BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

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A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
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Riotsville, USA review – disquieting study of police tactics to deal with social unrest

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Echoing the work of Adam Curtis, film-maker Sierra Pettengill curates archive footage from riot-torn 60s America to create an unsettling picture of the authorities’ response

As if in a seance or hypnotic trance, Sierra Pettengill conjures the ambient voices of the riot-torn United States in the 1960s, traumatised by the uproar in Watts, Chicago, Newark and Detroit. She curates archive TV discussion show clips and newsreel footage of the times, including some quite extraordinary contemporary reports about the “Riotsville” imitation towns that the US army built to practise anti-riot techniques. These were complete with audience bleachers in which an invited crowd of military brass could approvingly watch a full-scale re-enactment of the Watts riot – a bizarre theatrical fantasy in which the disorder was swiftly and efficiently brought under control. (Jesse Moss and Tony Gerber’s 2008 film Full Battle Rattle discussed the fake Iraqi town built in the Mojave Desert for very similar reasons.)

Pettengill also shows us TV reports on Lyndon B Johnson’s Kerner commission which was tasked with looking into the causes of the riots, but whose findings resulted chiefly in increased federal funding for the police. The authorities were obsessed with the largely illusory threats of “snipers”, whose supposed presence justified police and army intrusions and attacks on private property. She shows us earnest but intensely angry discussion shows aired by PBL, the Public Broadcast Laboratory (a precursor to PBS) which ventilated the rage felt by African Americans over civil rights, and was shut down when its sponsor, the Ford Foundation, withdrew funding.

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