CBFC makes subtitles mandatory for all Indian films from March 15

In a move aimed at making the movie-going experience more inclusive, the Central Board of Film Certification has made subtitles mandatory for films across languages. The CBFC’s directive will come into effect from March 15, 2026. Henceforth, all Indian films will be required to include subtitles, along with audio descriptions wherever applicable. The move is intended to improve accessibility for audiences who are hearing or visually impaired, allowing them to experience films more fully regardless of language or physical limitations. However, not all netizens are happy with the CBFC’s decision to make subtitles mandatory. Many have taken to social media to express their dissatisfaction, arguing that subtitles can be distracting and interfere with the immersive movie-viewing experience. Also Read: EXCLUSIVE: CBFC asks for 15 cuts and modifications in The Kerala Story 2: Goes Beyond; reduces kiss and rape visuals by 50% from Latest Bollywood News | Hindi Movie News | Hindi Cinema N...

‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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