Deepak Tijori shuts down rumours surrounding Rahul Roy’s well-being: “He is perfectly safe and fine”

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Actor Deepak Tijori has spoken out in support of his longtime friend and Aashiqui co-star Rahul Roy, dismissing recent speculation surrounding the actor’s health and well-being. Rahul Roy has been in the spotlight in recent weeks after several social media videos featuring him went viral. The clips sparked mixed reactions online, with some fans expressing concern about his physical condition and speech, while others criticized the content. The discussions gained momentum due to Rahul's history of a brain stroke in 2020, from which he has been recovering over the past few years. Amid the ongoing conversation, Deepak Tijori has clarified that there is no cause for concern and that Rahul is doing well. Speaking to IANS, Deepak said, “I am in regular touch with Roy. Roy is still my brother, my friend, and he is perfectly safe; he is perfectly fine. It's just people making news for no reason. There is no such thing that has been written about him.” The statement comes shortly after...
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Tod Browning: the film-maker who brought the carnival to Hollywood

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A new retrospective offers another chance to appreciate the daring and often deranged films made by a director who was once the centre of a moral panic

When a kid threatens to run away and join the circus, perhaps upon being forced to eat broccoli or go to bed, they’re fantasizing about more than just independence. The traveling carnival offered an alternative way of life that appealed specifically to those uninvested in the politenesses of the grownup world. No one can make a carny shower, wear a tie or go to church. This liberation from the strictures of civilized society was a must for an ethically spotty line of work reliant on a mix of trickery, hucksterism, prurience and morbid fascination, a low art form that attracted a certain kind of scuzzy personality. The tents of the sideshow provided a home to thieves, oddballs, creeps, chiselers, dope fiends, conmen, women of ill repute, leches, lushes and any other species of degenerate in need of a paycheck. If vaudevillians were the rock stars of the pre-cinema era, then circus folk were van-dweller punks cutting a swath of blithe misbehavior from gig to gig.

Just before the turn of the 20th century, at the ripe age of 16, a bricklayer’s son named Charles Albert Browning Jr decided that these were his people and abandoned his well-heeled family to join their grubby ranks. He would spend 10 years cutting his teeth as a barker, song-and-dance man, clown and contortionist before rechristening himself Tod, the German word for “death”, conferring a ghastly gravitas. Three years later, he’d take leave of the stage with sights set on the burgeoning silent film industry, but he’d carry the lurid spirit of the big top with him through the rest of an illustrious, disreputable career.

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