From Melania to Kid Rock’s halftime show: why is Maga art so dreadful?

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As the right stokes culture wars, their alternatives to ‘woke’ Hollywood prove to be shoddily made and uninspired It’s not fair, what they did to rightwing folks on Super Bowl Sunday. Regular viewers could either take in an elaborate and joyful halftime performance from Puerto Rican recording artist Bad Bunny , one of the most popular music stars in the world, or, if they weren’t interested in football or in Bad Bunny ’s music, they could quietly find something else to watch or listen to. There are a lot of options out there. Those who wanted to prove their Maga bona fides or loyalties, however, may have felt obligated to watch a parade of similar-sounding country singers lead into a performance from a shorts-wearing Kid Rock , jumping around and seemingly lip-syncing to a novelty hit from 1999. For rightwingers who couldn’t stomach the Spanish lyrics to Bad Bunny songs, they could take comfort in the clear English of the man also known as Robert Ritchie: “Bawitdaba, da-bang, da-ban...
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Michael Haneke films – ranked!

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The Austrian auteur has made his name with disturbing and superb studies of the violence and repression of bourgeois life. As he turns 81, we rate his finest films

An early, and relatively minor, Haneke showing 71 “fragments” – or glimpses of apparently unrelated scenes and people – set in present-day Vienna. These involve a security guard, a troubled young man, a depressed retiree and a Romanian illegal immigrant. So what’s tying them all together? The answer is partially given at the beginning and fully at the end, and the movie gives us Haneke’s keynote themes: the nature of violence, urban alienation, the abolition of compassion and community in capitalism and western hypocrisy in primly looking away from injustice and desolation in other parts of the world. But the backstory twist ending – similar to the one Krzysztof Kieślowski in effect gave us the same year in Three Colours Red – is a bit pat.

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