The Drama: sex, secrets and that gobsmacking twist – discuss with spoilers

Zendaya and Robert Pattinson’s dark dramedy is a stylish acting showcase, but does it do justice to its weighty themes? Ever since its first trailer dropped – and, on certain corners of Reddit, even before that – the internet has been abuzz with speculation over just what goes down in The Drama . The auteur production powerhouse A24 somewhat ingeniously pitched writer-director Kristoffer Borgli’s pitch-black film as a tart romantic comedy, with Zendaya and Robert Pattinson as a seemingly happy couple derailed by a disturbing revelation a week before their wedding. The actors, among a cohort of vanishingly few young movie stars, appeared as their characters in a fake wedding announcement in the Boston Globe; Zendaya’s rumored marriage to actor Tom Holland became a meta discussion point on a press tour that saw her method dressing in “something old, something new, something borrowed, something blue”, her wardrobe slowly darkening in a nod to something gone horribly awry. The Norwegi...

Mia Hansen-Løve: ‘I’d rather not film sex scenes than have virtue police on set’

The French director on making the closest thing to an autobiography, stripping Léa Seydoux of her glamour and dating fellow film-makers

French screenwriter and director Mia Hansen-Løve, 42, was born in Paris to parents who were both philosophy professors. She studied German at university, then had stints as an actor and film critic before making her directorial debut in 2007 with All Is Forgiven. Her subsequent films include Father of My Children, Goodbye First Love, Eden and Bergman Island. Her new film, One Fine Morning, is about a single mother caring for her ailing father while embarking upon a new romance. She lives near Paris with her partner, film-maker Laurent Perreau, and their children.

How closely was your new film, One Fine Morning, inspired by your own late father’s illness?
All my films, in one way or another, use autobiographical elements. Or I should say biographical, because the majority are not inspired by my own story but those of people dear to me. But this one is probably the closest to a self-portrait. The character of Georg has the same disease my father had – a rare degenerative condition called Benson’s syndrome. When I was writing the screenplay, he was still alive and I was visiting him, like Georg’s daughter Sandra in the film. So those scenes were inspired by very fresh memories. I had the intuition that if I didn’t write about it right now, I never would. If I’d waited, I wouldn’t find the courage to turn back and look at these painful moments. But that’s only half the inspiration. The other half is a new love, the rediscovery of happiness, and how to balance those simultaneous feelings of grief and joy.

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