‘It’s more productive than doomscrolling’: film-maker Ben Wheatley on his secret life as musician Dave Welder

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While playing with nine-figure Hollywood budgets, the Kill List and Meg 2 director has become a prolific music producer. Next up is his experimental film, Bulk Dave Welder may just be the most prolific musician you’ve never heard of. In a little more than a year, he has released a staggering 26 records spanning electronica, dub, ambient, kosmische and drone. One of these albums, Thunderdrone, is more than four hours long. Based in Brighton and Hove and described as “a rotating group of musicians and artists”, in reality “Dave Welder” is largely the work of one man who, until now, has been operating in secret: film director Ben Wheatley. “I’ve always wanted to make music,” says Wheatley, whose films include the independent movies High-Rise, Kill List and Sightseers, along with big-budget Hollywood flicks such as the shark thriller Meg 2: The Trench. “I wanted to do it for my films but there was a dissonance. Of all the art forms, I couldn’t really understand it. I would dream that I c...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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