From Melania to Kid Rock’s halftime show: why is Maga art so dreadful?

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As the right stokes culture wars, their alternatives to ‘woke’ Hollywood prove to be shoddily made and uninspired It’s not fair, what they did to rightwing folks on Super Bowl Sunday. Regular viewers could either take in an elaborate and joyful halftime performance from Puerto Rican recording artist Bad Bunny , one of the most popular music stars in the world, or, if they weren’t interested in football or in Bad Bunny ’s music, they could quietly find something else to watch or listen to. There are a lot of options out there. Those who wanted to prove their Maga bona fides or loyalties, however, may have felt obligated to watch a parade of similar-sounding country singers lead into a performance from a shorts-wearing Kid Rock , jumping around and seemingly lip-syncing to a novelty hit from 1999. For rightwingers who couldn’t stomach the Spanish lyrics to Bad Bunny songs, they could take comfort in the clear English of the man also known as Robert Ritchie: “Bawitdaba, da-bang, da-ban...
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The Five Devils review – superpower sense of smell in intriguingly weird psychodrama

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A child’s Perfume-style ability enables her to witness emotional crises in her parents’ past, in this disquieting movie

There are some intriguing ingredients in the mix for this weird, contrived supernatural psychodrama from French director Léa Mysius; some strong performances too, and a genuinely stunning final image. For good or ill, I can imagine M Night Shyamalan wanting to remake it for Hollywood. But somehow it doesn’t all come together, delivering neither the stab of actual fear nor the satisfaction of real, plausible psychological insight.

The setting is Isère near the French Alps. The always excellent Adèle Exarchopoulos carries the movie in the role of Joanne; she works at the local sports centre and is unhappily married to Jimmy (Moustapha Mbengue), a guy from Senegal. The tensions in their marriage are made much worse when Jimmy reveals that his sister Julia (Swala Emati) is coming to stay; a disturbed woman whose history with them both is disquieting. And under all this is the extraordinary figure of their 10-year-old daughter Vicky (Sally Dramé) who is subject to racist bullying at school and has a superpower sense of smell: she can recognise anything from its scent, like the hero of Patrick Süskind’s novel Perfume or Dr Hannibal Lecter.

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