Ahaan Panday and Aneet Padda celebrate Saiyaara first anniversary at Wembley Stadium; unveil exclusive Collectors Edition Vinyl LP

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A year after Saiyaara emerged as one of the biggest box office successes, Yash Raj Films marked the film's first anniversary with a special celebration at London's Wembley Stadium. Lead actors Ahaan Panday and Aneet Padda visited the iconic venue to unveil an exclusive Collector's Edition Vinyl LP, commemorating the film's music and its enduring popularity among audiences. The venue holds special significance in Saiyaara, as it serves as the backdrop for one of the film's most memorable moments, where Ahaan Panday's character Krish Kapoor recognises Vaani Batra through her eyes on the stadium's giant screen. The film's climactic reunion between Krish and Vaani also takes place at Wembley, making it a fitting location for the anniversary celebration. The newly launched Collector's Edition is a two-disc vinyl set featuring the complete musical experience of Saiyaara. The first LP includes all nine songs from the film's soundtrack, while the second...
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Mia Hansen-Løve: ‘I’d rather not film sex scenes than have virtue police on set’

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The French director on making the closest thing to an autobiography, stripping Léa Seydoux of her glamour and dating fellow film-makers

French screenwriter and director Mia Hansen-Løve, 42, was born in Paris to parents who were both philosophy professors. She studied German at university, then had stints as an actor and film critic before making her directorial debut in 2007 with All Is Forgiven. Her subsequent films include Father of My Children, Goodbye First Love, Eden and Bergman Island. Her new film, One Fine Morning, is about a single mother caring for her ailing father while embarking upon a new romance. She lives near Paris with her partner, film-maker Laurent Perreau, and their children.

How closely was your new film, One Fine Morning, inspired by your own late father’s illness?
All my films, in one way or another, use autobiographical elements. Or I should say biographical, because the majority are not inspired by my own story but those of people dear to me. But this one is probably the closest to a self-portrait. The character of Georg has the same disease my father had – a rare degenerative condition called Benson’s syndrome. When I was writing the screenplay, he was still alive and I was visiting him, like Georg’s daughter Sandra in the film. So those scenes were inspired by very fresh memories. I had the intuition that if I didn’t write about it right now, I never would. If I’d waited, I wouldn’t find the courage to turn back and look at these painful moments. But that’s only half the inspiration. The other half is a new love, the rediscovery of happiness, and how to balance those simultaneous feelings of grief and joy.

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