BMC issues notice to Mithun Chakraborty over alleged illegal construction in Malad

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The Brihanmumbai Municipal Corporation (BMC) has sent a show cause notice to actor and BJP leader Mithun Chakraborty for allegedly building an illegal structure in Malad’s Madh area. The notice says that a ground-floor structure was built on a plot in Erangle village without the required permission from the authorities. The BMC has asked Mithun Chakraborty to explain the changes made to the property. If he fails to give a proper explanation, the structure could be demolished. The BMC has also warned of possible legal action. This action is part of a larger crackdown on unauthorised constructions in the Madh area. So far, the BMC has identified 101 illegal structures in the locality. These include bungalows built using fake documents. The civic body plans to demolish all illegal constructions by the end of May. According to civic officials, during a recent inspection near the Hira Devi Mandir in Erangle village, they found two one-plus-mezzanine-storey buildings, one ground-floor str...
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The Gallery review – bloody interactive treatise on post-Brexit Britain

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Viewers can choose the outcome of the characters in this cleverly assembled art-world thriller available on PC, console and your local screen

Interactive cinema has existed since the 1967 Czech film Kinoautomat, but remains niche, despite a brief flare-up of interest around Charlie Brooker’s choose-your-own-adventure Black Mirror episode Bandersnatch. British director Paul Raschid – ambitiously for a 30-year-old – specialises in tending these mind-boggling gardens of forking paths. His latest The Gallery is a trenchant and thoughtful post-Brexit treatise that can be played on PCs and consoles, but it’s also doing the rounds in cinemas, where the group experience – including voting by glowstick – could work something like a referendum on modern Britain, given the film’s state-of-the-nation bent.

The Gallery has two separate but symmetrical timelines in 1981 and 2021. Plus ça change: both spotlight a reeling and fractured Britain in which the Argyle Manor gallery, about to put on a portrait exhibition, becomes a microcosm for their respective social tensions. In the 1981 timeline, Morgan (Anna Popplewell), a young gallerist in a twinset, is taken hostage by bitter northern painter and would-be revolutionary Dorian (George Blagden). In 2021, Popplewell and Blagden switch roles, but the dilemma is the same: cede to the hostage-taker’s demands to hand over a prize portrait (of Thatcher in the first timeline; of a social-media influencer in the second), or get “Jackson Pollocked” by the bomb under their chair.

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