Mother’s Day 2026: Isha Koppikar says she wants daughter Rianna to achieve her dreams independently

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On the occasion of Mother’s Day 2026, Isha Koppikar shared a message about parenting, independence and responsibility through a video posted on social media. Speaking about her daughter Rianna, the actor reflected on the importance of raising children to become self-reliant individuals rather than depending on others for emotional or personal security. In the video, Isha revealed that a conversation with her daughter prompted her to think more deeply about modern parenting. According to the actor, Rianna asked her what she wished for her, to which she responded that she wanted her daughter to achieve her dreams independently and become a strong individual. Speaking further, Isha questioned whether parents sometimes send mixed messages to children by encouraging independence while also raising them with the idea that someone else will eventually “take care” of them. She added that this mindset applies equally to both boys and girls. The actor also spoke about how she views independence...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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