MEGA EXCLUSIVE: Raveena Tandon and Parineeti Chopra join the cast of Malamaal Weekly 2

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Bollywood Hungama was the first one to confirm in February 2026 that Malamaal Weekly 2 is in the works. Two months later, in April 2026, we revealed that Amit Joshi of Teri Baaton Mein Aisa Uljha Jiya (2024) fame has been signed to direct the comic caper. We now bring you another exciting piece of news from this upcoming project. Bollywood Hungama has exclusively learned that two talented actresses, Raveena Tandon and Parineeti Chopra, have joined the cast of Malamaal Weekly 2. A source told Bollywood Hungama, "Both the actresses are perfect as per the requirement of the script. Hence, the makers were really keen to have them on board. Thankfully, both Raveena Tandon and Parineeti Chopra loved the script and their respective characters. They readily signed the film." The source continued, "Both actresses are talented and have great comic timing. Raveena has proved her worth with the numerous comedies she has starred in during the 1990s and early 2000s, as well as the re...
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Mia Hansen-Løve: ‘I’d rather not film sex scenes than have virtue police on set’

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The French director on making the closest thing to an autobiography, stripping Léa Seydoux of her glamour and dating fellow film-makers

French screenwriter and director Mia Hansen-Løve, 42, was born in Paris to parents who were both philosophy professors. She studied German at university, then had stints as an actor and film critic before making her directorial debut in 2007 with All Is Forgiven. Her subsequent films include Father of My Children, Goodbye First Love, Eden and Bergman Island. Her new film, One Fine Morning, is about a single mother caring for her ailing father while embarking upon a new romance. She lives near Paris with her partner, film-maker Laurent Perreau, and their children.

How closely was your new film, One Fine Morning, inspired by your own late father’s illness?
All my films, in one way or another, use autobiographical elements. Or I should say biographical, because the majority are not inspired by my own story but those of people dear to me. But this one is probably the closest to a self-portrait. The character of Georg has the same disease my father had – a rare degenerative condition called Benson’s syndrome. When I was writing the screenplay, he was still alive and I was visiting him, like Georg’s daughter Sandra in the film. So those scenes were inspired by very fresh memories. I had the intuition that if I didn’t write about it right now, I never would. If I’d waited, I wouldn’t find the courage to turn back and look at these painful moments. But that’s only half the inspiration. The other half is a new love, the rediscovery of happiness, and how to balance those simultaneous feelings of grief and joy.

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