Salman Khan and family unhappy with public health update of Salim Khan: Report

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The family of veteran screenwriter Salim Khan has expressed displeasure over the public disclosure of his medical condition and has requested that no further updates be shared with the media. The development comes after his treating doctor addressed the press about his health following his recent hospitalisation. Salim Khan was admitted to Lilavati Hospital in Mumbai after suffering a minor brain haemorrhage. Dr Jalil Parkar, who is overseeing his treatment, confirmed to the media that the screenwriter was stable but on ventilator support. He also stated that Khan had undergone a medical procedure earlier this week. However, according to a source close to the family who spoke to Variety India, the family was unhappy with the public nature of the statement. “Health is a private matter. Ideally, no updates should be shared with the media and any communication should be left entirely to the family, if and when they choose to address fans and well-wishers,” the source said. The source f...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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