Paresh Rawal claims OMG 2 was based on his original idea; says he walked away after script changes: “There was no need for a divine character”

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Paresh Rawal has claimed that the original idea behind OMG 2 came from him, adding that the film underwent significant changes after Akshay Kumar came on board. Speaking to Vickey Lalwani, the veteran actor also alleged that he did not receive credit for the story or concept despite being closely involved in its early development. Paresh Rawal recalls developing the original concept Rawal said he first approached filmmaker Amit Rai with the idea after watching Road to Sangam. He asserted, "I had approached Amit Rai, the director of Road to Sangam, and asked him if he was planning another film. I admire him a lot. I told him, 'I have an idea. Let's sit and write it.' I told him I wasn't a writer, but I could contribute ideas and help identify where we were going wrong because I understand screenplay to some extent." He went on to reveal, "The story was about a boy who gets caught masturbating, and a video of the incident goes viral, making his life miser...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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