EXCLUSIVE: Kartik Aaryan-starrer Naagzilla wraps shoot on a sweet note; Ravi Kishan and team celebrate as Mahaveer Jain, Mrighdeep Singh Lamba say, "Dharma is the BEST company to partner with"

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Bollywood Hungama has been at the forefront of breaking news on Naagzilla. We have now exclusively learned that it’s a wrap on the film’s shoot. Moreover, we also stumbled upon an exclusive picture of the cake that was cut on the last day of filming. A source told Bollywood Hungama, “Most of the shoot of Naagzilla had been completed, but one day of filming remained. It took place yesterday, Sunday, July 26, in Mumbai. Ravi Kishan was present along with director Mrighdeep Singh Lamba, writer Gautam Mehra and co-producer Divyansh Jain. They were jubilant about the wrap but also emotional, as they had shared a fun-filled and memorable journey while making the film. It was a hectic yet highly exciting shoot for the cast and crew.” The source further said, “To celebrate the occasion, a cake bearing the words ‘Naagzilla Film Wrap’ was brought in and enjoyed by the cast and crew. Incidentally, July 25 was director Mrighdeep Singh Lamba’s birthday, which further added to the celebratory mood ...
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Tod Browning: the film-maker who brought the carnival to Hollywood

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A new retrospective offers another chance to appreciate the daring and often deranged films made by a director who was once the centre of a moral panic

When a kid threatens to run away and join the circus, perhaps upon being forced to eat broccoli or go to bed, they’re fantasizing about more than just independence. The traveling carnival offered an alternative way of life that appealed specifically to those uninvested in the politenesses of the grownup world. No one can make a carny shower, wear a tie or go to church. This liberation from the strictures of civilized society was a must for an ethically spotty line of work reliant on a mix of trickery, hucksterism, prurience and morbid fascination, a low art form that attracted a certain kind of scuzzy personality. The tents of the sideshow provided a home to thieves, oddballs, creeps, chiselers, dope fiends, conmen, women of ill repute, leches, lushes and any other species of degenerate in need of a paycheck. If vaudevillians were the rock stars of the pre-cinema era, then circus folk were van-dweller punks cutting a swath of blithe misbehavior from gig to gig.

Just before the turn of the 20th century, at the ripe age of 16, a bricklayer’s son named Charles Albert Browning Jr decided that these were his people and abandoned his well-heeled family to join their grubby ranks. He would spend 10 years cutting his teeth as a barker, song-and-dance man, clown and contortionist before rechristening himself Tod, the German word for “death”, conferring a ghastly gravitas. Three years later, he’d take leave of the stage with sights set on the burgeoning silent film industry, but he’d carry the lurid spirit of the big top with him through the rest of an illustrious, disreputable career.

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