Kangana Ranaut-starrer Bharat Bhhagya Viddhaata declared tax-free in Haryana

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Actor and BJP MP Kangana Ranaut's latest film Bharat Bhhagya Viddhaata has received a major boost in Haryana. Chief Minister Nayab Singh Saini announced that the film will be declared tax-free in the state after attending a special screening in Chandigarh. The screening was held on Sunday evening and was attended by Kangana Ranaut, who personally welcomed the Chief Minister upon his arrival. She also briefed him about the film before the screening began. After watching the film, Saini praised its message and said such films should reach a wider audience. Speaking to the media, the Haryana Chief Minister said, "I have said that such motivational films which inspire us should be watched by all of us. We will declare this 'tax-free' in Haryana because this inspires us and makes us feel our duties." #WATCH | Chandigarh: After watching the film 'Bharat Bhagya Vidhata', Haryana CM Nayab Singh Saini says, "I have said that such motivational films which insp...
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Tod Browning: the film-maker who brought the carnival to Hollywood

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A new retrospective offers another chance to appreciate the daring and often deranged films made by a director who was once the centre of a moral panic

When a kid threatens to run away and join the circus, perhaps upon being forced to eat broccoli or go to bed, they’re fantasizing about more than just independence. The traveling carnival offered an alternative way of life that appealed specifically to those uninvested in the politenesses of the grownup world. No one can make a carny shower, wear a tie or go to church. This liberation from the strictures of civilized society was a must for an ethically spotty line of work reliant on a mix of trickery, hucksterism, prurience and morbid fascination, a low art form that attracted a certain kind of scuzzy personality. The tents of the sideshow provided a home to thieves, oddballs, creeps, chiselers, dope fiends, conmen, women of ill repute, leches, lushes and any other species of degenerate in need of a paycheck. If vaudevillians were the rock stars of the pre-cinema era, then circus folk were van-dweller punks cutting a swath of blithe misbehavior from gig to gig.

Just before the turn of the 20th century, at the ripe age of 16, a bricklayer’s son named Charles Albert Browning Jr decided that these were his people and abandoned his well-heeled family to join their grubby ranks. He would spend 10 years cutting his teeth as a barker, song-and-dance man, clown and contortionist before rechristening himself Tod, the German word for “death”, conferring a ghastly gravitas. Three years later, he’d take leave of the stage with sights set on the burgeoning silent film industry, but he’d carry the lurid spirit of the big top with him through the rest of an illustrious, disreputable career.

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