Salman Khan vs Neighbour: Bombay HC suggests removal of social media posts over Panvel property dispute

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The Bombay High Court on Thursday observed that access to social media does not give individuals the right to publish content that may defame others, whether they are private citizens or public figures. The observation came during the hearing of a dispute involving actor Salman Khan and his neighbour, Ketan Kakkad, over a property matter in Panvel. A single-judge bench of Justice Sharmila Deshmukh was hearing an appeal filed by Salman Khan. The actor has challenged a civil court order that refused to grant him interim relief in a defamation suit against Kakkad. During the proceedings, the Court indicated that parties should avoid taking their disputes to social media platforms and instead seek remedies through appropriate legal forums. The Court also suggested that Kakkad consider removing tweets and YouTube videos related to the dispute. The Bench expressed concern over the continued circulation of such content online. It observed that valuable judicial time should not be spent exami...
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Mia Hansen-Løve: ‘I’d rather not film sex scenes than have virtue police on set’

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The French director on making the closest thing to an autobiography, stripping Léa Seydoux of her glamour and dating fellow film-makers

French screenwriter and director Mia Hansen-Løve, 42, was born in Paris to parents who were both philosophy professors. She studied German at university, then had stints as an actor and film critic before making her directorial debut in 2007 with All Is Forgiven. Her subsequent films include Father of My Children, Goodbye First Love, Eden and Bergman Island. Her new film, One Fine Morning, is about a single mother caring for her ailing father while embarking upon a new romance. She lives near Paris with her partner, film-maker Laurent Perreau, and their children.

How closely was your new film, One Fine Morning, inspired by your own late father’s illness?
All my films, in one way or another, use autobiographical elements. Or I should say biographical, because the majority are not inspired by my own story but those of people dear to me. But this one is probably the closest to a self-portrait. The character of Georg has the same disease my father had – a rare degenerative condition called Benson’s syndrome. When I was writing the screenplay, he was still alive and I was visiting him, like Georg’s daughter Sandra in the film. So those scenes were inspired by very fresh memories. I had the intuition that if I didn’t write about it right now, I never would. If I’d waited, I wouldn’t find the courage to turn back and look at these painful moments. But that’s only half the inspiration. The other half is a new love, the rediscovery of happiness, and how to balance those simultaneous feelings of grief and joy.

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