BREAKING: Kunal Kohli follows Shekhar Kapur’s footsteps; makes international debut with haunting English film All About Her

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Kunal Kohli, who made a mark with films like Hum Tum (2004) and Fanaa (2006), has now taken a leap, graduating to making international films. In June, he wrapped up the shoot of a British English feature film, All About Her. It stars Hollywood actor Nick Sagar, best known for his role in The Princess Switch film franchise. The female lead is played by British actress Amelia Gething, who caught attention with her performances in Emily and The Spanish Princess. Kunal Kohli opened up about All About Her in an interview with Bombay Times last month. He said, “Directing an English film and working with a full British and international crew is a whole new chapter in my life. Shekhar Kapur has always been my inspiration, and I am hoping this starts a trend of more Indian filmmakers working globally. Though English is not my first language, the experience of directing a film in English has been incredibly rewarding.” He also said, “Shooting a film in the UK with British actors and crew gave m...
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Tod Browning: the film-maker who brought the carnival to Hollywood

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A new retrospective offers another chance to appreciate the daring and often deranged films made by a director who was once the centre of a moral panic

When a kid threatens to run away and join the circus, perhaps upon being forced to eat broccoli or go to bed, they’re fantasizing about more than just independence. The traveling carnival offered an alternative way of life that appealed specifically to those uninvested in the politenesses of the grownup world. No one can make a carny shower, wear a tie or go to church. This liberation from the strictures of civilized society was a must for an ethically spotty line of work reliant on a mix of trickery, hucksterism, prurience and morbid fascination, a low art form that attracted a certain kind of scuzzy personality. The tents of the sideshow provided a home to thieves, oddballs, creeps, chiselers, dope fiends, conmen, women of ill repute, leches, lushes and any other species of degenerate in need of a paycheck. If vaudevillians were the rock stars of the pre-cinema era, then circus folk were van-dweller punks cutting a swath of blithe misbehavior from gig to gig.

Just before the turn of the 20th century, at the ripe age of 16, a bricklayer’s son named Charles Albert Browning Jr decided that these were his people and abandoned his well-heeled family to join their grubby ranks. He would spend 10 years cutting his teeth as a barker, song-and-dance man, clown and contortionist before rechristening himself Tod, the German word for “death”, conferring a ghastly gravitas. Three years later, he’d take leave of the stage with sights set on the burgeoning silent film industry, but he’d carry the lurid spirit of the big top with him through the rest of an illustrious, disreputable career.

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