Junaid Khan-Sai Pallavi starrer Mere Raho release shifted to Summer 2026 amid crowded December line-up: Report

The release of Mere Raho, the upcoming romantic drama starring Junaid Khan and Sai Pallavi, has been postponed from its originally scheduled December 12, 2025, debut. The film — produced by Aamir Khan Productions — is now being earmarked for a summer 2026 release, with movers and shakers in the industry pointing to a July window as a preferred launch period. Filming and post-production for Mere Raho wrapped earlier this year, completing principal photography by April 2025. The marketing responsibilities for the project were entrusted to Aamir Khan himself, who, according to trade sources, was instrumental in re-evaluating the release strategy. A source told Mid-Day that the decision to shift the date was rooted in commercial pragmatism: “December is a high-pressure corridor.” The insider noted that the end-of-year calendar was dominated by heavyweight productions, including Dhurandhar and a major romantic comedy starring Kartik Aaryan and Ananya Panday, making it difficult for a cont...

‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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