SCOOP: Batwara’s special promo, featuring Sunny Deol and Karan Deol, expected to be unveiled on Father’s Day

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About two months remain before the release of Batwara, and the film's team is gearing up in full force to unveil the much-anticipated teaser. Recently, it was reported that the asset will be launched on June 15. Bollywood Hungama has now learned that the makers are putting together another interesting promo, which will also be out this month itself. A source told Bollywood Hungama, “Batwara stars Preity Zinta, Shabana Azmi and Ali Fazal, and it also features Sunny’s son, Karan Deol. This is the first time that the father and son will share screen space, and they have an interesting dynamic in the film. The makers wanted to present the same to the audience. Hence, a special promo is being designed to highlight their bond.” The source continued, “Father’s Day will be celebrated on June 21. Hence, the team of Batwara 1947 felt that it would be an apt day to bring the father-son asset out. A final call will be taken in the coming week, but as of now, the Father’s Day asset plan is on....
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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