SCOOP: Shah Rukh Khan and Siddharth Anand LOCK Christmas 2026 release for King; Announcement on the way

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After the historic success of Pathaan, Shah Rukh Khan and Siddharth Anand are reuniting for the second time on King. The film rides on a stellar star-cast with Shah Rukh Khan, Deepika Padukone, Anil Kapoor, Rani Mukerji, Abhishek Bachchan, Jaideep Ahlawat, Arshad Warsi, Suhana Khan and Abhay Verma among others. Over the last few days, there has been a historic buzz around the release date of this tentpole actioner. Bollywood Hungama is bringing to all the readers an exclusive scoop on King. Reliable sources have confirmed that Shah Rukh Khan and Siddharth Anand have locked a Christmas 2026 release for King. "The duo of SRK and Sid were brainstorming several options for their release, and the two in the forefront were - December 4 and December 25. After weighing all options, they have locked a Christmas 2026 release for their action packed entertainer." The source also informed us further that the film is skipping the iconic December 4 window due to Ramayana. "SRK and S...
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The Gallery review – bloody interactive treatise on post-Brexit Britain

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Viewers can choose the outcome of the characters in this cleverly assembled art-world thriller available on PC, console and your local screen

Interactive cinema has existed since the 1967 Czech film Kinoautomat, but remains niche, despite a brief flare-up of interest around Charlie Brooker’s choose-your-own-adventure Black Mirror episode Bandersnatch. British director Paul Raschid – ambitiously for a 30-year-old – specialises in tending these mind-boggling gardens of forking paths. His latest The Gallery is a trenchant and thoughtful post-Brexit treatise that can be played on PCs and consoles, but it’s also doing the rounds in cinemas, where the group experience – including voting by glowstick – could work something like a referendum on modern Britain, given the film’s state-of-the-nation bent.

The Gallery has two separate but symmetrical timelines in 1981 and 2021. Plus ça change: both spotlight a reeling and fractured Britain in which the Argyle Manor gallery, about to put on a portrait exhibition, becomes a microcosm for their respective social tensions. In the 1981 timeline, Morgan (Anna Popplewell), a young gallerist in a twinset, is taken hostage by bitter northern painter and would-be revolutionary Dorian (George Blagden). In 2021, Popplewell and Blagden switch roles, but the dilemma is the same: cede to the hostage-taker’s demands to hand over a prize portrait (of Thatcher in the first timeline; of a social-media influencer in the second), or get “Jackson Pollocked” by the bomb under their chair.

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