Anil Kapoor to duel with Jr NTR in Prashanth Neel’s Dragon

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Prashanth Neel’s action drama Dragon just got its North Indian tadka. Anil Kapoor has joined the cast in a prominent role. Anil is apparently playing the antagonist. To cast a Bollywood actor opposite an A-lister Telugu actor has become quite the thing. It started with Neil Nitin Mukesh, followed by Bobby Deol in several Telugu films. About Anil Kapoor in Dragon, the film’s team is quite tightlipped about his role. However, a source close to the development revealed that Anil would be making an appearance at a pivotal juncture in the narrative. “It is a brief but very important character, and Anil has agreed to do it for NTR’s sake,” the source informed. Also Read: SCOOP: Anil Kapoor buys rights to his cult film Nayak; aspires to make its sequel from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama https://ift.tt/0WS9OQK via IFTTT
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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