EXCLUSIVE: Salman Khan back on Battle Of Galwan sets for 15-day additional shoot and patchwork; action scene added

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Bollywood Hungama has been at the forefront in giving out news about Salman Khan’s next, Battle Of Galwan. In December, we broke the news that the teaser of the war drama would be unveiled on Salman Khan’s birthday, on December 27. We further informed that the release date of the film will also be announced around the same time. Today, we bring you another exciting piece of information about the film. The shoot was wrapped up in December, and now, Salman is back on the sets for an additional shoot. A source told Bollywood Hungama, “Salman Khan, director Apoorva Lakhia and the team are doing patchwork for the film. At the same time, they’re also adding a few new scenes, some of which feature action. It’s a 15-day schedule.” The source explained the reason for it, “The patchwork was always intended to be done. The additional filming happened because the makers and Salman realized that those scenes are crucial to the narrative and that they would add to the impact. Salman doesn’t want t...
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Mia Hansen-Løve: ‘I’d rather not film sex scenes than have virtue police on set’

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The French director on making the closest thing to an autobiography, stripping Léa Seydoux of her glamour and dating fellow film-makers

French screenwriter and director Mia Hansen-Løve, 42, was born in Paris to parents who were both philosophy professors. She studied German at university, then had stints as an actor and film critic before making her directorial debut in 2007 with All Is Forgiven. Her subsequent films include Father of My Children, Goodbye First Love, Eden and Bergman Island. Her new film, One Fine Morning, is about a single mother caring for her ailing father while embarking upon a new romance. She lives near Paris with her partner, film-maker Laurent Perreau, and their children.

How closely was your new film, One Fine Morning, inspired by your own late father’s illness?
All my films, in one way or another, use autobiographical elements. Or I should say biographical, because the majority are not inspired by my own story but those of people dear to me. But this one is probably the closest to a self-portrait. The character of Georg has the same disease my father had – a rare degenerative condition called Benson’s syndrome. When I was writing the screenplay, he was still alive and I was visiting him, like Georg’s daughter Sandra in the film. So those scenes were inspired by very fresh memories. I had the intuition that if I didn’t write about it right now, I never would. If I’d waited, I wouldn’t find the courage to turn back and look at these painful moments. But that’s only half the inspiration. The other half is a new love, the rediscovery of happiness, and how to balance those simultaneous feelings of grief and joy.

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