The brief life and sudden death of Zyzz: why did the bodybuilding influencer die at just 22?

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Long before looksmaxxers, Aziz ‘Zyzz’ Shavershian was famous online for posting workouts and rage-bait – until he died in Thailand in 2011. A new documentary reveals what really happened Decades before the extreme aesthetic trend of looksmaxxing, there was Zyzz. Aziz Shavershian was an Australian teenager who became a fitness influencer in the 2000s, filming his workouts and thoughts about the world on his Nokia and posting them to YouTube. Zyzz was big in all senses of the word: many of his videos would see him flexing into unabashedly vain bodybuilding poses, hair feathered like an anime character, as he mocked his audience’s envy with slang straight out of bodybuilding forums: “U mirin’, brah?” He was skilled in rage-bait long before anyone had heard of it, creating accounts to troll himself in case the haters ever forgot to hate. He started an anonymous Facebook page, titled “10,000 likes and I’ll bash Zyzz”, and, when the goal was reached, switched the page to one advertising his ...
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Tod Browning: the film-maker who brought the carnival to Hollywood

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A new retrospective offers another chance to appreciate the daring and often deranged films made by a director who was once the centre of a moral panic

When a kid threatens to run away and join the circus, perhaps upon being forced to eat broccoli or go to bed, they’re fantasizing about more than just independence. The traveling carnival offered an alternative way of life that appealed specifically to those uninvested in the politenesses of the grownup world. No one can make a carny shower, wear a tie or go to church. This liberation from the strictures of civilized society was a must for an ethically spotty line of work reliant on a mix of trickery, hucksterism, prurience and morbid fascination, a low art form that attracted a certain kind of scuzzy personality. The tents of the sideshow provided a home to thieves, oddballs, creeps, chiselers, dope fiends, conmen, women of ill repute, leches, lushes and any other species of degenerate in need of a paycheck. If vaudevillians were the rock stars of the pre-cinema era, then circus folk were van-dweller punks cutting a swath of blithe misbehavior from gig to gig.

Just before the turn of the 20th century, at the ripe age of 16, a bricklayer’s son named Charles Albert Browning Jr decided that these were his people and abandoned his well-heeled family to join their grubby ranks. He would spend 10 years cutting his teeth as a barker, song-and-dance man, clown and contortionist before rechristening himself Tod, the German word for “death”, conferring a ghastly gravitas. Three years later, he’d take leave of the stage with sights set on the burgeoning silent film industry, but he’d carry the lurid spirit of the big top with him through the rest of an illustrious, disreputable career.

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