Ranveer Singh ignites the screen in his fiercest avatar; fans go wild over his ‘Agent’ mode transformation

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Ranveer Singh has done it again — setting the internet ablaze with his most intense and electrifying look to date. The superstar, known for constantly reinventing himself, has unveiled a new avatar that’s all grit, command, and raw power. Dressed in full combat gear, his expression steely and unrelenting, Ranveer looks like a man on a mission — focused, fearless, and ready for war. The newly released stills and short clips have left fans speculating about what exactly this project could be. While official details remain tightly under wraps, industry chatter suggests that this could either be a high-octane film or a big-budget brand commercial that’s part of a larger cinematic-style universe. What’s certain, though, is that this reveal marks the beginning of something massive. Adding to the intrigue is the star-studded combination at the center of it all. The project brings together Ranveer Singh, Bobby Deol, and Sreeleela — an unexpected yet thrilling trio sharing the screen for the ...
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Tod Browning: the film-maker who brought the carnival to Hollywood

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A new retrospective offers another chance to appreciate the daring and often deranged films made by a director who was once the centre of a moral panic

When a kid threatens to run away and join the circus, perhaps upon being forced to eat broccoli or go to bed, they’re fantasizing about more than just independence. The traveling carnival offered an alternative way of life that appealed specifically to those uninvested in the politenesses of the grownup world. No one can make a carny shower, wear a tie or go to church. This liberation from the strictures of civilized society was a must for an ethically spotty line of work reliant on a mix of trickery, hucksterism, prurience and morbid fascination, a low art form that attracted a certain kind of scuzzy personality. The tents of the sideshow provided a home to thieves, oddballs, creeps, chiselers, dope fiends, conmen, women of ill repute, leches, lushes and any other species of degenerate in need of a paycheck. If vaudevillians were the rock stars of the pre-cinema era, then circus folk were van-dweller punks cutting a swath of blithe misbehavior from gig to gig.

Just before the turn of the 20th century, at the ripe age of 16, a bricklayer’s son named Charles Albert Browning Jr decided that these were his people and abandoned his well-heeled family to join their grubby ranks. He would spend 10 years cutting his teeth as a barker, song-and-dance man, clown and contortionist before rechristening himself Tod, the German word for “death”, conferring a ghastly gravitas. Three years later, he’d take leave of the stage with sights set on the burgeoning silent film industry, but he’d carry the lurid spirit of the big top with him through the rest of an illustrious, disreputable career.

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