Dreams Travel With the Wind review – communing with the spirits to preserve Indigenous culture in Colombia

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This intensely personal film follows Colombian director Inti Jacanamijoy’s grandfather to the ancestral lands of the Wayuu people Spirituality and history collide in Inti Jacanamijoy’s debut documentary, shot among the rugged, enigmatic terrain of La Guajira, Colombia, the birthplace of his grandfather, José Agustín. Now in his 90s, the older man muses on the inevitability of death, all while looking back on his painful upbringing as a Wayuu Indigenous person . His voiceover, laid over the sight of lush forest and babbling brooks, recalls a cruel separation from his mother and his ancestral land, forced by Catholic invaders. This sense of fracture resonates throughout the family lineage. Jacanamijoy too speaks of his feelings of loss caused by generational trauma. Against such emotional and geographical disconnects, the film looks to dreams – and even the afterlife – as a possible space for reconciliation and healing. José Agustín’s mother has long passed, yet he often sees her in hi...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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