Tiger Shroff, Abhishek Banerjee, and Elvish Yadav team up for Remo D'Souza's action franchise as Viccky Jain launches VJ Frames

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Producer and entrepreneur Viccky Jain has announced the launch of his production house, VJ Frames, marking the beginning of a new chapter in his career as a filmmaker. Making the announcement on his birthday, Jain also revealed the banner's maiden project—an ambitious action franchise that will be directed by choreographer-filmmaker Remo D'Souza and feature Tiger Shroff, Abhishek Banerjee, and Elvish Yadav in lead roles. The newly launched banner aims to back commercial entertainers across genres, with its debut project expected to combine action, spectacle and mainstream storytelling. While the makers have kept plot details under wraps, the announcement has already generated curiosity owing to the unusual casting combination of Tiger Shroff, known for his action-packed performances, alongside versatile actor Abhishek Banerjee and content creator-turned-actor Elvish Yadav. Speaking about the launch of VJ Frames, Viccky Jain described the occasion as the fulfilment of a long-ch...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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