Firing reported outside Rohit Shetty’s Juhu residence; police investigate

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Early Sunday morning, unidentified individuals fired several gunshots outside the home of Bollywood filmmaker Rohit Shetty in the Juhu area of western Mumbai, prompting an immediate police response and a detailed investigation. According to police sources, the incident occurred at around 12:45 am, when multiple rounds were discharged near Shetty’s residential building. Initial reports indicate that four to five shots were fired, though the precise number of rounds remains under verification by authorities. Mumbai Police, along with crime branch teams, responded swiftly to the scene. Security around the building was heightened, and investigators cordoned off the area as a precautionary measure. Forensic experts and ballistic teams were reportedly brought in to collect evidence, and CCTV footage from the surrounding area is being reviewed to trace the movements of the suspects. #WATCH | Mumbai, Maharashtra | Police and forensic teams reach Director Rohit Shetty's residence, after ...
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Tod Browning: the film-maker who brought the carnival to Hollywood

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A new retrospective offers another chance to appreciate the daring and often deranged films made by a director who was once the centre of a moral panic

When a kid threatens to run away and join the circus, perhaps upon being forced to eat broccoli or go to bed, they’re fantasizing about more than just independence. The traveling carnival offered an alternative way of life that appealed specifically to those uninvested in the politenesses of the grownup world. No one can make a carny shower, wear a tie or go to church. This liberation from the strictures of civilized society was a must for an ethically spotty line of work reliant on a mix of trickery, hucksterism, prurience and morbid fascination, a low art form that attracted a certain kind of scuzzy personality. The tents of the sideshow provided a home to thieves, oddballs, creeps, chiselers, dope fiends, conmen, women of ill repute, leches, lushes and any other species of degenerate in need of a paycheck. If vaudevillians were the rock stars of the pre-cinema era, then circus folk were van-dweller punks cutting a swath of blithe misbehavior from gig to gig.

Just before the turn of the 20th century, at the ripe age of 16, a bricklayer’s son named Charles Albert Browning Jr decided that these were his people and abandoned his well-heeled family to join their grubby ranks. He would spend 10 years cutting his teeth as a barker, song-and-dance man, clown and contortionist before rechristening himself Tod, the German word for “death”, conferring a ghastly gravitas. Three years later, he’d take leave of the stage with sights set on the burgeoning silent film industry, but he’d carry the lurid spirit of the big top with him through the rest of an illustrious, disreputable career.

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