EXCLUSIVE: Scam 1992 writer Sumit Purohit to co-direct Scam 2010 with Hansal Mehta; shooting underway

In 2020, Hansal Mehta made his digital debut with Scam 1992: The Harshad Mehta Story, a biographical financial thriller that became a groundbreaking success for SonyLIV and one of the most acclaimed Indian web series of its time. Mehta directed the Pratik Gandhi-led show with his filmmaker son Jai Mehta. Three years later, the franchise returned with Scam 2003: The Telgi Story; however, Hansal served only as showrunner, handing over directorial duties to Tushar Hiranandani. As the third season of the franchise, Scam 2010, takes shape, Hansal is set to return to the director’s chair, this time alongside a new co-director. Bollywood Hungama has exclusively learned that Sumit Purohit will co-direct Scam 2010 with Hansal Mehta. Purohit was among the writers of the first season and is intimately familiar with the franchise’s tone and storytelling approach, making him a natural fit for the job. The screenwriter made his directorial debut with the espionage thriller series Saare Jahan Se Acc...

‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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