Ramayana creates HISTORY at San Diego Comic-Con: 'International superstars' Ranbir Kapoor and Yash to unveil trailer with live performances and exclusive surprises in MASSIVE 4,800-seater Ballroom 20

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A few days remain before the release of the Ramayana trailer, and excitement is tremendous. Yesterday, we reported that a 4-minute-15-second-long trailer of Ramayana was cleared by the Central Board of Film Certification (CBFC) on July 15 with a 'U' certificate. Now, we bring to you some exciting details of the trailer launch event that would take place at San Diego Comic-Con. San Diego Comic-Con is the world’s largest annual pop culture and comic book convention. On July 23, the trailer of Ramayana will be screened at the prestigious event in the presence of the film’s team. The panel will be held from 3:15 pm to 4:15 pm PDT (Pacific Daylight Time), which translates to 3:45 am to 4:45 am IST (Indian Standard Time) on Friday, July 24. According to the official website of San Diego Comic-Con, producer Namit Malhotra and director Nitesh Tiwari will be joined by 'international superstars Ranbir Kapoor (Rama) and Yash (Ravana)'. The website further states that 'The pan...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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