Sunny Deol to honour real-life changemakers during Batwara 1947 promotional tour across India: Report

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The promotional campaign for Batwara 1947 is underway, with the film's cast travelling across multiple cities ahead of its theatrical release on August 14, 2026. Now, a new report suggests that the makers have planned a unique initiative during the city tour, with lead actor Sunny Deol expected to honour individuals who have made noteworthy contributions to society. Directed by Rajkumar Santoshi and produced under the banner of Aamir Khan Productions, Batwara 1947 stars Shabana Azmi, Sunny Deol and Preity G Zinta in leading roles. Set against the backdrop of the Partition of India, the film explores the human stories that emerged during one of the most defining moments in the subcontinent's history. According to a source associated with the project, the promotional campaign will go beyond conventional film events by recognising real-life changemakers in every city the team visits. “Makers has planned a very special initiative during the Batwara 1947 promotional city tour. In e...
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Tod Browning: the film-maker who brought the carnival to Hollywood

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A new retrospective offers another chance to appreciate the daring and often deranged films made by a director who was once the centre of a moral panic

When a kid threatens to run away and join the circus, perhaps upon being forced to eat broccoli or go to bed, they’re fantasizing about more than just independence. The traveling carnival offered an alternative way of life that appealed specifically to those uninvested in the politenesses of the grownup world. No one can make a carny shower, wear a tie or go to church. This liberation from the strictures of civilized society was a must for an ethically spotty line of work reliant on a mix of trickery, hucksterism, prurience and morbid fascination, a low art form that attracted a certain kind of scuzzy personality. The tents of the sideshow provided a home to thieves, oddballs, creeps, chiselers, dope fiends, conmen, women of ill repute, leches, lushes and any other species of degenerate in need of a paycheck. If vaudevillians were the rock stars of the pre-cinema era, then circus folk were van-dweller punks cutting a swath of blithe misbehavior from gig to gig.

Just before the turn of the 20th century, at the ripe age of 16, a bricklayer’s son named Charles Albert Browning Jr decided that these were his people and abandoned his well-heeled family to join their grubby ranks. He would spend 10 years cutting his teeth as a barker, song-and-dance man, clown and contortionist before rechristening himself Tod, the German word for “death”, conferring a ghastly gravitas. Three years later, he’d take leave of the stage with sights set on the burgeoning silent film industry, but he’d carry the lurid spirit of the big top with him through the rest of an illustrious, disreputable career.

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