Karan Johar, Vicky Kaushal, Ananya Panday and others attend day 2 of the 100-year celebration event of RSS in Mumbai

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The Rashtriya Swayamsevak Sangh (RSS) completed 100 years in 2025. As part of its centenary celebrations, a grand two-day event is being held at a sprawling auditorium in Mumbai. The first day of the event took place on Saturday, February 7, with several prominent personalities from various fields in attendance. The Bollywood film fraternity was not far behind and many celebs attended the first day of the event like superstars Salman Khan and Ranbir Kapoor, filmmakers Mohit Suri, Subhash Ghai, Nitesh Tiwari, Mahaveer Jain, Om Raut, Vikram Malhotra, lyricist Prasoon Joshi and others. The second day of the event was also star-studded. While Ranbir attended the first day of the event, his Love & War co-star Vicky Kaushal made his presence felt on day 2. Karan Johar and Ananya Panday were also present and they were joined by veteran actor Jackie Shroff, the evergreen Raveena Tandon and Shilpa Shetty, music composer Pritam Chakraborty, singer Adnan Sami, television star Rupali Ganguly,...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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