Deepak Mukut claims Do Aur Do Paanch remake rights; reveals, “I wanted to remake it with Bobby Deol and Abhishek Bachchan”

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Amid reports suggesting that Rohit Shetty’s Golmaal 5 would adapt the 1980 classic Do Aur Do Paanch, producer Deepak Mukut has set the record straight. Mukut, who owns the remake rights to the film, confirms that he, and not Shetty who is developing a new version of Do Aur Do Paanch, and intends to take it on floors soon. “I don’t know where or how the news of someone else doing Do Aur Do Paanch came from. I had to issue a public notice to prevent anyone else from remaking it. I am very serious about doing the film. For nearly ten years, I wanted to remake it with Bobby Deol and Abhishek Bachchan,” says Mukut. The original film, directed by Rakesh Kumar, featured Amitabh Bachchan and Shashi Kapoor as two small-time crooks posing as schoolteachers in a plot to kidnap a wealthy businessman’s son. Hema Malini played a genuine teacher at the same school, adding romance and comic tension to the caper. Interestingly, when Do Aur Do Paanch released in 1980, it turned out to be a rare box-o...
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Mia Hansen-Løve: ‘I’d rather not film sex scenes than have virtue police on set’

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The French director on making the closest thing to an autobiography, stripping Léa Seydoux of her glamour and dating fellow film-makers

French screenwriter and director Mia Hansen-Løve, 42, was born in Paris to parents who were both philosophy professors. She studied German at university, then had stints as an actor and film critic before making her directorial debut in 2007 with All Is Forgiven. Her subsequent films include Father of My Children, Goodbye First Love, Eden and Bergman Island. Her new film, One Fine Morning, is about a single mother caring for her ailing father while embarking upon a new romance. She lives near Paris with her partner, film-maker Laurent Perreau, and their children.

How closely was your new film, One Fine Morning, inspired by your own late father’s illness?
All my films, in one way or another, use autobiographical elements. Or I should say biographical, because the majority are not inspired by my own story but those of people dear to me. But this one is probably the closest to a self-portrait. The character of Georg has the same disease my father had – a rare degenerative condition called Benson’s syndrome. When I was writing the screenplay, he was still alive and I was visiting him, like Georg’s daughter Sandra in the film. So those scenes were inspired by very fresh memories. I had the intuition that if I didn’t write about it right now, I never would. If I’d waited, I wouldn’t find the courage to turn back and look at these painful moments. But that’s only half the inspiration. The other half is a new love, the rediscovery of happiness, and how to balance those simultaneous feelings of grief and joy.

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