June Lockhart obituary

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American stage and screen actor who enjoyed huge success on the television shows Lassie and Lost in Space June Lockhart, who has died aged 100, started her career in films, but made her name after switching almost exclusively to television. Having been given little chance to scintillate in the movies from her debut as a child in 1938 until 1947, she shone on the small screen in scores of popular series, above all in Lassie. Taking over from Cloris Leachman in 1958, Lockhart continued in the show until 1964. She played Ruth Martin, married to the farmer Paul Martin (Hugh Reilly), and the adoptive mother of seven-year-old Timmy Martin (Jon Provost), whose collie was the titular hero of the series. Continue reading... from Film | The Guardian https://ift.tt/D6ISrno via IFTTT
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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