Ramayana English trailer: Namit Malhotra DECODES DNEG’s AI-powered lip-sync technology!

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The English trailer of Nitesh Tiwari’s Ramayana: Part 1 has been released by Sony Pictures for audiences worldwide, offering an international preview of the upcoming epic. While the scale and visual effects have drawn attention, one of the key talking points has been the technology used to ensure that the actors’ lip movements match the English dialogue. Unlike conventional dubbed versions, where a new voice track is placed over the original footage, the English version of Ramayana: Part 1 uses DNEG’s AI-powered technology to digitally adjust the actors’ mouth movements. Producer Namit Malhotra has now explained how the process combines human performances with technology to achieve a more natural result. Namit Malhotra explains how Ramayana’s English lip-sync was created Speaking to ET Now, Malhotra stressed that the process did not begin with AI. According to the producer, the first step involved human voice performances, with members of the principal cast also contributing their own...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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