Arshad Warsi starrer Jeevan Bheema Yojana to release in monsoon 2026, actor plays double role for the first time

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Actor Arshad Warsi will essay a double role for the first time in his career in Jeevan Bheema Yojana, a dark comedy crime thriller directed by Abhishek Dogra. The film features an ensemble cast that includes Sanjeeda Shaikh, Vijay Raaz, Pooja Chopra, and Brijendra Kala. Produced by Anshu Mishra under Star Beam Ventures Ltd (formerly BlueGod Entertainment Ltd), Jeevan Bheema Yojana has completed production and is scheduled for a theatrical release in monsoon 2026. Warsi, known for his work in films such as Munna Bhai M.B.B.S., Ishqiya, and Jolly LLB, portrays two lookalike men whose lives become dangerously intertwined in a tale of crime, deception, and dark humour. The film follows Jeevan and his wife Yojana, a couple burdened by mounting debt, who encounter Bheema, a stranger bearing an uncanny resemblance to Jeevan. What begins as a plan to fake Jeevan’s death and claim an insurance payout unravels when the man presumed dead turns out to be connected to a dangerous diamond-smuggling...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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