Oscars 2026: the red carpet, the ceremony, the winners – follow the action live!

Will Sinners beat One Battle After Another to the big prize? Will Timothée Chalamet get pelted with tutus? Can the Academy Awards wrap in under four hours? Join us to find out Felcity Jones has arrived in lemon-coloured Prada proving old Hollywood – sleeveless, a sprinkle of crystals, a little tulle train, hair in a soft side wave – is bomb-proof if you stick to the formula One of the most miraculous aspects of the night is that Conan O’Brien will once again host. His turn last year saved what had the potential to be a very dull evening, and it is very exciting to think about what he’ll do this year, with films that people have actually heard of. And, for that matter, what he’ll do about Train Dreams; a film so lacking in comedic potential that O’Brien tore into it during an appearance on Jimmy Kimmel last week. What makes this even more miraculous is that it’s been reported that O’Brien will earn $15,000 for tonight’s duties, a figure that simultaneously seems quite high and extre...

‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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