Two marriage ceremonies for Rashmika Mandanna and Vijay Deverakonda

The Big Fat South Indian Wedding of Rashmika Mandanna and Vijay Deverakonda on February 26 promises to be special on many counts. A guest from the Udaipur venue revealed that the couple intends to go through two separate ceremonies. “The first wedding will be in the Telugu tradition while the second ceremony will be in the Kodava tradition, peculiar to the Coorg district in Karnataka, which Rashmika belongs to,” revealed a guest from Udaipur. Apparently, it was Vijay’s idea to have two different ceremonies to honour the culture and communities that the couple belongs to. Also Read: Rashmika Mandanna-Vijay Deverakonda wedding: From taking just a short break post-marriage to starting their joint production house, here’s the dope around the star couple before their big leap from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama https://ift.tt/8m49qza via IFTTT

‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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