Breaking the Cycle review – meet the charismatic Thai politician striving to change his country’s history

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Gripping documentary examines the Future Forward Party’s unprecedented 2019 election result, and its leader’s aim to break Thailand’s repeated military coups With his disarming good looks, pro-democracy activist and businessman Thanathorn Juangroongruangkit resembles an actor rather than a typical Thai politician. Heir to the country’s largest car manufacturer, he is blessed not only with personable charisma but also inexhaustible funds. His stunning rise into public consciousness is the beating heart of Aekaphong Saransate and Thanakrit Duangmaneeporn’s debut film, a thrilling documentary about an extraordinary political campaign that shook a nation. As founder of the progressive Future Forward Party (FFP), Juangroongruangkit’s central message cut through the noise of electoral politics: secure a brighter future by correcting the wrongs of the past. Since the end of absolute monarchy in 1932, Thailand has undergone a never-ending cycle of military takeovers, including 12 coups. Dur...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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