Little Trouble Girls review – monstrous choirmaster spikes a sublime Catholic coming-of-age tale

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Utterly absorbing Slovenian debut reinvents the cliched idea of a Catholic girl’s sexual awakening, and proves that no teacher can be as cruel as a music teacher This elegant and mysterious debut from Slovenian director Urška Djukić, with its superb musical score and sound design, reinvents the cliched idea of a Catholic girl’s sexual awakening. It’s also proof, if proof were needed, that no teacher in the world can be as cruel and abusive as a music teacher. We have already seen JK Simmons’ terrifying jazz instructor in Damien Chazelle’s Whiplash and Isabelle Huppert’s keyboard monster in Michael Haneke’s The Piano Teacher; now there is Slovenian actor and musician Saša Tabaković playing a demanding, yet insidious choirmaster in charge of a group of talented, vulnerable teenage girls. The film incidentally has a lesson for any teenage person watching: if a music teacher asks you to sit next to them on the piano stool with no one else in the room and murmurs “You can confide in me” … ...
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Please Baby Please review – Andrea Riseborough leads retro reverie of vamp and camp

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Riseborough and Harry Melling play a couple who get off on violence in an oddball, over-saturated thriller with a surprise cameo from Demi Moore

A rocky-horror sexual awakening is promised in Amanda Kramer’s initially interesting but ultimately laborious queer reverie of 50s and 60s style, like a theatrical daydream as experienced by Anybodys, from West Side Story. The long dissolve fades and blue-lit nightclub scenes are amusingly Lynchian, as is the very stylish and all-too-brief cameo from Demi Moore as a mysterious and worldly neighbour called Maureen. But the film feels over-determined and self-satisfied.

Andrea Riseborough and Harry Melling play Suze and Arthur, a couple with liberal, bohemian tastes who live in a rough part of town and like going to beatnik poetry clubs. But passionate, slinky Suze is unsatisfied with her milksop husband Arthur; he rejects caveman masculinity and quotes Hamlet: “Man delights not me, no nor woman neither …” (Their apartment has the Shakespearean number 2B.) Then one evening they chance across a gang of murderous delinquents, led by Brandoesque tough guy Teddy (Karl Glusman) and something in his thrillingly criminal muscularity excites Suze and Arthur.

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