BREAKING: Akshay Kumar’s Cape of Good Films issues public notice; asserts exclusive worldwide rights over Hera Pheri 3; cautions industry against dealing with third parties

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Akshay Kumar’s production house, Cape of Good Films LLP, has issued a public notice in the July 4, 2026 issue of Complete Cinema magazine, asserting that it is the sole and exclusive holder of the rights to produce and commercially exploit the much-awaited comedy, Hera Pheri 3. The notice has been addressed to the public at large as well as stakeholders across the Indian film trade. The notice specifically addresses distributors, exhibitors, cinema chains, OTT and streaming platforms, television broadcasters, digital platforms, advertisers, licensors, licensees, aggregators and syndicators, among others. Cape of Good Films LLP has claimed that it holds an “irrevocable, worldwide, perpetual and unencumbered licence” to produce, distribute, market, exploit, commercialize and otherwise deal with the cinematograph film presently titled Hera Pheri 3. The company has stated that its rights extend across all modes, media, platforms, technologies and formats, whether currently known or develo...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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