Court grants interim relief to Pooja Entertainment in ‘Chunari Chunari’ rights dispute with Tips Music

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The ongoing legal dispute between producer Vashu Bhagnani’s Pooja Entertainment and Tips Music has reignited the long-standing debate over ownership of film music rights in the Indian film industry. The controversy erupted after Pooja Entertainment approached the court alleging that Tips recreated the iconic track ‘Chunari Chunari’ for the upcoming film Hai Jawani Toh Ishq Hona Hai without obtaining permission. The song originally featured in Biwi No.1 (1999), produced by Pooja Entertainment. The court has currently granted interim protection in favour of Vashu Bhagnani. While reacting to the matter on social media, Tips Music insisted that they remain to be “lawful owner” of the music rights and termed the allegations made by Pooja Entertainment as “malicious.” Responding to Tips’ statement, a legal spokesperson representing Vashu Bhagnani said that all music rights, songs, and films referred to in the suit are presently covered under the court’s “status quo” order. The spokesperson ...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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