The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t

Actor Bel Powley: ‘I’d shied away from second world war stories – it’s always all about men’

The Morning Show star on playing the woman who hid Anne Frank, ​revitalising period dramas and working with her teenage heroes Jennifer Aniston and Reese Witherspoon

Isobel “Bel” Powley, 31, was born in west London. In 2016 she was Bafta-nominated for The Diary of a Teenage Girl and shortlisted for a British independent film award for playing Princess Margaret in A Royal Night Out. Subsequent film roles include The King of Staten Island and Mary Shelley, where she met her fiance, actor Douglas Booth. On TV, she’s starred in The Morning Show and Dolly Alderton’s Everything I Know About Love. She now plays Hermine “Miep” Gies in miniseries A Small Light, based on the true story of the young woman who hid the Frank family during the second world war and preserved Anne’s diary.

Were you familiar with Miep Gies’s story?
I’d read Anne Frank’s diary as a kid, and I’m Jewish myself, so you grow up with this weight of history running through your family, but I knew nothing about Miep Gies. I was offered the role on Holocaust Memorial Day, which felt kind of special, but was genuinely like: Who is that? Nor did I know about the occupation of the Netherlands and the Dutch resistance. The first thing I did was get my butt over to Amsterdam. It’s a city that operates in a very specific way – everyone cycles everywhere, it’s built on waterways – so I immersed myself in how it feels to live there. I visited the Anne Frank museum, obviously, but also went to Miep’s old apartment and cycled the same routes as her. That was my springboard for working on this.

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