’s Metrograph cinema. Plenty of rep houses will play a movie like Breakfast at Tiffany’s around Valentine’s Day; the Metrograph is going deeper into the Orangey catalogue for a wider variety of titles and genres. Breakfast at Tiffany’s does offer Orangey his mo...
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Polite Society review – fun action comedy mashes Jane Austen and the Chuckle Brothers

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A pointed satire of the marriage market from We Are Lady Parts’ Nida Manzoor delivers the laughs – and some full tilt comedy action

Nida Manzoor created We Are Lady Parts for Channel 4, a sitcom about an all-female, all-Muslim punk band; now, for her debut feature film, she brings serious levels of goof, wack and zane for a feelgood action comedy with a very incorrect adjective in the title. It stars newcomer Priya Kansara as a young girl from a British-Pakistani family: Ria, a year 11 martial arts enthusiast and wannabe stuntwoman on a desperate mission to sabotage her older sister’s marriage to a guy that somehow only she can see is a sinister creep.

Kansara does a lot of her own gonzo stunts and kickboxing moves, and the sheer energy and full tilt comedy she brings to them had me thinking of the young Jackie Chan in Drunken Master. Manzoor’s film also has bits of Jane Austen, Kevin Kwan and Gurinder Chadha, with a cheeky homage to the Chuckle Brothers in the sequence in which two people must carry a heavy box down the stairs.

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