EXCLUSIVE: Vishal Bhardwaj reveals why Aamir Khan has been thanked in O'Romeo: “His suggestion changed so many things for me; wanted to thank Aamir from the BOTTOM of my heart”

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Shahid Kapoor’s O'Romeo is having a decent run at the box office and is enjoying a good word of mouth. Moviegoers, who ventured out to see the film on the big screen, were surprised to see the mention of Aamir Khan in the opening disclaimer. Many expected that the superstar might have a cameo in the crime drama. However, Aamir is not present in the film and this made many moviegoers curious about his connection to O'Romeo. Bollywood Hungama has learned the reason behind the special thanks to Aamir. Director Vishal Bhardwaj exclusively told us, “Aamir wanted to hear the script of O'Romeo. And when he heard it, he gave me this idea, that someone should be killed at a crucial point in the film.” Vishal Bhardwaj further revealed, “Killing the lawyer Anjum Ansari (Resh Lamba) in the restaurant was his idea. This is the reason why I thanked him. This suggestion changed so many things for me. Because from there, the protagonist, Ustara (Shahid Kapoor) gets attracted towards the ...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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