Breaking the Cycle review – meet the charismatic Thai politician striving to change his country’s history

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Gripping documentary examines the Future Forward Party’s unprecedented 2019 election result, and its leader’s aim to break Thailand’s repeated military coups With his disarming good looks, pro-democracy activist and businessman Thanathorn Juangroongruangkit resembles an actor rather than a typical Thai politician. Heir to the country’s largest car manufacturer, he is blessed not only with personable charisma but also inexhaustible funds. His stunning rise into public consciousness is the beating heart of Aekaphong Saransate and Thanakrit Duangmaneeporn’s debut film, a thrilling documentary about an extraordinary political campaign that shook a nation. As founder of the progressive Future Forward Party (FFP), Juangroongruangkit’s central message cut through the noise of electoral politics: secure a brighter future by correcting the wrongs of the past. Since the end of absolute monarchy in 1932, Thailand has undergone a never-ending cycle of military takeovers, including 12 coups. Dur...
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Riotsville, USA review – disquieting study of police tactics to deal with social unrest

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Echoing the work of Adam Curtis, film-maker Sierra Pettengill curates archive footage from riot-torn 60s America to create an unsettling picture of the authorities’ response

As if in a seance or hypnotic trance, Sierra Pettengill conjures the ambient voices of the riot-torn United States in the 1960s, traumatised by the uproar in Watts, Chicago, Newark and Detroit. She curates archive TV discussion show clips and newsreel footage of the times, including some quite extraordinary contemporary reports about the “Riotsville” imitation towns that the US army built to practise anti-riot techniques. These were complete with audience bleachers in which an invited crowd of military brass could approvingly watch a full-scale re-enactment of the Watts riot – a bizarre theatrical fantasy in which the disorder was swiftly and efficiently brought under control. (Jesse Moss and Tony Gerber’s 2008 film Full Battle Rattle discussed the fake Iraqi town built in the Mojave Desert for very similar reasons.)

Pettengill also shows us TV reports on Lyndon B Johnson’s Kerner commission which was tasked with looking into the causes of the riots, but whose findings resulted chiefly in increased federal funding for the police. The authorities were obsessed with the largely illusory threats of “snipers”, whose supposed presence justified police and army intrusions and attacks on private property. She shows us earnest but intensely angry discussion shows aired by PBL, the Public Broadcast Laboratory (a precursor to PBS) which ventilated the rage felt by African Americans over civil rights, and was shut down when its sponsor, the Ford Foundation, withdrew funding.

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