Janhvi Kapoor charged Rs. 8 crores to act with Ram Charan in Peddi 

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In the midst of all the controversy around her character and its portrayal in the Buchi Babu-directed Peddi, Bollywood Hungama has exclusively learnt that Janhvi Kapoor drew her biggest pay cheque for the film. According to reliable trade sources, the actress was paid a sum of Rs. 8 crores for the part of female lead alongside Ram Charan. "This is the biggest pay cheque of her career, and she was a thorough professional on the sets of Peddi. She was paid Rs. 5 crores for Devara, and this is a jump of about 50 per cent from Devara. With back-to-back success in the Telugu film industry with Devara and Peddi, Janhvi is considered to be the woman with a golden leg in the fraternity, commanding a 100 per cent success ratio," a trade source informed Bollywood Hungama. The source further added that Janhvi will next be seen in Atlee-directed Raka alongside Allu Arjun. In Hindi, she will next be seen in Lag Ja Gale with Tiger Shroff and Lakshya. "Janhvi is offered multiple proje...
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Tod Browning: the film-maker who brought the carnival to Hollywood

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A new retrospective offers another chance to appreciate the daring and often deranged films made by a director who was once the centre of a moral panic

When a kid threatens to run away and join the circus, perhaps upon being forced to eat broccoli or go to bed, they’re fantasizing about more than just independence. The traveling carnival offered an alternative way of life that appealed specifically to those uninvested in the politenesses of the grownup world. No one can make a carny shower, wear a tie or go to church. This liberation from the strictures of civilized society was a must for an ethically spotty line of work reliant on a mix of trickery, hucksterism, prurience and morbid fascination, a low art form that attracted a certain kind of scuzzy personality. The tents of the sideshow provided a home to thieves, oddballs, creeps, chiselers, dope fiends, conmen, women of ill repute, leches, lushes and any other species of degenerate in need of a paycheck. If vaudevillians were the rock stars of the pre-cinema era, then circus folk were van-dweller punks cutting a swath of blithe misbehavior from gig to gig.

Just before the turn of the 20th century, at the ripe age of 16, a bricklayer’s son named Charles Albert Browning Jr decided that these were his people and abandoned his well-heeled family to join their grubby ranks. He would spend 10 years cutting his teeth as a barker, song-and-dance man, clown and contortionist before rechristening himself Tod, the German word for “death”, conferring a ghastly gravitas. Three years later, he’d take leave of the stage with sights set on the burgeoning silent film industry, but he’d carry the lurid spirit of the big top with him through the rest of an illustrious, disreputable career.

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