Shia LaBeouf must seek treatment as part of bail terms after alleged attack

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The actor, long open about his struggle with sobriety, was also ordered to undergo drug testing and pay $100,000 bond Shia LaBeouf on Thursday was ordered to enroll in substance abuse treatment, undergo a drug testing program and pay a $100,000 bond as conditions of his release from custody after the actor allegedly battered and hurled homophobic slurs at two men at a New Orleans bar. The requirements imposed on LaBeouf, 39, by New Orleans judge Simone Levine came after the Transformer film franchise star was initially allowed to leave jail without being required to pay a bond in the hours after his 17 February arrest on two counts of misdemeanor battery. Continue reading... from Film | The Guardian https://ift.tt/zFeitfP via IFTTT
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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