Tiger Shroff, Abhishek Banerjee, and Elvish Yadav team up for Remo D'Souza's action franchise as Viccky Jain launches VJ Frames

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Producer and entrepreneur Viccky Jain has announced the launch of his production house, VJ Frames, marking the beginning of a new chapter in his career as a filmmaker. Making the announcement on his birthday, Jain also revealed the banner's maiden project—an ambitious action franchise that will be directed by choreographer-filmmaker Remo D'Souza and feature Tiger Shroff, Abhishek Banerjee, and Elvish Yadav in lead roles. The newly launched banner aims to back commercial entertainers across genres, with its debut project expected to combine action, spectacle and mainstream storytelling. While the makers have kept plot details under wraps, the announcement has already generated curiosity owing to the unusual casting combination of Tiger Shroff, known for his action-packed performances, alongside versatile actor Abhishek Banerjee and content creator-turned-actor Elvish Yadav. Speaking about the launch of VJ Frames, Viccky Jain described the occasion as the fulfilment of a long-ch...
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Tod Browning: the film-maker who brought the carnival to Hollywood

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A new retrospective offers another chance to appreciate the daring and often deranged films made by a director who was once the centre of a moral panic

When a kid threatens to run away and join the circus, perhaps upon being forced to eat broccoli or go to bed, they’re fantasizing about more than just independence. The traveling carnival offered an alternative way of life that appealed specifically to those uninvested in the politenesses of the grownup world. No one can make a carny shower, wear a tie or go to church. This liberation from the strictures of civilized society was a must for an ethically spotty line of work reliant on a mix of trickery, hucksterism, prurience and morbid fascination, a low art form that attracted a certain kind of scuzzy personality. The tents of the sideshow provided a home to thieves, oddballs, creeps, chiselers, dope fiends, conmen, women of ill repute, leches, lushes and any other species of degenerate in need of a paycheck. If vaudevillians were the rock stars of the pre-cinema era, then circus folk were van-dweller punks cutting a swath of blithe misbehavior from gig to gig.

Just before the turn of the 20th century, at the ripe age of 16, a bricklayer’s son named Charles Albert Browning Jr decided that these were his people and abandoned his well-heeled family to join their grubby ranks. He would spend 10 years cutting his teeth as a barker, song-and-dance man, clown and contortionist before rechristening himself Tod, the German word for “death”, conferring a ghastly gravitas. Three years later, he’d take leave of the stage with sights set on the burgeoning silent film industry, but he’d carry the lurid spirit of the big top with him through the rest of an illustrious, disreputable career.

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