Celina Jaitly shares emotional video cleaning late son Shamsher’s grave in Austria, opens up on her divorce procedure ordeal: “The only child I got to meet was my son Shamsher”

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Actor Celina Jaitly has shared an emotional account of her ongoing divorce struggle and separation from her children through a heartbreaking Instagram post. Along with the note, the actor posted a video of herself cleaning the grave of her late son Shamsher, saying she had “no option” but to make her pain public. “I had no option but to share this devastating video to show the world my trauma as a mother,” Celina wrote at the beginning of her post. Opening up about the legal battle, she revealed that she had recently travelled to Austria for divorce proceedings. “The last few weeks were the most difficult of my life. I was in Austria for my divorce hearing,” she wrote. Celina alleged that despite assurances given before an Austrian judge, her children were not brought back to the marital residence. “Despite an undertaking before an Austrian judge, my children who were removed to an undisclosed location were not brought back to the marital residence,” she claimed. The actor added that ...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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