Dhadak 2 director Shazia Iqbal goes private after slamming Dhurandhar as “sinister” film promoting hate

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Filmmaker Shazia Iqbal, known for her directorial debut Dhadak 2, has publicly criticised the spy thriller Dhurandhar, calling it “sinister” and asserting that “inciting hate and violence is in its DNA.” Her remarks, shared via Instagram Stories, have sparked debate within Bollywood and among audiences following the film’s successful run and recent Netflix release. Released in December 2025, Dhurandhar, directed by Aditya Dhar and featuring Ranveer Singh in the lead role, has become one of the highest-grossing Hindi films at the domestic box office. The action-oriented espionage narrative centres on an Indian spy embedded deep within a terror network, and includes a supporting cast of well-known actors such as Akshaye Khanna, Arjun Rampal, R Madhavan, Sanjay Dutt and Sara Arjun. Shazia Iqbal’s comments did not explicitly name the film in her initial post, but she paired her message with Dhurandhar’s title track, making clear the target of her critique. In her Instagram Story, she des...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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