Post your questions for John Hannah

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Your mum’s favourite star of Four Weddings and a Funeral, Sliding Doors, Spartacus and a new GoPro-filmed thriller is ready to answer your quetions He’s your mum’s favourite, after playing the jolly nice man who is jolly nice to Gwyneth Paltrow in Sliding Doors, and the jolly nice man who delivers the heartbreaking WH Auden eulogy for his partner in Four Weddings and a Funeral . But there is far more to John Hannah than a Scottish accent, magnificent eyebrows and an unrivalled ability to look soulfully concerned. In The Mummy films, he played treasure-hunting comic relief Jonathan Carnahan. In 2002’s Dr Jekyll and Mr Hyde, he took on both halves of Robert Louis Stevenson’s character. He played a psychopathic killer in Truth or Dare, and appeared opposite Denzel Washington in The Hurricane. On TV, he has been a transhumanist scientist in Marvel’s Agents of SHIELD ; a gruff but compassionate emergency medicine chief in Transplant; and a gladiator school owner in the blood-soaked, boobs-...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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