Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions?

With beloved stars’ personal items increasingly up for grabs after they die, a new generation of fans are bidding on everything from bowler hats to dog bowls From Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities. The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity. Continue reading... from Film | The Guardian https://ift.tt/4Yh215g via IFTTT

Actor Bel Powley: ‘I’d shied away from second world war stories – it’s always all about men’

The Morning Show star on playing the woman who hid Anne Frank, ​revitalising period dramas and working with her teenage heroes Jennifer Aniston and Reese Witherspoon

Isobel “Bel” Powley, 31, was born in west London. In 2016 she was Bafta-nominated for The Diary of a Teenage Girl and shortlisted for a British independent film award for playing Princess Margaret in A Royal Night Out. Subsequent film roles include The King of Staten Island and Mary Shelley, where she met her fiance, actor Douglas Booth. On TV, she’s starred in The Morning Show and Dolly Alderton’s Everything I Know About Love. She now plays Hermine “Miep” Gies in miniseries A Small Light, based on the true story of the young woman who hid the Frank family during the second world war and preserved Anne’s diary.

Were you familiar with Miep Gies’s story?
I’d read Anne Frank’s diary as a kid, and I’m Jewish myself, so you grow up with this weight of history running through your family, but I knew nothing about Miep Gies. I was offered the role on Holocaust Memorial Day, which felt kind of special, but was genuinely like: Who is that? Nor did I know about the occupation of the Netherlands and the Dutch resistance. The first thing I did was get my butt over to Amsterdam. It’s a city that operates in a very specific way – everyone cycles everywhere, it’s built on waterways – so I immersed myself in how it feels to live there. I visited the Anne Frank museum, obviously, but also went to Miep’s old apartment and cycled the same routes as her. That was my springboard for working on this.

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