‘David Lynch altered our brains’: fellow directors, friends and fans remember a titan of cinema

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His unique, twisted visions shocked and seduced generations of filmgoers. Paul Schrader, Abel Ferrara, Coralie Fargeat and more pay tribute • Ranked: David Lynch’s films and TV shows • Cigarettes were Lynch’s magic wand – and his undoing Paul Schrader, director Continue reading... from Film | The Guardian https://ift.tt/GMHZC9Q via IFTTT
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Please Baby Please review – Andrea Riseborough leads retro reverie of vamp and camp

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Riseborough and Harry Melling play a couple who get off on violence in an oddball, over-saturated thriller with a surprise cameo from Demi Moore

A rocky-horror sexual awakening is promised in Amanda Kramer’s initially interesting but ultimately laborious queer reverie of 50s and 60s style, like a theatrical daydream as experienced by Anybodys, from West Side Story. The long dissolve fades and blue-lit nightclub scenes are amusingly Lynchian, as is the very stylish and all-too-brief cameo from Demi Moore as a mysterious and worldly neighbour called Maureen. But the film feels over-determined and self-satisfied.

Andrea Riseborough and Harry Melling play Suze and Arthur, a couple with liberal, bohemian tastes who live in a rough part of town and like going to beatnik poetry clubs. But passionate, slinky Suze is unsatisfied with her milksop husband Arthur; he rejects caveman masculinity and quotes Hamlet: “Man delights not me, no nor woman neither …” (Their apartment has the Shakespearean number 2B.) Then one evening they chance across a gang of murderous delinquents, led by Brandoesque tough guy Teddy (Karl Glusman) and something in his thrillingly criminal muscularity excites Suze and Arthur.

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