First tickets to Christopher Nolan’s The Odyssey sell out – a year before its 2026 release

The blockbuster adaptation of Homer’s epic has not finished filming and has no official runtime. But super fans – and scalpers – already have seats The first tickets to Christopher Nolan’s take on Homer’s Odyssey have gone on sale – before he’s even finished filming it and a year before the film is even out, in what is likely the longest pre-sale in cinematic history. The Odyssey, which stars Matt Damon as the cunning Odysseus as he fights his way home after the end of the Trojan war, will be released on 17 July 2026. But on Thursday, Imax released tickets to the first screenings at the 26 Imax cinemas around the world that have the staff and equipment required to project in 1570 format. Continue reading... from Film | The Guardian https://ift.tt/Bnfcmkv via IFTTT

Tod Browning: the film-maker who brought the carnival to Hollywood

A new retrospective offers another chance to appreciate the daring and often deranged films made by a director who was once the centre of a moral panic

When a kid threatens to run away and join the circus, perhaps upon being forced to eat broccoli or go to bed, they’re fantasizing about more than just independence. The traveling carnival offered an alternative way of life that appealed specifically to those uninvested in the politenesses of the grownup world. No one can make a carny shower, wear a tie or go to church. This liberation from the strictures of civilized society was a must for an ethically spotty line of work reliant on a mix of trickery, hucksterism, prurience and morbid fascination, a low art form that attracted a certain kind of scuzzy personality. The tents of the sideshow provided a home to thieves, oddballs, creeps, chiselers, dope fiends, conmen, women of ill repute, leches, lushes and any other species of degenerate in need of a paycheck. If vaudevillians were the rock stars of the pre-cinema era, then circus folk were van-dweller punks cutting a swath of blithe misbehavior from gig to gig.

Just before the turn of the 20th century, at the ripe age of 16, a bricklayer’s son named Charles Albert Browning Jr decided that these were his people and abandoned his well-heeled family to join their grubby ranks. He would spend 10 years cutting his teeth as a barker, song-and-dance man, clown and contortionist before rechristening himself Tod, the German word for “death”, conferring a ghastly gravitas. Three years later, he’d take leave of the stage with sights set on the burgeoning silent film industry, but he’d carry the lurid spirit of the big top with him through the rest of an illustrious, disreputable career.

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