France’s top film producer says it will blacklist figures who petitioned against rightwing billionaire

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Canal+ head says he will not work with hundreds of actors and directors who signed protest against Vincent Bolloré’s political sway The head of France’s biggest film producer, Canal+, has said the group will no longer work with hundreds of cinema figures who signed a petition voicing concern over the growing influence of the rightwing billionaire owner Vincent Bolloré. The open letter, published earlier this week to coincide with the opening of the Cannes film festival, was signed by more than 600 figures , including the actor-director Juliette Binoche, the director and photographer Raymond Depardon, the French-Iranian film-maker Sepideh Farsi and the director Arthur Harari , who co-wrote the Oscar-winning Anatomy of a Fall and is premiering his film The Unknown in the main competition in Cannes. Continue reading... from Film | The Guardian https://ift.tt/y3L0r7x via IFTTT
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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