Jacqueline Fernandez withdraws Supreme Court plea in Rs 200 crore money laundering case linked to Sukesh Chandrashekhar

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Actor Jacqueline Fernandez has withdrawn her special leave petition before the Supreme Court that challenged proceedings initiated against her in the Enforcement Directorate's (ED) Rs 200 crore money laundering case linked to alleged conman Sukesh Chandrashekhar. As per an IANS report, a Bench comprising Justices B.V. Nagarathna and Joymalya Bagchi on Thursday allowed the actor to withdraw her petition after the matter was taken up for hearing. Petition challenged Delhi High Court and trial court orders Jacqueline had approached the Supreme Court after the Delhi High Court refused to quash the ED's prosecution complaint and the trial court's order framing charges against her under the Prevention of Money Laundering Act (PMLA). With the withdrawal of the petition, the legal proceedings against the actor will continue before the trial court. Matter was reassigned after judge recused himself The case was initially listed before a Bench of Justices Prashant Kumar Mishra and A...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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