Dhurandhar The Revenge controversy settles: Santosh Kumar apologises to Aditya Dhar and team, Bombay High Court closes defamation suit

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The legal tussle involving Aditya Dhar’s Dhurandhar The Revenge has, for the time being, reached a resolution after the Bombay High Court disposed of a defamation case. The development came after filmmaker Santosh Kumar formally apologised for his earlier public remarks. The dispute traces back to March 2026, when Kumar accused Dhar of lifting the storyline for Dhurandhar The Revenge from his own script titled D-Saheb. He claimed that his script had been officially registered with the Screenwriters Association in 2023. These allegations were made during a press conference, following which Dhar approached the High Court, arguing that the statements were defamatory and had harmed his professional reputation. As reported by Live Law, the matter was heard by a single-judge bench presided over by Justice Arif Doctor, who ultimately closed the case after Kumar issued an unconditional apology in court. The official order recorded that Kumar’s counsel submitted the apology for statements made...
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‘Life can be complicated’: Rachel Weisz on balancing privacy with stardom

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Her latest TV series calls for her to play both twins in a reworking of Cronenberg’s dark and bloody classic, Dead Ringers. But Rachel Weisz, the famously private Oscar-winner, is used to stepping in and out of roles

There’s quite a lot of blood. There’s really quite a lot of blood in Dead Ringers, but it’s not the blood of bullet holes or stab wounds, or any of the other violences one might expect in a dark psychological thriller like this. It’s blood on knickers and operating tables, and smeared on silk shirts, and the blood as a baby’s head crowns – the bloods of birth and loss, guttural screams, and in the middle of it all, Rachel Weisz, twice.

In David Cronenberg’s original 1988 film, a grisly examination of the relationship between the physical and mental self, Jeremy Irons played twin gynaecologists whose dubious ethics led to all manner of horrors. In this gender-swapped adaptation, in which Weisz stars and exec-produced, she plays those twins identical in every way but character. Dr Beverly Mantle is the shy moral introvert, whose love affair with a patient triggers a psychic unravelling between the sisters, while Elliot is a modern mad scientist, hungry for meat, drugs, conflict, godliness, sex. What could come off as a soapy trick, in Weisz’s Oscar-winning hands becomes camply surreal, uncanny, seductive, a little perverse – joy.

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