Ye confirms India concert at Delhi’s Jawaharlal Nehru Stadium on may 23

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Global rapper and producer Kanye West has officially confirmed his India performance, putting an end to ongoing speculation after sharing the Ye Live in India tour flyer on social media. The announcement has quickly gained traction online, with fans reacting to the news across platforms. The concert is scheduled to take place on May 23, 2026, at Jawaharlal Nehru Stadium, marking a major addition to India’s live music calendar. With the confirmation coming directly from the artist, the event is now being seen as one of the most high-profile international concerts to be hosted in the country in recent years. Kanye West is known for delivering large-scale performances that go beyond conventional concerts. His shows often feature elaborate stage setups, experimental visuals, and a strong focus on creating an immersive experience for audiences. While specific details about the India show remain undisclosed, expectations are high that it will reflect his signature style of production. The...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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