‘Touch Buddy’ from Dacoit out now: Pawan Singh, Jonita Gandhi and Adivi Sesh bring high energy dance track to life

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Ever since the makers of Dacoit announced ‘Touch Buddy’, a song featuring Pawan Singh, Adivi Sesh and Jonita Gandhi, fans knew they were in for a power-packed musical treat. The recently released teaser only amplified the buzz, adding a whole new level of hype to the high-energy track. Finally, the makers have dropped this banger, with Pawan Singh and Jonita lending their vocals to the much-awaited song. The song was shot in Telugu as well as Hindi. Sung by the powerful duo Pawan Singh and Jonita Gandhi, the fiery lyrics are penned by Vayu Shrivastava, with music composed by Bheems Ceciroleo. Adding a touch of his own signature swag. Adivi Sesh will be seen shaking a leg alongside Pawan Singh and Jonita Gandhi, with the trio lighting up the screen with their moves, making ‘Touch Buddy’ the dance number of the season. Speaking about the song, Bhojpuri King Pawan Singh shared, “I love experimenting with my music, and when Adivi Sesh came to me with the idea, I instantly knew the kind o...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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