Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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Michael Haneke films – ranked!

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The Austrian auteur has made his name with disturbing and superb studies of the violence and repression of bourgeois life. As he turns 81, we rate his finest films

An early, and relatively minor, Haneke showing 71 “fragments” – or glimpses of apparently unrelated scenes and people – set in present-day Vienna. These involve a security guard, a troubled young man, a depressed retiree and a Romanian illegal immigrant. So what’s tying them all together? The answer is partially given at the beginning and fully at the end, and the movie gives us Haneke’s keynote themes: the nature of violence, urban alienation, the abolition of compassion and community in capitalism and western hypocrisy in primly looking away from injustice and desolation in other parts of the world. But the backstory twist ending – similar to the one Krzysztof Kieślowski in effect gave us the same year in Three Colours Red – is a bit pat.

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