Siddhant Chaturvedi’s Netflix film Ramree, backed by Ajay Devgn, shelved due to budget constraints: Report

After earning acclaim for his performance in Dhadak 2, Siddhant Chaturvedi seemed set to continue his momentum with Ramree, a two-hero OTT project backed by Ajay Devgn. However, the ambitious period drama has now reportedly been shelved before going on floors. According to a report by Mid-Day, Ramree was conceived as a large-scale film set in 1945. The project, which had been under development for over a year, aimed to blend historical events with cinematic storytelling. However, given its elaborate setting and production requirements, the film’s mounting budget became a major hurdle. A source close to the development told the publication, “For an OTT film, this would have set a benchmark in scale and imagination, but budget constraints caught up with it. Even though the platform heads were excited about the story, there was too much at stake financially. So, they decided not to move forward with it.” Another insider offered a different perspective, suggesting that Ramree never reac...

Please Baby Please review – Andrea Riseborough leads retro reverie of vamp and camp

Riseborough and Harry Melling play a couple who get off on violence in an oddball, over-saturated thriller with a surprise cameo from Demi Moore

A rocky-horror sexual awakening is promised in Amanda Kramer’s initially interesting but ultimately laborious queer reverie of 50s and 60s style, like a theatrical daydream as experienced by Anybodys, from West Side Story. The long dissolve fades and blue-lit nightclub scenes are amusingly Lynchian, as is the very stylish and all-too-brief cameo from Demi Moore as a mysterious and worldly neighbour called Maureen. But the film feels over-determined and self-satisfied.

Andrea Riseborough and Harry Melling play Suze and Arthur, a couple with liberal, bohemian tastes who live in a rough part of town and like going to beatnik poetry clubs. But passionate, slinky Suze is unsatisfied with her milksop husband Arthur; he rejects caveman masculinity and quotes Hamlet: “Man delights not me, no nor woman neither …” (Their apartment has the Shakespearean number 2B.) Then one evening they chance across a gang of murderous delinquents, led by Brandoesque tough guy Teddy (Karl Glusman) and something in his thrillingly criminal muscularity excites Suze and Arthur.

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