Vishal Bhardwaj and Shaunak Sen join new film fund initiative supporting independent cinema

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What are the vital ingredients an aspiring filmmaker needs when they have a story to tell but no outlet? Beyond a script, they need financial stability, production expertise, and industry access. Addressing this gap, Humans of Cinema and Safarnaama Pictures have launched a landmark feature film co-production fund of Rs 40,00,000 designed to back an emerging filmmaker with a distinct voice and a clear vision. In a significant boost to the independent ecosystem, Academy Award-nominated filmmaker Shaunak Sen (All That Breathes) and globally acclaimed auteur Vishal Bhardwaj have joined the initiative as mentors. Sen is also attached to the selected project as an Executive Producer. The high-profile jury for the fund includes actor Imran Khan, filmmaker Arati Kadav (Cargo, Mrs), producer Aman Mann (All That Breathes), and renowned author and festival director Aseem Chhabra. Harshit Bansal, Founder of Humans of Cinema, shared that the idea took shape when Nazim Momin of Safarnaama Pictures—...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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